从四川版画的发展看继承传统的重要性

发布时间：2018-08-22 12:07

【摘要】：四川版画是中国版画的重要组成部分,四川版画的发展和继承也从一定程度上反应了中国版画的的发展情况。正确认识四川版画,对四川版画的发展有现实指导意义。四川版画在中国版画历史长河中是很小的一部分,但它的形成和发展具有特殊意义,是在特定的历史条件下出现和发展的。四川版画既是中国的也是世界的,它是我们人类的精神财富,是人类文明在特定时期的表现形式之一。四川版画的发展是吸取了前人版画创作的精华,吸收了西方创作版画形式而迅速发展起来的,同时富含四川的人文特点以及饱受中国传统文化根深蒂固的影响。版画有可能出现突变,但它的脉络基本上是连续的,在急速变化过程中,传统的力量是不可能忽略的。特定时期的特殊现象在历史长河中也是合理的,偶然的发展现象。新兴木刻运动是中国版画的进入创作版画的新起点,也是四川版画的起点,参加木刻讲习会的成员有的直接作用于四川版画的发展。这是西方版画创作的一次彻底洗礼,慢慢的不光是木刻版画的形式,起源西方的铜版、丝网等也陆续的传入中国出入四川。中国是个包容的国家,在创作版画传入以后,很快就拿来为自己服务,四川版画也结合了自身的地域和民族特点,把创作版画赋予自己的思想和文化内涵。在一定意义上也丰富了中国传统文化的变现形式,中国五千年的文化底蕴深深的影响着版画创作,很多时候中国人在谈中国传统的时候,也是谈不清楚的,儒、道、佛在很大程度上影响着中华民族,中国文化是深奥的,能够把外来文化同化、吸收。但过于强大的文化在吸收时也得小心翼翼。新的时代,传统有被抛弃的危险,有必有重提,以引起艺术家和文化工作者的重视。四川版画要有很好的未来也不能抛弃传统文化,反而要重视吸收传统文化。
[Abstract]:Sichuan printmaking is an important part of Chinese printmaking, and the development and inheritance of Sichuan printmaking also reflect the development of Chinese printmaking to a certain extent. The correct understanding of Sichuan printmaking is of practical significance to the development of Sichuan print. Sichuan printmaking is a small part of the history of Chinese prints, but its formation and development have special significance, which appear and develop under the specific historical conditions. Sichuan print is not only China's but also the world's, it is the spiritual wealth of our human beings and one of the manifestations of human civilization in a specific period. The development of Sichuan printmaking is absorbing the essence of previous printmaking, absorbing the form of Western printmaking and developing rapidly. At the same time, it is rich in the cultural characteristics of Sichuan and deeply influenced by Chinese traditional culture. Print may have a sudden change, but its vein is basically continuous, in the process of rapid change, the traditional forces can not be ignored. The special phenomenon in the specific period is also a reasonable and accidental development phenomenon in the long history. The emerging woodcut movement is a new starting point for Chinese printmaking and also a starting point for Sichuan printmaking. Some members of the woodcut seminar have a direct effect on the development of Sichuan printmaking. This is a thorough baptism of Western printmaking. Slowly, it is not only in the form of woodcut prints, but also in the form of copper plates originating in the West, wire mesh and so on, which have been introduced into and out of Sichuan in succession. China is an inclusive country, after the creation of printmaking was introduced, soon to serve themselves, Sichuan printmaking also combined their own regional and national characteristics, the creation of printmaking with their own thoughts and cultural connotations. In a certain sense, it also enriches the forms of realization of Chinese traditional culture. The cultural background of five thousand years in China has a deep impact on the creation of prints. In many cases, when Chinese people talk about Chinese tradition, they are also unable to talk clearly about Confucianism and Taoism. Buddhism influences the Chinese nation to a great extent. Chinese culture is profound and can assimilate and absorb foreign culture. But too strong a culture must be absorbed with caution. In the new era, tradition is in danger of being abandoned and must be brought back to the attention of artists and cultural workers. Sichuan prints should have a good future and not abandon traditional culture, but should attach importance to absorbing traditional culture.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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