初探近现代意笔人物画的线条衍变
发布时间：2018-08-03 12:40
【摘要】：线条是中国绘画的重要组成部分,也是中国绘画区别于其他绘画的造型语言。远在唐代,张彦远的《历代名画记》中就曾提出:“无线者非画也。”经过千余年的洗炼,我国的国画艺术早已离不开线条这一艺术语言。通过线条,中国画以流动婉转的风格作为整幅画的主旋律,对不同物象的质感以及形态结构进行勾勒,以不同的线质表达艺术家的性情和艺术态度。20世纪以来,中国意笔人物画线条受到了各种外来多元文化的冲击,产生了更丰富的绘画面貌。其中,现实主义绘画风格的“徐蒋体系”成为主导,奠定了近现代意笔人物画的基础,受其影响,大量优秀作品相继诞生。此后,在“星星美展”、八五思潮艺术运动的推动下,意笔人物画又迎来第二次高潮,笔墨形式与时代精神紧密相连,画面中开始融入更加多姿多彩的艺术语言及表达方式,线条亦随之改变。面对当下“中西合璧”的艺术现状,有支持者亦有反对者,在与线有关的论文中,人们多选择从视觉角度直接进行画风、造型及技巧的分析,而缺乏一种对线质内在的、深入的探索,故本文将对中国绘画史上线的变化进行系统梳理,研究人物画中线条衍变和时代审美之间的关系,总结其一般规律,进而从创作角度对意笔人物画进行分解并探求其时代意义。
[Abstract]:Line is an important part of Chinese painting, is also different from other Chinese painting modeling language. As far back as the Tang Dynasty, Zhang Yanyuan's famous paintings of the past dynasties, once said: "Wireless is not painting." After more than a thousand years of refining, Chinese painting art has been inseparable from the line of art language. Through the lines, the Chinese painting takes the flowing and tactful style as the main melody of the whole painting, outlines the texture and structure of the different objects, and expresses the artist's temperament and artistic attitude in different lines since the 20th century. The line of Chinese Italian figure painting has been impacted by various foreign multi-cultures, which has produced a richer painting appearance. Among them, the realistic painting style of "Xu Jiang system" became the dominant, laid the foundation of modern Italian figure painting, by its influence, a large number of excellent works have been born. Since then, under the impetus of the "Star Art Exhibition" and the eighth Five-Year Plan of thought Art Movement, the Italian figure painting has ushered in a second climax. The form of the pen and ink is closely linked to the spirit of the times, and the picture has begun to incorporate more colorful artistic language and expression. The line changes with it. In the face of the present art situation of "the combination of Chinese and Western", there are supporters and opponents. In the articles related to the line, people choose to analyze the painting style, modeling and skills directly from the visual angle, and lack a kind of inherent quality of the line. Therefore, this paper will systematically comb the changes in the history of Chinese painting, study the relationship between the evolution of lines in figure painting and the aesthetic appreciation of the times, and summarize its general rules. Then from the creative point of view of Italian figure painting decomposition and explore its significance of the times.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2161779
[Abstract]:Line is an important part of Chinese painting, is also different from other Chinese painting modeling language. As far back as the Tang Dynasty, Zhang Yanyuan's famous paintings of the past dynasties, once said: "Wireless is not painting." After more than a thousand years of refining, Chinese painting art has been inseparable from the line of art language. Through the lines, the Chinese painting takes the flowing and tactful style as the main melody of the whole painting, outlines the texture and structure of the different objects, and expresses the artist's temperament and artistic attitude in different lines since the 20th century. The line of Chinese Italian figure painting has been impacted by various foreign multi-cultures, which has produced a richer painting appearance. Among them, the realistic painting style of "Xu Jiang system" became the dominant, laid the foundation of modern Italian figure painting, by its influence, a large number of excellent works have been born. Since then, under the impetus of the "Star Art Exhibition" and the eighth Five-Year Plan of thought Art Movement, the Italian figure painting has ushered in a second climax. The form of the pen and ink is closely linked to the spirit of the times, and the picture has begun to incorporate more colorful artistic language and expression. The line changes with it. In the face of the present art situation of "the combination of Chinese and Western", there are supporters and opponents. In the articles related to the line, people choose to analyze the painting style, modeling and skills directly from the visual angle, and lack a kind of inherent quality of the line. Therefore, this paper will systematically comb the changes in the history of Chinese painting, study the relationship between the evolution of lines in figure painting and the aesthetic appreciation of the times, and summarize its general rules. Then from the creative point of view of Italian figure painting decomposition and explore its significance of the times.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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