《和风》创作杂谈
[Abstract]:Flower and bird painting has a long history tradition, independent in the late Tang Dynasty. Since Song Dynasty, the literati painting rose, appeared with Meilan bamboo chrysanthemum as the representative subject matter, developed to the Ming and Qing dynasties period, freehand brushwork and bird painting reached its peak period, and a great number of famous scholars appeared. In this paper, the author makes a comparative study on how to improve the creative ability of freehand brushwork, mainly from the following aspects: first, combing the long historical tradition of freehand brushwork flower-and-bird painting. Secondly, it analyzes the freehand brushwork of the famous scholars in the past dynasties, in which the works of Zhang Daqian, Zhou Sicong and easy-picture are used for reference, so that the creation of "Hefeng" is well inspired: 1, based on tradition, Break through tradition. The styling ideas and pen and ink methods of the famous scholars are all different. Only by understanding them can we compare the value and significance of our own practice, study them in a targeted way, understand the tradition, but not be shackled by the tradition, and learn to break through the tradition. Form your own face. 2, pen and ink should follow the times. The author believes that in order to make ink and pen contemporary, we should first have a contemporary concept, then embrace the old and bring forth new ideas. Only when we fully grasp the characteristics of contemporary culture and appreciate the beauty of art, can we create a new form of painting and ink. 3, and experience life. Elevate the mind. Ink is the external carrier, life is the source of art. Experience life, the purpose of life, in order to nourish the spirit of the chest, writing heart, works can be infectious. Third, the process of creation is a process of integration. Traditional and modern, image and image, ink and pen, structure and other factors are perfectly organized in practice and faced with problems that arise at any time. This is a test. First of all, the author deeply excavates the lotus image expression, forms the heart and the material fusion modelling image. This process should be a poetic imagination process. Stroke, ink into the image, can enrich the shape? Can your heart melt with things? A lot of occasional effects that are always exciting? How to deal with these relationships has become an important subject that I have to face in my creative process. Secondly, in the aspect of pen and ink, today's social environment restricts our ability of pen and ink, so finding new language of pen and ink should become a subject. In the process of painting and ink in Hefeng, I added glue to the ink, which promoted the better integration of water and ink, which was favorable to the organizational relationship between points and lines, and this was an attempt. This article is a creative experience written around graduation works. The author believes that creation should refine the inner needs of oneself from the life, seek the breakthrough method of pen and ink language from the tradition, and then refine the modeling image and gradually form one's own painting style.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
【共引文献】
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