吴宏山水画研究
发布时间：2018-07-18 10:59
【摘要】：本文从吴宏的山水画创作背景、山水画的特点以及结合吴宏山水画研究展开的“黄土高原主题创作”实践等三方面着手,进而对其山水画进行研究。旨在对吴宏的山水画有较全面的分析论述。吴宏,字“远度”。在多部历史文献记载中他都被称为“金陵八家”之一。在金陵八家中,他的画风最为粗放,与时风相距最远。吴宏山水画多取材于自然景观及其仰慕的桃花源仙境。本文通过对吴宏现存作品与相关文献资料的梳理,首先,对吴宏山水画创作的绘画背景和生平游历进行分析,加强了对其人品与画品的了解与认识;其次,对吴宏的山水画成因进行研究,总结出是与“金陵派”雅集描绘金陵盛景、与“雪苑社”探讨师法宋元古意、与“武林画派”切磋尝试山水新法等三方面有关;然后,运用史料及图像分析法对吴宏的山水画特点进行研究,得出了其山水画的三个基本特点,分别是:“气势雄浑的金陵盛景描绘、新旧并存的村虚景观表现、不拘一格的作画纸张选择”。最后,从吴宏山水画研究成果出发,论述了结合吴宏山水画展开的“黄土高原主题创作实践”,归纳出“用黄土画黄土塬”的研究思路与“就地取材、就地取形、就地创作”的创作思路,用所获理论知识指导了山水画创作实践。
[Abstract]:This article starts from Wu Hong's landscape painting creation background, the landscape painting characteristic as well as unifies Wu Hong landscape painting research to launch "the loess plateau theme creation" the practice and so on three aspects, then carries on the research to its landscape painting. The purpose of Wu Hong's landscape painting has a more comprehensive analysis and discussion. Wu Hong, the word "distance". In many historical records, he is known as one of the eight Jinling families. In Jinling eight homes, his painting style is the most extensive, and the longest distance between the wind. Wu Hong landscape paintings from the natural landscape and admire the Taoyuan Wonderland. Through combing the existing works and related documents of Wu Hong, first of all, it analyzes the painting background and life experience of Wu Hong's landscape painting creation, and strengthens the understanding and understanding of his character and painting. By studying the causes of Wu Hong's landscape painting, it is concluded that it is related to three aspects: the elegant collection of "Jinling School" depicts the prosperous scenery of Jinling, the discussion of the ancient meaning of "Xue Yuan Society", and the discussion of "Wulin painting School" on the new method of landscape painting, and so on. The characteristics of Wu Hong's landscape paintings are studied by using historical data and image analysis, and three basic characteristics of his landscape paintings are obtained. They are as follows: "the vigorous description of Jinling prosperity, the village virtual landscape performance of the coexistence of the new and the old," Don't stick to the drawing of paper choice "." Finally, starting from the research results of Wuhong landscape painting, this paper discusses the "practice of creating the theme of Loess Plateau" combined with Wuhong's landscape painting, and sums up the research ideas of "drawing Loess Plateau with Loess" and "drawing material locally and taking shape on the spot." The creative idea of local creation guided the practice of landscape painting creation with the acquired theoretical knowledge.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2131696
[Abstract]:This article starts from Wu Hong's landscape painting creation background, the landscape painting characteristic as well as unifies Wu Hong landscape painting research to launch "the loess plateau theme creation" the practice and so on three aspects, then carries on the research to its landscape painting. The purpose of Wu Hong's landscape painting has a more comprehensive analysis and discussion. Wu Hong, the word "distance". In many historical records, he is known as one of the eight Jinling families. In Jinling eight homes, his painting style is the most extensive, and the longest distance between the wind. Wu Hong landscape paintings from the natural landscape and admire the Taoyuan Wonderland. Through combing the existing works and related documents of Wu Hong, first of all, it analyzes the painting background and life experience of Wu Hong's landscape painting creation, and strengthens the understanding and understanding of his character and painting. By studying the causes of Wu Hong's landscape painting, it is concluded that it is related to three aspects: the elegant collection of "Jinling School" depicts the prosperous scenery of Jinling, the discussion of the ancient meaning of "Xue Yuan Society", and the discussion of "Wulin painting School" on the new method of landscape painting, and so on. The characteristics of Wu Hong's landscape paintings are studied by using historical data and image analysis, and three basic characteristics of his landscape paintings are obtained. They are as follows: "the vigorous description of Jinling prosperity, the village virtual landscape performance of the coexistence of the new and the old," Don't stick to the drawing of paper choice "." Finally, starting from the research results of Wuhong landscape painting, this paper discusses the "practice of creating the theme of Loess Plateau" combined with Wuhong's landscape painting, and sums up the research ideas of "drawing Loess Plateau with Loess" and "drawing material locally and taking shape on the spot." The creative idea of local creation guided the practice of landscape painting creation with the acquired theoretical knowledge.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 牟明磊;;初探“金陵八家”之首——龚贤山水画赏析[J];文物鉴定与鉴赏;2011年11期
2 李晖;;泼墨雄江东——“金陵八家”之一吴宏的珍品之作[J];收藏界;2009年12期
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