岭南画派的源流与当代广东花鸟画研究
发布时间：2018-08-02 07:50
【摘要】：自二十世纪中期以后，西方文化对中国艺术影响逐渐加深，作为传统中坚力量的工笔绘画也开始新的探索。在岭南地区，以二高一陈为代表的岭南画派，对传统的中国画的革新起了很重要的作用，，在绘画理论上有了结合时代特色的转变。在其之后，一方面岭南派以师徒传承和外来画家学习研究的方式继续发扬光大，同时美术学院的建立和国画教学体系的创立也使得工笔花鸟重新呈现出一片繁荣的景象。加之改革开放下的文化政策的引导，在艺术领域形成思想大解放的局面。以上种种原因使得工笔花鸟在九十年代出现了繁荣的景象，工笔花鸟从传统的摹古仿古发展到有了一片新境界。在这一时期出现了一批代表画家，取得了明显的成绩，比如苏百钧、方楚雄、林若熹、周彦生等等。他们其中的大部分受过传统岭南画派的影响，与岭南画派有着密切的关系，但在艺术语言的多样性、审美意识的现代性上富有自己的创见。
[Abstract]:Since the middle of the 20th century, the influence of western culture on Chinese art has gradually deepened. In Lingnan area, Lingnan painting School, represented by Ergao and Chen, plays an important role in the innovation of traditional Chinese painting, and has a change in painting theory combined with the characteristics of the times. After that, on the one hand, Lingnan School continued to carry forward the study and research of masters and disciples and foreign painters, while the establishment of the Academy of Fine Arts and the establishment of the teaching system of traditional Chinese painting also made fine brushwork flowers and birds take on a prosperous scene again. In addition, the cultural policy under the reform and opening-up led to the great emancipation of thought in the field of art. All these reasons make the fine brushwork flowers and birds flourish in the nineties, and the fine brushwork flowers and birds have developed from the traditional imitation of ancient times to a new realm. In this period, a number of representative painters, such as Su Baijun, Fang Chuxiong, Lin Ruoxi, Zhou Yansheng and so on. Most of them were influenced by the traditional Lingnan painting school and had a close relationship with the Lingnan painting school, but they had their own creative ideas on the diversity of artistic language and the modernity of aesthetic consciousness.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J209.9
本文编号：2158710
[Abstract]:Since the middle of the 20th century, the influence of western culture on Chinese art has gradually deepened. In Lingnan area, Lingnan painting School, represented by Ergao and Chen, plays an important role in the innovation of traditional Chinese painting, and has a change in painting theory combined with the characteristics of the times. After that, on the one hand, Lingnan School continued to carry forward the study and research of masters and disciples and foreign painters, while the establishment of the Academy of Fine Arts and the establishment of the teaching system of traditional Chinese painting also made fine brushwork flowers and birds take on a prosperous scene again. In addition, the cultural policy under the reform and opening-up led to the great emancipation of thought in the field of art. All these reasons make the fine brushwork flowers and birds flourish in the nineties, and the fine brushwork flowers and birds have developed from the traditional imitation of ancient times to a new realm. In this period, a number of representative painters, such as Su Baijun, Fang Chuxiong, Lin Ruoxi, Zhou Yansheng and so on. Most of them were influenced by the traditional Lingnan painting school and had a close relationship with the Lingnan painting school, but they had their own creative ideas on the diversity of artistic language and the modernity of aesthetic consciousness.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212;J209.9
【参考文献】
相关期刊论文 前1条
1 黎明;;忆高剑父与岭南画派[J];岭南文史;2011年04期
本文编号：2158710
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