框架之外—探索陌生化在艺术题材中的表现力
发布时间：2018-08-04 10:36
【摘要】：一直以来,我的创作思维相对常态,难以突破惯性思维的框架,因此,我试图以“陌生化”理论,对我的艺术创作进行指导,这种做法的目的性就在于,对过往相对熟悉,常会产生漠然麻木的事物,产生新的可创造性发现,让其变得不同寻常。创作出具有陌生化效果的艺术作品。俄国形式主义特有的观念,便是陌生化理论,什克洛夫斯基是俄国著名的文艺理论家,他曾指出有关于“陌生化”的本质特征,即对迂腐与陈旧的既定概念的事物的持续不断的发现与创新。让惯性的框架被解脱出来。无论是八大“白眼瞪青天”的奇特化艺术显现,亦或是杜尚,将平常之物小便池,搬到了美术馆,还是现如今例如武艺,徐冰等艺术家,将中国传统二十四孝历史故事,或《芥子园画谱》作为艺术题材的选取介入,都是对某些艺术题材的在现今语境下的陌生化的发现与利用,这种由于惯性而被忽视的经验,被艺术家察觉,通过艺术手段整理后,在受众群体可以客观感知的前提下,呈现那些由于惯性所导致的,被人们忽略的现实,通过题材的陌生化选取,与受众达成某种认知上的交集,从而实现作品观念的有效传达。在某种程度上来讲,艺术已经衍酿成了一种关于选取艺术题材的哲思。艺术家利用陌生化手段发现艺术,获取题材,无论何种关系,何种方式或媒介,陌生化是动态的,是离不开所处时代背景与生活系统的显现。从这种程度上来说,所谓艺术中的陌生化,便是用新的眼光与方式,对过往忽略的,没有新奇感的表象进行察看,让人们不再承受框架的制约。从见怪不怪的平常行动中得以解脱,并获取新的独特化感受。这已经成为了一种新的哲思。从麻痹的状态中得以醒悟,具有陌生化艺术效果的感受也就此产生。
[Abstract]:All along, my creative thinking has been relatively normal and it is difficult to break through the framework of habitual thinking. Therefore, I try to guide my artistic creation with the theory of "strangeness". The purpose of this approach is to be relatively familiar with the past. Things that are often indifferent and numb, new and creative discoveries that make them unusual. Create works of art with a defamiliarization effect. The unique concept of Russian formalism is the theory of defamiliarization. Shklovsky is a famous Russian literary and art theorist. He once pointed out that there are essential characteristics of "defamiliarization". That is, the constant discovery and innovation of things that are pedantic and obsolete. Free the frame of inertia. Whether it is the bizarre artistic manifestation of the eight "white eyes staring at the sky," or Duchamp, who has moved ordinary objects and urinals to art galleries, or artists such as martial arts, Xu Bing, and so on, today, they have brought the historical story of 24 filial piety in Chinese tradition. Or "Mustard Garden Pictures" as the choice of art theme intervention, are some of the artistic themes in the current context of the strangeness of the discovery and use, because of inertia and ignored experience, the artist is aware, Through artistic means, under the premise that the audience can perceive objectively, the reality that is neglected by people due to inertia is presented. Through the strangeness selection of the subject matter, we can reach a certain cognitive intersection with the audience. In order to achieve the effective transmission of the concept of works. To a certain extent, art has evolved into a philosophy of selecting artistic themes. Artists use defamiliarization means to discover art, obtain subject matter, no matter what relationship, what way or media, strangeness is dynamic, is inseparable from the background of the era and life system. To this extent, the so-called defamiliarization in art, is to use new eyes and ways to ignore the past, no novelty of the surface, so that people are no longer subject to the constraints of the framework. Extricate from routine actions and gain new and unique feelings. This has become a new philosophy. From the state of paralysis to wake up, with the effect of the feeling of strangeness also emerged.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204
本文编号：2163668
[Abstract]:All along, my creative thinking has been relatively normal and it is difficult to break through the framework of habitual thinking. Therefore, I try to guide my artistic creation with the theory of "strangeness". The purpose of this approach is to be relatively familiar with the past. Things that are often indifferent and numb, new and creative discoveries that make them unusual. Create works of art with a defamiliarization effect. The unique concept of Russian formalism is the theory of defamiliarization. Shklovsky is a famous Russian literary and art theorist. He once pointed out that there are essential characteristics of "defamiliarization". That is, the constant discovery and innovation of things that are pedantic and obsolete. Free the frame of inertia. Whether it is the bizarre artistic manifestation of the eight "white eyes staring at the sky," or Duchamp, who has moved ordinary objects and urinals to art galleries, or artists such as martial arts, Xu Bing, and so on, today, they have brought the historical story of 24 filial piety in Chinese tradition. Or "Mustard Garden Pictures" as the choice of art theme intervention, are some of the artistic themes in the current context of the strangeness of the discovery and use, because of inertia and ignored experience, the artist is aware, Through artistic means, under the premise that the audience can perceive objectively, the reality that is neglected by people due to inertia is presented. Through the strangeness selection of the subject matter, we can reach a certain cognitive intersection with the audience. In order to achieve the effective transmission of the concept of works. To a certain extent, art has evolved into a philosophy of selecting artistic themes. Artists use defamiliarization means to discover art, obtain subject matter, no matter what relationship, what way or media, strangeness is dynamic, is inseparable from the background of the era and life system. To this extent, the so-called defamiliarization in art, is to use new eyes and ways to ignore the past, no novelty of the surface, so that people are no longer subject to the constraints of the framework. Extricate from routine actions and gain new and unique feelings. This has become a new philosophy. From the state of paralysis to wake up, with the effect of the feeling of strangeness also emerged.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204
【参考文献】
相关期刊论文 前3条
1 曾智峰;;傲气与清气——试评八大山人和溥儒的绘画艺术[J];美术界;2015年03期
2 蒋海霞;;“陌生化”在诗歌翻译中的体现[J];安徽文学(下半月);2014年09期
3 冯宪光;;俄国形式主义理论变革的意义[J];绵阳师范学院学报;2008年06期
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