雍正粉彩仕女图研究
发布时间：2018-07-17 06:05
【摘要】：本文以雍正粉彩仕女画为切入点，综合运用分类学、图像学、艺术学、艺术社会学等方法，，阐述了仕女形象的造型观念，分析了丰富多彩的造型样式及其发展变化，揭示了雍正时期粉彩画仕女形象深刻的审美意蕴和文化内涵。并通过对雍正粉彩的艺术特征，粉彩人物仕女图在陶瓷装饰上的技法与表现等方面的具体展示分析，揭示了文人理想和女仙高洁，文人失意和闺中幽怨等深层次的关系。从而使我们对粉彩仕女形象与当时特定时代社会生活及文化思想的关系有更深程度的理解。并对其技艺传承和艺术创新之间的突出矛盾进行了探索和思考，进而站在技艺传承与文化再生的高度来探寻雍正粉彩人物仕女画艺术创新之路。
[Abstract]:This paper takes Yongzheng Pink Lady painting as the breakthrough point, synthetically uses the taxonomy, the image science, the art sociology and so on, elaborated the modelling idea of the lady image, analyzed the rich and colorful modelling style and its development change. It reveals the profound aesthetic meaning and cultural connotation of the beautiful woman image in Yongzheng period. Through the analysis of the artistic characteristics of Yongzheng Pink, the technique and expression of the painting of the Pink characters in the ceramic decoration, this paper reveals the deep relationship between the literati ideal and the female immortals Gao Jie, the literati frustration and the secluded resentment in the boudoir. So that we have a deeper understanding of the relationship between the image of women in pink color and the social life and cultural thought of the specific era at that time. And it explores and ponders the outstanding contradiction between its skill inheritance and artistic innovation, and then explores the artistic innovation road of Yongzheng Pink figures painting from the height of technology inheritance and cultural regeneration.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J211.25
[Abstract]:This paper takes Yongzheng Pink Lady painting as the breakthrough point, synthetically uses the taxonomy, the image science, the art sociology and so on, elaborated the modelling idea of the lady image, analyzed the rich and colorful modelling style and its development change. It reveals the profound aesthetic meaning and cultural connotation of the beautiful woman image in Yongzheng period. Through the analysis of the artistic characteristics of Yongzheng Pink, the technique and expression of the painting of the Pink characters in the ceramic decoration, this paper reveals the deep relationship between the literati ideal and the female immortals Gao Jie, the literati frustration and the secluded resentment in the boudoir. So that we have a deeper understanding of the relationship between the image of women in pink color and the social life and cultural thought of the specific era at that time. And it explores and ponders the outstanding contradiction between its skill inheritance and artistic innovation, and then explores the artistic innovation road of Yongzheng Pink figures painting from the height of technology inheritance and cultural regeneration.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J211.25
【参考文献】
相关期刊论文 前8条
1 王宗英;;明清仕女画的特征[J];大连大学学报;2006年05期
2 赵宪章;;传媒时代的“语-图”互文研究[J];江西社会科学;2007年09期
3 王树村;iJ柳青民晸年画画
本文编号：2129338
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2129338.html
