论当代中国工笔人物画绘画语言的创新性表现

发布时间：2018-08-07 09:14

【摘要】：本文着眼于当代工笔人物画绘画语言的创新与转型现象，并在此基础上阐述和总结了当代工笔人物画作品在绘画语言、思维表达上呈现出的新风格、新样貌。更进一步洞悉绘画语言表现下的画家气貌与艺术品格的更深层次的文化内涵。本论文共分四个部分：第一部分是从历史的角度宏观地评述新中国成立后当代工笔人物画的现状，并将代表性的工笔人物画作品大致进行分类并引出本文所要论述的观点——当代工笔人物画绘画语言的创新性；第二部分是从绘画语言创新的产生因素入手，强调了多元文化共融和艺术家本体思维这两者主客观因素对绘画语言创新的影响；第三部则是在前章的基础上重点集中于对当代工笔人物画绘画语言创新的表现加以探讨，，主要针对形式语言、绘画技法和绘画理念三个方面的创新做以总结和评述；第四部分对全文进行总结。笔者认为，绘画语言的创新与画家所处的时代文化是相关、共生的，只要艺术家懂得创作的主、客体对艺术外部影响的重要性，便能将绘画语言为我所用、借古开今，创作出与时俱进，饱含时代文化的艺术作品。本课题的研究，有助于当代工笔人物画创作者对个人独特绘画语言的价值判断和有效把握，也可以为理论研究者提供一种经验参照，具有重要的现实意义。
[Abstract]:This article focuses on the innovation and transformation of the painting language of Contemporary Meticulous figure painting, and on this basis expounds and summarizes the new style and new appearance in the painting language, the expression of thinking, and further insight into the deeper cultural connotation of the painter's style and artistic character in the painting language. This thesis is divided into four parts: the first part is a macroscopic review of the present situation of the contemporary Chinese character painting after the founding of the new China from the historical point of view, and classifies the representative works of the meticulous figure painting roughly and leads to the point of view in this article - the innovation of the painting language of Contemporary Meticulous figure painting; the second part is from the painting. Starting with the producing factors of language innovation, the author emphasizes the influence of the subjective and objective factors of multicultural integration and the artist's ontology thinking on the innovation of painting language. The third part focuses on the performance of the painting language innovation on the basis of the former chapter, mainly focusing on the form language, the painting technique and the art of painting. The innovation of the three aspects of the concept of painting is summarized and reviewed. The fourth part summarizes the full text. The author thinks that the innovation of the painting language is related to the culture of the times of the painter. As long as the artist understands the importance of the creator and the object's external influence on the art, the painting language can be used for the purpose of drawing the painting language. The study of this subject is helpful to the value judgment and the effective grasp of the author's unique painting language, and it can also provide an experience reference for the theoretical researchers, which has important realistic meaning.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】