杨维桢与“玉山雅集”的诗书画情缘

发布时间：2018-08-07 18:08

【摘要】：在元代后期以及元明易代之际,文艺话语权由京师馆阁文臣转移到江南以士绅为主体的地方文化精英手里。以杨维桢为代表的高士作诗具有重情、露才和好奇倾向,其不羁的才情与萧散奇逸之气在书法和题画诗创作中有充分的表现,进一步促成了诗与书画艺术在互文层面上的深度融合。顾瑛主持的"玉山雅集"吸引了不少才华横溢的高人韵士,他们于闲散静观中体悟自然生机,在游于艺的"自娱"活动里领略诗意栖居之乐,提升了文艺的审美趣味和遣兴娱乐价值。玉山雅集活动中分韵赋诗和同题集咏的流行,反映了江南士绅隐逸文化的审美追求,真性情与逸气的交织,淡远幽深心境与高奇情怀的激荡,不仅丰富了元代诗学思想的蕴涵,也增加了书画和园林艺术的魅力。
[Abstract]:In the late Yuan Dynasty and the change of the Yuan and Ming dynasties, the right of literary and artistic discourse was transferred from the master's house to the local cultural elite with gentry as the main body in the south of the Yangtze River. Yang Weizhen represented by Gao Shi's poetry has the tendency of love, talent and curiosity. His unruly talent and Xiao Sanqi's leisurely spirit are fully reflected in the creation of calligraphy and painting poems. Further contributed to the poetry and painting art in the intertextuality of the depth of integration. "Yushan elegant Collection" hosted by Gu Ying has attracted a lot of talented and talented people in rhyme, they have learned the natural vitality in the idle and quiet view, and enjoy the poetic residence in the "self-entertainment" activities. It promotes the aesthetic taste and entertainment value of literature and art. In the activity of Yushan elegant collection, the popularity of rhyme and theme collection reflects the aesthetic pursuit of the reclusive culture of the gentry in the southern part of the Yangtze River, the interweaving of the true temperament and the elegant spirit, the agitation of the light and deep mood and the Gaoqi feelings, which not only enriches the poetic thoughts of the Yuan Dynasty, but also reflects the aesthetic pursuit of the seclusion culture of the gentry in the south of the Yangtze River. It also increases the charm of calligraphy and painting and garden art.
【作者单位】：南开大学文学院;
【基金】：国家社会科学基金重点项目“明清诗学与书画艺术会通研究”(16AZW010)
【分类号】：J205

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