论中国油画家杨飞云作品中的象征性因素
[Abstract]:Oil painting art is a kind of art which has rich artistic expression and has wide influence in the world. Oil painting was introduced into China as early as the 15th century, and has a history of more than 100 years. Although it is still in its infancy in China, the oil painting creation in the last hundred years has roughly covered the artistic patterns of the West for more than a thousand years. Among them, realistic oil painting is developing zigzag under the situation of contemporary art, and constantly changing new vitality. Yang Feiyun is one of the representative characters of Chinese realistic oil painting. His works give people a kind of pure and elegant feeling, and are famous for their classicism. For most people, however, the understanding of the works of realistic oil painters such as Yang Feiyun stays at a very superficial level, feeling that they are like and beautiful. But where is beauty, what is the idea that works want to express, few people understand, and can not analyze. We know that a good work of art is not a simple description of an image, but a symbolic one. Symbolism as an artistic expression widely exists in various fields of art. The symbolic factors in painting can express the painter's thoughts and spiritual demands through concrete diagrams through their own unique language. It is not only the expression of the artist, but also the breakthrough point of appreciating and exploring the true meaning of art. From the perspective of symbolic factors, this paper makes a detailed classification of symbolic factors in Yang Feiyun's works, and studies the symbolism of subject matter, the symbolism of composition, the symbolism of light and the symbolism of color. Explore the significance of symbolic factors in realistic oil painting, explore the role of symbolic factors in the development of Chinese realistic oil painting. At the same time let more people can appreciate oil painting works of art, but also enrich the expression of realistic oil painting creators, better expression of inner demands, making realistic oil painting constantly vibrant.
【学位授予单位】:陕西师范大学
【学位级别】:硕士
【学位授予年份】:2016
【分类号】:J213
【相似文献】
相关期刊论文 前10条
1 杨飞云;;杨飞云作品[J];中国油画;2008年01期
2 ;赏心悦目[J];中学生天地(B版);2011年02期
3 梅墨生;寓理想于平实之中的杨飞云[J];艺术界;1996年06期
4 汉初;杨飞云古典油画作品在京展出[J];美术观察;2003年12期
5 张苑;杨飞云和他的油画品格(一)——在古典精神中触摸崇高[J];艺术市场;2004年01期
6 艺公;;《那时我们正年轻》创作始末[J];艺术市场;2006年05期
7 ;绘画欣赏·杨飞云[J];杂文月刊(选刊版);2011年06期
8 彭治国;胜春;;杨飞云:真善美如那永恒的太阳[J];优品;2012年12期
9 淅雨;杨飞云[J];艺术界;1998年01期
10 王梅芳;;走近杨飞云[J];美术大观;2003年03期
相关重要报纸文章 前10条
1 通讯员 燕勇;杨飞云一行在新城区调研党建工作[N];呼和浩特日报(汉);2009年
2 通讯员 张丽清 渠磊;杨飞云对回民区党建工作开展情况进行调研[N];呼和浩特日报(汉);2010年
3 李燕玲 杨雅娟 尹诚 执笔;杨飞云市场分析报告(上)[N];上海证券报;2012年
4 本报记者 高素娜;杨飞云的“艺”与“意”[N];中国文化报;2012年
5 本报记者 李运涛;杨飞云:中国文艺期待复兴[N];中华工商时报;2013年
6 ;杨飞云:精深与单纯[N];中国文化报;2003年
7 通讯员 潘有仓;市领导到赛罕区调研社区党建工作[N];呼和浩特日报(汉);2007年
8 记者 杨艾青;全市关心下一代工作会议召开[N];呼和浩特日报(汉);2009年
9 李莉 李燕玲 杨雅娟 尹诚 执笔;杨飞云市场分析报告(下)[N];上海证券报;2012年
10 记者 马小丽;维护社会和谐 保持经济发展[N];呼和浩特日报(汉);2009年
相关硕士学位论文 前4条
1 刘浩然;杨飞云的肖像画研究[D];杭州师范大学;2015年
2 王紫凝;论中国油画家杨飞云作品中的象征性因素[D];陕西师范大学;2016年
3 王鑫;图像与痕迹[D];中国艺术研究院;2009年
4 李建廷;杨飞云油画的古典主义精神探析[D];山西大学;2011年
,本文编号:2163878
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2163878.html