论中国当代意象油画的美学特征

发布时间：2018-08-19 20:03

【摘要】：相较于传统水墨山水画而言,油画艺术对于中国当属于近现代的舶来品。在近百余年的发展中,油画却也成为中国文化对外交流的一个重要途径,特别是意象油画的诞生,将中国的传统美学意境与西方油画创作相结合,带有典型的中国传统特性,传达着中国数千年的文化心理。同时,意象油画是传统西方油画在中国本土的新生,在传统西方油画的材质中,融入传统美学的气韵骨法,注重作者的内心底蕴。所谓意象油画,应当是东方独有神韵与西方油画技法的完美结合,是绘画者诗意的抒发。它以独特的韵味表现,独有的创作技巧,在象征与隐喻的美学观念中丰富了世界油画艺苑,也丰富了中国绘画表现语言。本论文针对现阶段意象油画在我国的发展状况,结合自己对于当代意象油画创作与传统美学观念的理解,试图通过对意象油画在我国形成、发展过程的梳理,中国传统美学思想对绘画的影响,对当代中国意象油画创作技法的解读以及多元化发展环境中当代意象油画发展何去何从等几个方面探讨当代意象油画中传统美学思想的表现,同时将此次探讨的结论与毕业创作相结合,对自己的创作起到一定的理论帮助。本论文主要分为四个章节,第一章为中国当代意象油画的发展历程,对何为意象油画作出解释,并从西方近现代绘画发展与中国传统文化的影响两个方面分析意象油画形成的原因;第二章主要介绍中国当代意象油画绘画元素的意象性表现,通过举例近现代意象油画家加以说明;第三章是本文的重点,为中国当代意象油画的意象性美学特征,主要分为四个小节,通过举例论证中国当代意象油画与传统中国美学理论的结合,油画技法回归传统美的本质,阐释意象油画发展的必然性。第四章是意象油画发展的现实意义与展望,通过对意象油画的意义、局限性和发展的分析论证,为油画艺术工作者提供一定的理论基础,创造出具有符合现实意义与社会意义的绘画作品。
[Abstract]:Compared with traditional ink-wash landscape painting, oil painting art should be modern and modern exotic to China. In the past hundred years of development, oil painting has also become an important way for Chinese culture to communicate with foreign countries, especially the birth of image oil painting, which combines the traditional aesthetic conception of China with the creation of western oil paintings, with typical Chinese traditional characteristics. It conveys the cultural psychology of China for thousands of years. At the same time, image oil painting is a new generation of traditional western oil painting in China. In the material of traditional western oil painting, the spirit bone method of traditional aesthetics is integrated, and the author's inner information is paid more attention to. The so-called imagery oil painting should be the perfect combination of oriental charm and western oil painting techniques and the poetic expression of the painter. With its unique charm and unique creative skills, it enriches the world oil painting art garden in the aesthetic concept of symbolism and metaphor, and also enriches the expressive language of Chinese painting. This paper aims at the development of image oil painting in our country at the present stage, combined with my own understanding of contemporary image oil painting creation and traditional aesthetic concept, trying to sort out the formation and development process of image oil painting in our country. The influence of Chinese traditional aesthetic thought on painting, the interpretation of the techniques of contemporary Chinese image oil painting and the development of contemporary image oil painting in the pluralistic development environment are discussed in the aspects of the expression of traditional aesthetic thought in contemporary image oil painting. At the same time, the conclusion of this discussion combined with graduation creation, play a certain theoretical help to their own creation. This thesis is mainly divided into four chapters. The first chapter is the development of Chinese contemporary image oil painting, which explains what is image painting. And from the development of modern Western painting and the influence of Chinese traditional culture to analyze the reasons for the formation of image oil painting. The third chapter is the focus of this paper, which is mainly divided into four sections for the image aesthetic characteristics of Chinese contemporary image oil painting. Through illustrating the combination of Chinese contemporary image oil painting and traditional Chinese aesthetic theory, oil painting techniques return to the essence of traditional beauty and explain the inevitability of image oil painting development. The fourth chapter is the realistic significance and prospect of the development of image oil painting. Through the analysis and demonstration of the meaning, limitation and development of image oil painting, it provides a certain theoretical basis for oil painting artists. To create paintings with realistic and social significance.
【学位授予单位】：中国矿业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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