绘画中艺术形象的概括与抽象

发布时间：2018-08-22 16:51

【摘要】：绘画作为一种视觉艺术,所有艺术家都不可能完全抛开“形象性”来空谈艺术。从绘画过程中的“观察”出发,从我们“怎么看”来研究绘画艺术也应该是每一位艺术家都要面临的课题。艺术家在艺术作品中表现出的艺术形象与普通人看到的客观事物往往有很大的“不同”,与图像、影像更存在着本质的区别。这“不同”就是艺术家们面对客观对象时,通过观察提取线条、色彩等元素,并在形象思维的作用下,“概括与抽象”出新的形体、色彩等关系,以此来构成符合艺术家审美理想的艺术形象。这就是艺术家观察世界的方式。可见信息的庞大和艺术家再现手段的局限,必然要求艺术家需采用概括与抽象方式去观察和表现。在很多艺术大师作品中,为我们如何对艺术形象进行概括与抽象提供了很多经验。从蒙德里安、阿希尔·戈尔基到理查德·迪本科恩、霍克尼等都提供了很多对艺术形象概括与抽象的方法,值得我们去深思与借鉴。对艺术形象概括与抽象的过程,其实从艺术家开始观察客观对象的那一刻开始就以存在。但艺术形象的概括与抽象需要以艺术家的真情实感作为依托,不然就容易陷入为了形式而形式的误区。这也从本质上,呼唤我们要积极主动地发挥自己的创造性,概括与抽象出更加贴近艺术家内心的真情实感的艺术形象,而不只机械地描摹自然。只有对艺术形象的概括与抽象建立在真情实感的基础上,才能获得真正的价值。这些都是绘画不会被图像、影像代替的根本所在。最后,根据我自己的创作过程,对于研究生三年学习中的得失做出总结。
[Abstract]:Painting as a visual art, all artists can not completely cast aside "visuality" to talk about art. From the point of view of painting, we should study the art of painting from the perspective of how to look at it. The artistic image shown by artists in their works of art is often very different from the objective things seen by ordinary people, and there are also essential differences from images and images. This "difference" is that when artists face objective objects, by observing and extracting elements such as lines, colors, and so on, they "generalize and abstract" new forms, colors, etc., under the action of image thinking. In order to form the artist aesthetic ideal of the art image. This is how artists observe the world. The huge information and the limitation of the artist's reappearance must require the artist to observe and express it in the way of generalization and abstraction. In the works of many masters of art, we provide a lot of experience on how to generalize and abstract the artistic images. From Mondrian, Asher Gorky to Richard DiBen Cohen, Hockney, and so on, they all provide many methods to summarize and abstract the artistic image, which are worthy of our deep thinking and reference. The process of summarizing and abstracting the artistic image actually exists from the moment when the artist begins to observe the objective object. However, the generalization and abstraction of artistic image need to rely on the true feelings of the artist, otherwise it is easy to fall into the misunderstanding of form for form. In essence, it calls for us to actively exert our own creativity, generalize and abstract the artistic image which is closer to the true feelings of the artist, and not just describe nature mechanically. Only when the artistic image is summarized and abstracted on the basis of true feelings can real value be obtained. These are the painting will not be replaced by the image, the fundamental image. Finally, according to my own creative process, for graduate students in three years of learning to make a summary.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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