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中国当代油画艺术中人物表情的解析

发布时间:2018-08-22 08:22
【摘要】:表情是人类传递信息的载体之一,它承载在着丰富复杂的情感信息,承载在着情绪的表现,甚至心理活动也在表情中有所体现。在中国当代油画艺术中,表情除了以上所说的承载信息外,还有画家在其作品的人物表情中注入观念性的表达与精神性的内涵。本文通过对中国当代油画艺术中人物表情这一元素的研究,分析表情的美学形态,探求作品背后的内容,与解析种种表情下的精神性显现。同时,也为观众提供从表情元素欣赏与解读作品的角度。文中选取从1976年至今有代表性的作品开展研究,解析作品中人物的各种各样的表情。结合创作的时代背景,参考相关文献资料、视频资料以及对画家的访谈资料进行综合分析,从而对作品中人物表情的作用及意义做出自己的说明与解读。 文章内容分为三部分:第一部分为中国当代油画艺术中人物表情析略,概括的阐述了中国当代油画艺术中人物表情与社会时代的关系,与社会人物群体的转变关系,与画家个人观念表现的关系。第二部分首先解读表情在文学性语境下所表达的丰富的情绪情感,通过对作品中人物表情的描画加强作品的文学性意境,如同读小说散文,欣赏诗歌般的感觉;其次是对人物表情中所具有的观念性的解析,随着时代的快速发展,人们的生活也在变化着,作品中的人物表情也自然随之变化。中国社会中各地域,各阶层的群体身份发生着转变,人们的生活与突如其来的变化的不适应,使作品中的人物茫然、惆怅、无聊等状态——体现在表情之中,即表情元素体现人与社会的矛盾。除群体性表现外,还有个人精神性显现,主要是画家个人精神性通过作品中人物表情表现,其中包括非常直观或隐晦的表现,需结合画家自身背景与作品的创作背景仔细体会。第三部分是对作品中人物表情的美学形态进行分析研究,各种表情除了外在变化的形态,也具有对世界、社会与人方方面面的关注,从而由外至内的分探讨。
[Abstract]:Expression is one of the carriers of human transmission of information, it is loaded in the rich and complex emotional information, bearing in the expression of emotion, even psychological activities are also reflected in the expression. In the Chinese contemporary oil painting art, the expression not only carries the information mentioned above, but also the painter injects the conceptual expression and the spiritual connotation into the character expression of his works. Through the study of the element of the expression of characters in the contemporary Chinese oil painting, this paper analyzes the aesthetic form of the expression, explores the content behind the work, and analyzes the spiritual manifestation under the various expressions. At the same time, it also provides the audience with the angle of appreciation and interpretation of the works from the expression elements. In this paper, the representative works from 1976 to present are studied, and the various expressions of the characters in the works are analyzed. Combined with the background of the time of creation, referring to the relevant literature, video materials and interviews with the artist, this paper makes a comprehensive analysis of the role and significance of the expression of the characters in the works to make their own explanation and interpretation. The content of the article is divided into three parts: the first part is the analysis of the characters' expressions in the contemporary Chinese oil painting art, which generalizes the relationship between the expression of the characters and the social times, and the transformation of the groups of the social figures in the contemporary oil painting art of China. The relationship with the expression of painters' personal concepts. The second part first interprets the rich emotion and emotion expressed by the expression in the literary context, strengthens the literary artistic conception of the works through the depiction of the expression of the characters in the works, as reading the novel prose and appreciating the feeling of poetry; With the rapid development of the times, people's lives are also changing, and the characters' expressions in the works will naturally change. The group identity of all regions and strata in Chinese society is changing, and people's lives are not adapted to the sudden changes, which makes the characters in the works lost, melancholy, boredom and so on-reflected in their expressions. The expression element reflects the contradiction between human beings and society. In addition to group performance, there are individual spiritual manifestation, mainly through the artist's personal spiritual expression in the works, including very intuitive or obscure performance, need to be combined with the painter's own background and the creation of the work of the background of careful experience. The third part is to analyze and study the aesthetic forms of the characters' expressions in the works. In addition to the external changing forms, the various expressions also have the attention to the world, the society and the human aspects, thus from the outside to the inside.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J213

【参考文献】

相关期刊论文 前3条

1 寇强;;当代肖像油画中的视觉隐喻[J];美术教育研究;2011年11期

2 吴静一;;中国当代油画中图像借鉴的现象——中国当代油画创作研究[J];市场周刊(理论研究);2011年07期

3 郑黎;;抽象的具象——当代中国油画中表情的演绎[J];艺术.生活;2011年01期



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