波斯细密画的装饰性语言探究

发布时间：2018-08-21 14:41

【摘要】：多元化,多样性成为当今艺术的时代主流。因而,装饰性绘画逐步进入大家的视野并被大众认可与喜爱,以此来满足自己的精神需求和审美需要。而在装饰性绘画日新月异的今天,波斯细密画的装饰性绘画语言给现当代绘画注入了新的生机,为绘画创作带来更多可能性。本篇论文主要围绕波斯细密画的装饰性这一美学范畴展开。第一章主要阐述了波斯细密画的含义以及不同历史时期的美学风格。第二章是本文的重点章节,解析了波斯细密画的装饰性体现。分别从画面构成、空间构成、色彩构成三大方面进行剖析。详细论述了波斯细密画“几何分割”“满而密”“画框与留白”三种画面构成。同时,“全知”的绘画视角和平面化的表现手法也是波斯细密画的一大特色。它采用散点透视,把室内室外的场景展现在同一画面,打破近大远小的透视法则,给观者带来了充满趣味的“平面世界”。本文对波斯细密画纯色与补色对比的运用以及为了展现色彩的高贵把金箔、珍珠和蓝宝石等珍贵材料运用其中做了细致的剖析。并从《我的名字叫红》中探寻了色彩背后的象征与隐喻。第三章,浅谈了现当代绘画对波斯细密画装饰性语言的借鉴与探索。最后,介绍了在我创作中对波斯细密画装饰性的实践与创新。并把《红楼梦》这一题材运用到自己创作中,用波斯细密画的装饰性语言来展现中国传统文化的美。在创作备受束缚的今天,装饰性绘画逐渐受到大家的青睐,但是,波斯细密画的装饰性在创作中的运用相对较少,其理论研究更是少之又少。因此,本论文对其波斯细密画的装饰性语言探究有其价值,希望为画家学者提供帮助与参考。
[Abstract]:Diversity has become the mainstream of art today. As a result, decorative painting gradually entered the field of vision and was recognized and loved by the public, in order to meet their spiritual and aesthetic needs. And in the decorative painting with each passing day, the Persian fine painting decorative painting language into modern and contemporary painting into a new vitality, for painting to bring more possibilities. This thesis mainly revolves around the esthetics category of the decoration of Persia's fine paintings. The first chapter mainly expounds the meaning of Persia's fine paintings and the aesthetic style of different historical periods. The second chapter is the key chapter of this article, analyzing the decorative embodiment of Persia. Separately from the picture composition, the space constitution, the color constitution three aspects carries on the analysis. This paper discusses in detail the composition of Persian fine painting "geometric division", "full and dense", "picture frame and white space". At the same time, the painting angle of omniscience and the expression of flatness are also the characteristics of Persian fine painting. It uses scattered point perspective, displays the scene of indoor and outdoor in the same picture, breaks the law of perspective near far away and small, and brings interesting "plane world" to the viewer. This paper makes a detailed analysis of the use of the contrast between solid color and complementary color in Persian fine paintings and the use of precious materials such as gold foil pearl and sapphire in order to show the nobility of color. The symbol and metaphor behind the color are explored from my name Red. In the third chapter, the author discusses the reference and exploration of the decorative language of Persia fine painting in modern and contemporary painting. Finally, it introduces the practice and innovation of the decoration of Persia in my creation. The theme of "A Dream of Red Mansions" is applied to his own creation, and the decorative language of Persia is used to show the beauty of Chinese traditional culture. In today's constrained creation, decorative painting is gradually favored by everyone, but the Persian fine painting decoration in the creation of the use of relatively few, its theoretical research is even less. Therefore, this thesis has its value to explore the decorative language of his Persian fine paintings, hoping to provide help and reference for painters.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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