当代审美文化语境下的中国油画

发布时间：2018-08-19 15:31

【摘要】：油画由西方传入中国已有百年历史,在这一百年里,艺术家从接受到学习借鉴,再到将西方的艺术表现形式与本民族的审美文化特点相结合,探索油画民族化的发展。中国油画艺术家们一直在坚持不懈的努力、创新,在中西文化的碰撞与交融、油画本土化与国际化的探索中着发展中国油画。上世纪90年代中国油画开始向多元化的方向发展,而到了21世纪随着经济与科技的迅猛发展,我们进入了全球化的信息时代,中国油画也就获得更大的发展空间。但是中国油画在不断创新和发展的同时也产生一些新的问题,如艺术的泛化、艺术品格的降低等问题。因而探寻这些问题产生的原因及研究怎样使中国油画健康快速的发展是我们急需思考的问题。作为艺术表现形式的油画的发展不仅要立足于当代社会发展的进程中,还要扎根于社会现实的土壤中；不仅要深入了解中国当代油画发展背后所蕴藏的文化特性和审美特征,还要彻底领悟中国油画呈现这种表征的审美价值与思想观念。应该说,“美”是艺术创作追求的第一要义,所以从美学的角度研究中国油画的现象是有必要的。近些年来,当代审美文化成为研究的热点问题,它的主要特征表现为：消费主义的快感享受走进文化的核心；视觉因素渐次成为当代文化的核心要素；科技手段成为当代文化的支撑力量。所以在这样的审美文化变革中,中国油画的研究就必须以一种新的姿态去应对。中国油画也应获得更广阔的研究平台与丰富的理论依据。本文以中国当代油画为研究主体,以当代审美文化为研究背景,重点研究了中国当代油画在当代审美文化转向中产生的新形势与新内容。同时对当代审美文化导向的负面影响进行深入的探究,分析其背后的实质。本文的正文共分为四个部分。第一个部分重点分析了当代审美文化的学术根源,在参照诸位学者的观点的基础上,概括当代审美文化的概念。从影响当代审美文化的因素分析当代审美文化呈现的特性。第二部分主要从整体上论述当代审美文化对当代艺术的影响。第三部分为本论文的重点内容,从当代审美文化的视角解读当代油画的发展方向与出现的新表征。第四部分写当代油画在当代审美文化语境中存在的问题并对其进行反思,提出解决问题的方法。最后结语总揽全文,在上述分析的基础上总结笔者的观点。
[Abstract]:Oil painting has been introduced into China for a hundred years from the west. In this hundred years, the artists from receiving to learning, and then to combine the western art expression with the aesthetic and cultural characteristics of their own nation, explore the development of oil painting nationalization. Chinese oil painting artists have been making unremitting efforts, innovating, developing Chinese oil paintings in the collision and blending of Chinese and Western cultures, in the exploration of localization and internationalization of oil paintings. In the 1990s, Chinese oil painting began to develop in the direction of diversification. However, with the rapid development of economy and science and technology in the 21st century, we have entered the information age of globalization, and Chinese oil painting has gained a greater space for development. But Chinese oil painting is innovating and developing constantly, but also has some new problems, such as the generalization of art, the decline of artistic character and so on. Therefore, to explore the causes of these problems and to study how to make Chinese oil painting healthy and rapid development is an urgent problem we need to think about. As a form of artistic expression, the development of oil painting should not only be based on the process of contemporary social development, but also take root in the soil of social reality, and not only deeply understand the cultural characteristics and aesthetic characteristics behind the development of contemporary Chinese oil painting, But also thoroughly understand the aesthetic value and ideological concept of this representation of Chinese oil painting. It should be said that "beauty" is the first meaning of artistic creation, so it is necessary to study the phenomenon of Chinese oil painting from the angle of aesthetics. In recent years, contemporary aesthetic culture has become a hot topic of study, its main characteristics are as follows: consumerism pleasure into the core of culture, visual factors gradually become the core elements of contemporary culture; Scientific and technological means have become the supporting force of contemporary culture. Therefore, in such an aesthetic cultural change, the study of Chinese oil painting must be a new attitude to deal with. Chinese oil painting should also get a broader research platform and rich theoretical basis. Taking contemporary Chinese oil painting as the research subject and contemporary aesthetic culture as the research background, this paper focuses on the new situation and new content of contemporary Chinese oil painting in the turn of contemporary aesthetic culture. At the same time, the negative influence of contemporary aesthetic culture is deeply explored, and the essence behind it is analyzed. The text of this paper is divided into four parts. The first part mainly analyzes the academic roots of contemporary aesthetic culture and generalizes the concept of contemporary aesthetic culture on the basis of the views of scholars. This paper analyzes the characteristics of contemporary aesthetic culture from the factors that affect contemporary aesthetic culture. The second part mainly discusses the influence of contemporary aesthetic culture on contemporary art. The third part is the main content of this paper, from the perspective of contemporary aesthetic culture to interpret the development of contemporary oil painting and the emergence of new features. The fourth part of the contemporary oil painting in the contemporary aesthetic cultural context of the existing problems and reflect on them, put forward solutions to the problem. Finally, the conclusion of the full text, in the above-mentioned analysis on the basis of summary of the views of the author.
【学位授予单位】：南通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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