当代新工笔花鸟画的当代性表现研究

发布时间：2018-08-03 09:33

【摘要】：传统工笔花鸟画从古流传至今已经发展了两千多年,成为中国传统绘画艺术中的重要一支,是中华民族文化的瑰宝。传统的工笔花鸟画经过漫长岁月的洗礼,向我们展现了传统工笔花鸟画所经历过的时代变迁与改革,华丽与朴实、辉煌与低潮、繁盛与颓败等等都可谓是传统工笔花鸟画在绘画艺术改革的历史长河中所展现过的样貌。然而,在现今科技发达、崇尚潮流、迅速发展的当今时代里,当代新工笔花鸟画却一直是人们所关注和争议的焦点,面对继承传统还是改革创新这一新时期的绘画要求,画家也处于不知所措的艰难窘境中,也因为时代的不断发展,人们对文化的新需求也使传统工笔花鸟画被迫面临着转型的危机。因此,继承传统与发展创新成为了当代画家们讨论的焦点,也使得工笔花鸟画再次在创新中走入世人的眼中,有了新的生命。当今时代的背景下,思想的解放与多元化文化的融合使得人们的审美观念也越来越复杂化,不再拘泥于过去传统绘画所表现出的特定形式,这种思想的转变冲破了传统工笔花鸟画的局限性,开阔了画家的视野,也为当代工笔花鸟画开辟了一条新道路。而当代新工笔花鸟画发展的前景也成为学者所要研究的主题,具有时代意义。本文主要研究近二十年的工笔花鸟画家以及各自的代表作品入手,依次介绍画家在新时代特征的影响下,其绘画创作观念、绘画语言和绘画技法上等方面对当代特征的理解与表现,在继承传统绘画优点的同时又吸收符合当今时代特征的外来文化元素,赋予了工笔花鸟画的“新”与当代性的特点,同时也是推动工笔花鸟画发展的精神动力。当代新工笔花鸟画的发展离不开传统工笔花鸟画,宋代工笔花鸟画的发展达到了鼎盛时期,其作品中所表现的技法与内涵都可谓是绘画艺术中的精髓,此时的工笔花鸟画力求形似、生动逼真且精细华丽,注重写生,展现出宫廷贵族绘画的特点,对当代新工笔花鸟画的发展起着至关重要的作用。同时外来文化的冲击也使得新工笔花鸟画的形式语言也更加广泛,包容性也越来越强,对新工笔花鸟画多样化表现也提供了有利条件,为其带来了新的观念与理解。本文还将二者与新工笔花鸟画做一个全面的对比分析,从中探索出新工笔花鸟画自身的当代特征,并阐述当代新工笔花鸟画的可开拓性,在本文的最后,我会结合自己在学习工笔花鸟画中所体会到的经历和在创作过程中的产生的情感体验,提出一些自己对当代工笔花鸟画发展的观点,也希望能为该领域的学术研究及未来发展略尽绵薄之力。
[Abstract]:Traditional fine brushwork flower-and-bird painting has been developed for more than two thousand years since ancient times. It has become an important part of Chinese traditional painting art and a treasure of Chinese culture. After a long years of baptism, the traditional meticulous brushwork flower-and-bird painting shows us the changes and reforms of the times experienced by the traditional meticulous flower-and-bird paintings, which are gorgeous and simple, brilliant and low. Prosperity and decay can be said to be the traditional fine brushwork flower-and-bird painting in the history of painting art reform has shown the appearance. However, in today's era of advanced science and technology, advocating the trend and developing rapidly, the contemporary fine brushwork flower-and-bird painting has always been the focus of attention and controversy, facing the requirements of painting in the new period of inheriting tradition or reforming and innovating. Painters are also in a difficult predicament, but also because of the continuous development of the times, the new demand for culture has forced the traditional fine brushwork flower-and-bird painting to face the crisis of transformation. Therefore, inheriting tradition and developing innovation has become the focus of contemporary painters' discussion, and it also makes fine brushwork flower-and-bird painting come into the eyes of the world again and have a new life. Under the background of the present era, the combination of ideological emancipation and pluralistic culture makes people's aesthetic concept more and more complicated and no longer stuck to the specific forms of traditional painting in the past. This kind of change of thought breaks through the limitation of the traditional fine brushwork flower-and-bird painting, broadens the painter's field of vision, and opens a new way for the contemporary meticulous flower-and-bird painting. And the prospect of the development of contemporary fine brushwork flower-and-bird painting has become the subject of study by scholars and has the significance of the times. This paper mainly studies the painters of meticulous brushwork and birds and their representative works in the past two decades, and then introduces the painters' concept of painting creation under the influence of the characteristics of the new era. The understanding and expression of contemporary characteristics in painting language and painting techniques, while inheriting the advantages of traditional painting, and absorbing foreign cultural elements in line with the characteristics of today's times, have given the "new" and contemporary characteristics of meticulous brushwork and bird painting. At the same time, it is also the spiritual power to promote the development of fine brushwork flower-and-bird painting. The development of modern fine brushwork flower-and-bird painting can not be separated from the traditional meticulous brushwork, the development of the Song Dynasty's fine brushwork has reached its peak, and the techniques and connotations in its works can be described as the quintessence of painting art. At this time the fine brushwork flower-and-bird painting strive to be similar, vivid and fine and gorgeous, pay attention to sketching, show the characteristics of court aristocratic painting, play a vital role in the development of contemporary fine brushwork flower-and-bird painting. At the same time, the impact of foreign culture also makes the formal language of the new fine brushwork flower-and-bird painting more and more extensive and inclusive. It also provides favorable conditions for the diversified performance of the new fine brushwork flower-and-bird painting, and brings new ideas and understanding to it. This article also makes a comprehensive comparative analysis between the two and the new fine brushwork flower-and-bird painting, from which to explore the contemporary characteristics of the new fine brushwork flower-and-bird painting itself, and expound the pioneering nature of the contemporary fine brushwork flower-and-bird painting. At the end of this paper, I will combine my experience in the study of fine brushwork flower-and-bird painting and my emotional experience in the process of creation, and put forward some of my views on the development of contemporary flower-and-bird painting. I also hope to contribute a little bit to the academic research and future development in this field.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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