河北广平水陆画研究
发布时间：2018-08-01 19:13
【摘要】：广平水陆画是在河北广平地区民间流传并仍在传承发展的水陆画技艺,由于脱离了水陆法会而独立发展几十年,已经不能用传统水陆画的概念来进行限定,它更倾向于一种融合了佛、道、儒三教合一思想和民间信仰观念的宗教人物画。本文从民艺学的角度出发,结合了民俗学、艺术学、艺术人类学、图像学等学科的相关理论和研究方法,对广平水陆画的发展历程、制作技艺、艺术特色、宗教思想和价值功用等几个方面进行了探讨和研究。结合了传统水陆画的兴起与衰落,从社会历史背景、经济文化背景、民众信仰认知的变化以及广平水陆画的宗教性质等几个方面分析了广平水陆画“兴起——沉寂——重现”这一发展变化过程的原因,并记录其发展现状。通过对绘制的工具材料与过程的记录,总结了广平水陆画由于其绘制方法而形成的一种共有的艺术特色,以及由于社会经济因素的影响而导致的广平水陆画艺术风格的变化。同时又根据社会环境因素导致广平水陆画产生的艺术风格变化将其发展历程分为三个阶段,对每个阶段的图像从题材内容、人物造型、表现技法及艺术特色等几个方面进行解读。在图像解读的过程中发现民众信仰认知的变化和社会功用的转变对广平水陆画的题材流变产生了重要的影响。从而又结合图像内容对广平水陆画“三教合一”的宗教思想和民间信仰相融合的宗教性质以及发生改变的社会功用进行分析。最终提出了广平水陆画属于北水陆系统的宗教性质,对过渡时期的水陆画发展历程进行了补充,并对广平水陆画发展的影响因素进行了探讨。
[Abstract]:Guangping water- and land-based painting is a folk art spread in Guangping area of Hebei Province and is still being inherited and developed. It has developed independently for several decades because of its separation from the Land and Water Law Society. It can no longer be limited by the concept of traditional water and land painting. It tends to be a religious figure painting that combines the three religions of Buddhism, Taoism and Confucianism. From the point of view of folk art, this paper combines the relevant theories and research methods of folklore, art anthropology, graphic science and other disciplines, to the development process, production skills, artistic characteristics of Guangping waterfront painting. Several aspects such as religious thought and value function are discussed and studied. Combining the rise and decline of traditional waterfront painting, from the social and historical background, economic and cultural background, The change of people's belief cognition and the religious nature of Guangping's water and land paintings are analyzed in this paper, and the reasons for the development and change of Guangping's water and land paintings are analyzed, and the present situation of their development is recorded. By recording the tool materials and the process of drawing, this paper summarizes a common artistic feature of Guangping water and land painting because of its drawing method, and the change of the art style of Guangping water and land painting due to the influence of social and economic factors. At the same time, according to the changes of artistic style caused by social environmental factors, Guangping waterfront painting is divided into three stages. Performance techniques and artistic characteristics and other aspects of interpretation. In the process of image interpretation, it is found that the changes of people's belief cognition and social function have an important influence on the subject matter evolution of Guangping's waterfront painting. The paper also analyzes the religious nature and social function of the fusion of religious thought and folk belief in Guangping's waterfront painting "three religions in one" with the image content. Finally, the author puts forward the religious nature of Guangping water and land painting, complements the development course of water and land painting during the transitional period, and probes into the influencing factors of the development of Guangping water and land painting.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219
本文编号：2158559
[Abstract]:Guangping water- and land-based painting is a folk art spread in Guangping area of Hebei Province and is still being inherited and developed. It has developed independently for several decades because of its separation from the Land and Water Law Society. It can no longer be limited by the concept of traditional water and land painting. It tends to be a religious figure painting that combines the three religions of Buddhism, Taoism and Confucianism. From the point of view of folk art, this paper combines the relevant theories and research methods of folklore, art anthropology, graphic science and other disciplines, to the development process, production skills, artistic characteristics of Guangping waterfront painting. Several aspects such as religious thought and value function are discussed and studied. Combining the rise and decline of traditional waterfront painting, from the social and historical background, economic and cultural background, The change of people's belief cognition and the religious nature of Guangping's water and land paintings are analyzed in this paper, and the reasons for the development and change of Guangping's water and land paintings are analyzed, and the present situation of their development is recorded. By recording the tool materials and the process of drawing, this paper summarizes a common artistic feature of Guangping water and land painting because of its drawing method, and the change of the art style of Guangping water and land painting due to the influence of social and economic factors. At the same time, according to the changes of artistic style caused by social environmental factors, Guangping waterfront painting is divided into three stages. Performance techniques and artistic characteristics and other aspects of interpretation. In the process of image interpretation, it is found that the changes of people's belief cognition and social function have an important influence on the subject matter evolution of Guangping's waterfront painting. The paper also analyzes the religious nature and social function of the fusion of religious thought and folk belief in Guangping's waterfront painting "three religions in one" with the image content. Finally, the author puts forward the religious nature of Guangping water and land painting, complements the development course of water and land painting during the transitional period, and probes into the influencing factors of the development of Guangping water and land painting.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219
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1 傅伊;河北广平水陆画研究[D];山东工艺美术学院;2017年
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