由《尼采的春天》谈观念绘画的文化性

发布时间：2018-08-05 18:54

【摘要】：尼采的哲学精神在他死后几十年得到了广泛的认可与追捧,我通过画《尼采的春天》这幅画来纪念这位孤独的先哲,并且印证他的一句名言：迟到的青春乃是持久的青春。以这张创作引出对观念绘画尤其是其与文化关系的认知。观念绘画是兴起于六十年代的西方的一种在观念意识上全面革新全面颠覆的艺术形式,八十年代进入我国并蓬勃发展,这和世界战后文化的发展息息相关,从文化的角度观察它,非常有助于我们对它的理解。文章分为四个部分。其一,简单介绍我的创作——一张有关尼采哲学的观念油画,简述尼采的几大思想与和现在兴盛的观念艺术的关系,以这一个微观的文化现象引出后面的宏观讨论。其二,观念艺术的意义。介绍它的背景、定义、核心内容和发展。其三,中国观念绘画的发展简况。讲述观念绘画从八十年代传入中国到今天这三十年来的发展简况。其四,观念绘画的文化诉求。这也是最重要的一点。它分为四点：一,观念绘画产生的文化背景简况；二,观念绘画背后的西方文化对中国的影响；三,观念绘画与哲学的关系；四,绘画的新格局与艺术家的责任。
[Abstract]:Nietzsche's philosophical spirit has been widely recognized and popular in the decades after his death. I remember this lonely pioneer by painting "Spring of Nietzsche" and prove his famous saying: late youth is lasting youth. This creation leads to the cognition of the concept painting, especially its relation with culture. Concept painting is a kind of artistic form that originated in the sixties in the West and completely innovated and overturned in concept consciousness. It entered our country and flourished in the 1980s, which is closely related to the development of postwar culture in the world. Viewing it from a cultural point of view is very helpful to our understanding of it. The article is divided into four parts. First, briefly introduces my creation-a concept painting about Nietzsche's philosophy, briefly describes the relationship between Nietzsche's several thoughts and the present flourishing idea art, and leads to the following macroscopic discussion with this micro cultural phenomenon. Second, the meaning of conceptual art. Introduce its background, definition, core content and development. Third, the development of Chinese concept painting. This paper describes the development of concept painting from 1980's to today. Fourth, the cultural appeal of concept painting. This is also the most important point. It is divided into four points: first, the cultural background of conceptual painting; second, the influence of Western culture on China; third, the relationship between conceptual painting and philosophy; fourth, the new pattern of painting and the responsibility of artists.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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