新中国抗日战争主题油画创作的历史性与艺术性研究
发布时间：2018-08-26 18:26
【摘要】：无论是从官方、民间以及各大美术馆的关注度，还是从创作的规模、作品的数量以及它的影响力来讲，重大历史主题绘画创作毫无疑问是新中国美术创作的核心。在这其中，抗日战争主题油画创作所占有的分量不言而喻。研究新中国抗日战争主题油画创作，既要与特定时期的政治、文化等背景相关联，又要关注其自身的艺术特质。 新中国抗日战争主题油画创作是一个特定时代的必然，这与中华民族的伟大复兴有着不可分割的关系。历史是一面镜子，抗日战争主题油画创作也正是中华民族在勇敢正视自己的历史。我们从新中国抗日战争主题油画创作的历史性和艺术性中感受历史，通过艺术作品对历史的演绎能正确地理解其意义与价值。 本文以新中国抗日战争主题油画创作为切入点，以它的历史性和艺术性作为两条线索，从历史学和哲学等角度研究新中国抗日战争主题油画创作产生的基础和条件以及其艺术性；同时从社会学、文化学等多维视角研究新中国抗日战争主题油画创作的社会意义与价值。 本文研究的主要内容有以下几点： 一、首先阐述了新中国抗日战争主题油画创作研究的目的和意义、国内外的研究现状、研究内容及研究方法； 二、新中国抗日战争主题油画创作的基础和条件。从社会政治结构、社会意识与艺术的关系以及外部因素的影响等方面分析、阐述了新中国成立以来各时期抗日战争主题油画创作产生的土壤及发展的动力和源泉； 三、新中国抗日战争主题油画创作的历史性。通过与史料比对研究，分析新中国抗日战争主题油画创作的历史性，把握它的真实与虚构，从社会学和历史学角度把握它的价值和意义；同时在理解和把握新中国抗日战争主题油画创作的社会意义与价值的同时，将其置身在新时期中日钓鱼岛争端这一特定的环境下分析它的现实意义和当代价值。 四、新中国抗日战争主题油画创作的艺术性。以现代美学视角去看待和分析新中国抗日战争主题油画创作的艺术特点和艺术价值；从现实主义和浪漫主义双重角度研究新中国抗日战争主题油画创作的艺术性。 五、对新中国抗日战争主题油画创作进行了整体阐述，提出了自己的观点。新中国抗日战争主题油画创作的产生是多种因素相结合的产物，它的发展也受到诸多条件的限制，本章节将对新中国抗日战争主题油画创作做客观总结。 我们只有通过对新中国抗日战争主题油画创作进行理性的分析、研究，才能正确的把握它的社会意义与价值，无论是正面的还是反面的，都将给我们以启迪，，同时也能使我们清晰的把握它的发展规律，对今后的重大历史主题绘画创作也有所启示。
[Abstract]:No matter from the attention of the government, the folk and the major art galleries, or from the scale of creation, the number of works and its influence, the creation of major historical theme painting is undoubtedly the core of the fine arts creation in New China. In this, the anti-Japanese war theme oil painting creation occupies the weight to be self-evident. To study the theme oil painting of the War of Resistance against Japan in New China, we should not only relate to the political and cultural background of a specific period, but also pay attention to its own artistic characteristics. The theme oil painting of the War of Resistance against Japan in New China is inevitable in a specific era, which has an inseparable relationship with the great rejuvenation of the Chinese nation. History is a mirror, the anti-Japanese war-themed oil painting is the Chinese nation bravely face their own history. We feel the history from the history and artistry of the theme oil painting of the War of Resistance against Japan in New China, and we can correctly understand its significance and value through the interpretation of the history by the works of art. In this paper, the theme of the Anti-Japanese War of New China oil painting as a breakthrough point, with its historical and artistic as two clues, From the perspective of history and philosophy, this paper studies the foundation, conditions and artistry of the creation of themed oil paintings of the War of Resistance against Japan in New China, and at the same time, from the perspective of sociology, This paper studies the social significance and value of the theme oil painting of the War of Resistance against Japan in New China from the perspective of culture and other multi-dimensional perspectives. The main contents of this paper are as follows: firstly, the purpose and significance of the research on the theme oil painting of the War of Resistance against Japan in New China, the present research situation at home and abroad, the research contents and the research methods are expounded. The basis and conditions for the creation of oil paintings on the theme of the War of Resistance against Japan in New China. Based on the analysis of the social political structure, the relationship between social consciousness and art, and the influence of external factors, this paper expounds the soil and the motive force and source of the development of the anti-Japanese war theme oil painting creation in various periods since the founding of New China. Third, the historical creation of the theme oil painting of the War of Resistance against Japan in New China. Through comparing with historical materials, this paper analyzes the historical creation of the theme oil painting of the War of Resistance against Japan in New China, grasps its truth and fiction, and grasps its value and significance from the angle of sociology and history. At the same time, while understanding and grasping the social significance and value of the theme oil painting of the War of Resistance against Japan in New China, we put it in a special environment of the Sino-Japanese Diaoyu Islands dispute in the new period and analyze its realistic significance and contemporary value. Fourth, the artistry of the theme oil painting of the War of Resistance against Japan in New China. From the perspective of modern aesthetics, this paper analyzes the artistic characteristics and artistic value of the theme oil painting of the War of Resistance against Japan in New China, and studies the artistry of the oil painting of the theme of the War of Resistance against Japan in New China from the perspective of realism and romanticism. Fifthly, the theme oil painting creation of the War of Resistance against Japan in New China is expounded as a whole, and its own viewpoint is put forward. The creation of the theme oil painting of the War of Resistance against Japan in New China is the product of the combination of many factors and its development is also restricted by many conditions. This chapter will make an objective summary of the creation of the theme oil painting of the War of Resistance against Japan in New China. Only through rational analysis and study of the theme oil painting of the War of Resistance against Japan in New China, can we correctly grasp its social significance and value, whether positive or negative, which will enlighten us. At the same time, it can make us grasp its development law clearly, and enlighten the major historical theme painting creation in the future.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2205779
[Abstract]:No matter from the attention of the government, the folk and the major art galleries, or from the scale of creation, the number of works and its influence, the creation of major historical theme painting is undoubtedly the core of the fine arts creation in New China. In this, the anti-Japanese war theme oil painting creation occupies the weight to be self-evident. To study the theme oil painting of the War of Resistance against Japan in New China, we should not only relate to the political and cultural background of a specific period, but also pay attention to its own artistic characteristics. The theme oil painting of the War of Resistance against Japan in New China is inevitable in a specific era, which has an inseparable relationship with the great rejuvenation of the Chinese nation. History is a mirror, the anti-Japanese war-themed oil painting is the Chinese nation bravely face their own history. We feel the history from the history and artistry of the theme oil painting of the War of Resistance against Japan in New China, and we can correctly understand its significance and value through the interpretation of the history by the works of art. In this paper, the theme of the Anti-Japanese War of New China oil painting as a breakthrough point, with its historical and artistic as two clues, From the perspective of history and philosophy, this paper studies the foundation, conditions and artistry of the creation of themed oil paintings of the War of Resistance against Japan in New China, and at the same time, from the perspective of sociology, This paper studies the social significance and value of the theme oil painting of the War of Resistance against Japan in New China from the perspective of culture and other multi-dimensional perspectives. The main contents of this paper are as follows: firstly, the purpose and significance of the research on the theme oil painting of the War of Resistance against Japan in New China, the present research situation at home and abroad, the research contents and the research methods are expounded. The basis and conditions for the creation of oil paintings on the theme of the War of Resistance against Japan in New China. Based on the analysis of the social political structure, the relationship between social consciousness and art, and the influence of external factors, this paper expounds the soil and the motive force and source of the development of the anti-Japanese war theme oil painting creation in various periods since the founding of New China. Third, the historical creation of the theme oil painting of the War of Resistance against Japan in New China. Through comparing with historical materials, this paper analyzes the historical creation of the theme oil painting of the War of Resistance against Japan in New China, grasps its truth and fiction, and grasps its value and significance from the angle of sociology and history. At the same time, while understanding and grasping the social significance and value of the theme oil painting of the War of Resistance against Japan in New China, we put it in a special environment of the Sino-Japanese Diaoyu Islands dispute in the new period and analyze its realistic significance and contemporary value. Fourth, the artistry of the theme oil painting of the War of Resistance against Japan in New China. From the perspective of modern aesthetics, this paper analyzes the artistic characteristics and artistic value of the theme oil painting of the War of Resistance against Japan in New China, and studies the artistry of the oil painting of the theme of the War of Resistance against Japan in New China from the perspective of realism and romanticism. Fifthly, the theme oil painting creation of the War of Resistance against Japan in New China is expounded as a whole, and its own viewpoint is put forward. The creation of the theme oil painting of the War of Resistance against Japan in New China is the product of the combination of many factors and its development is also restricted by many conditions. This chapter will make an objective summary of the creation of the theme oil painting of the War of Resistance against Japan in New China. Only through rational analysis and study of the theme oil painting of the War of Resistance against Japan in New China, can we correctly grasp its social significance and value, whether positive or negative, which will enlighten us. At the same time, it can make us grasp its development law clearly, and enlighten the major historical theme painting creation in the future.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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