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《零片》—当代工笔画创作的观念转型与实践

发布时间:2018-07-24 13:50
【摘要】:中国画的发展史中,工笔画作为其中一个门类经历了从兴盛到衰败的过程。当代工笔画现在正处于一个全面兴盛的时期,笔墨当随时代,随着改革开放,大量的外来艺术形式的涌入国门,当代工笔画如何跟随时代,传承拓展,使我国传统艺术发扬光大,不仅是在观念上的改进,造型、构成和色彩上的改进,材料和技法如何应用的问题也是我们应该关注的问题。本文从我的毕业作品《零片》出发,记录画者经历,就选材、构图、色彩、材料以及技法等方面对当代工笔画创作的过程进行论述,通过新颖的形式展现出中国传统绘画在当代的独特魅力。本文的研究对当代工笔画创作的多远发展具有现实意义和价值,对个人创作实践的帮助和启发是具有理论支持的。
[Abstract]:In the history of the development of Chinese painting, fine brush painting as one of the categories experienced a process from prosperity to decline. Contemporary fine brushwork is now in a period of full prosperity. With the times, with the reform and opening up and the influx of a large number of foreign forms of art, how do contemporary meticulous brushwork follow the times and inherit and expand? It is not only the improvement of concept, shape, composition and color, but also the problem of how to apply the materials and techniques to carry forward the traditional art of our country. This article starts from my graduation work "Zero Film", records the artist's experience, and discusses the process of contemporary industrial painting creation from the aspects of material selection, composition, color, materials and techniques. Show the unique charm of Chinese traditional painting in the contemporary through the novel form. The research in this paper has practical significance and value for the development of contemporary meticulous painting creation, and has theoretical support for the help and inspiration of individual creation practice.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 唐勇力;中国人物画创作之思考[J];新美术;1994年01期



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