从宋代《百花图卷》看中国水墨工笔花鸟发展
发布时间：2018-08-27 06:57
【摘要】：宋代佚名《百花图卷》,纸本手卷,墨笔,全卷纵31.5厘米,横1679.5厘米,原属清宫旧藏,现今藏于故宫博物馆,为中国宋代具有代表性的水墨工笔花鸟作品之一。《百花图卷》风格清雅精致、意境别具一格,既具有宋代花鸟画的一般特征,又呈现士人画的倾向,可以说是院体花鸟文人化的表现,在中国工笔花鸟画走向士人画的过程中起到了承前启后的作用。宋代水墨工笔花鸟正处在萌芽时期,《百花图卷》代表了那一时期画家对于水墨工笔花鸟的精神领悟和实践探索,同时对后代历代画家多有影响,即使到现在也有不可替代的地位。可以说《百花图卷》的出现与当时的社会环境、经济发展、文化思想都息息相关。本文从分析《百花图卷》独特的艺术特色为开端,先从构图形制、设色方式、花鸟形态、线的运用等方面对其进行深入分析。通过分析作品所呈现的审美思想与技法,并结合中国花鸟画发展脉络,分析这一水墨风格形成的理论基础和技法传承。重点是从《百花图卷》本身的艺术特色出发来分析其风格形成的文化根源与发展脉络,审视古代水墨工笔花鸟画对当代工笔花鸟的影响,力求对当代工笔花鸟创作有所贡献。
[Abstract]:Song Dynasty anonymous name "hundred flowers picture volume", paper hand roll, ink pen, the full volume of 31.5 centimeters in length, 1679.5 centimeters across, originally belonging to the Qing Gong old collection, now hidden in the The Imperial Palace Museum, It is one of the representative flower-and-bird works of the Song Dynasty of China. The style of "hundred Flower Picture Volume" is elegant and exquisite, and the artistic conception is unique. It has both the general characteristics of the flower-and-bird paintings of the Song Dynasty and the tendency of the scholars to draw. It can be said that it is the expression of literati style, which plays an important role in the process of Chinese fine brushwork flower and bird painting moving towards scholar painting. In the Song Dynasty, the flowers and birds of fine brushwork are in their infancy. The "hundred Flower Picture Volume" represents the spiritual comprehension and practical exploration of the painters in that period, and at the same time has an influence on the painters of later generations. Even now there is an irreplaceable position. It can be said that the appearance of "hundred flowers" is closely related to the social environment, economic development and cultural thought. This paper begins with the analysis of the unique artistic characteristics of "hundred Flower Picture Volume", and analyzes it deeply from the aspects of composition, color setting, flower and bird form, and the application of line, etc. By analyzing the aesthetic thoughts and techniques presented in the works and combining the development of Chinese flower-and-bird painting, the theoretical basis and technical heritage of the formation of this ink style are analyzed. The emphasis is to analyze the cultural origin and development thread of the style from the artistic characteristics of "hundred Flower Picture Volume" itself, to examine the influence of the ancient fine brushwork flower and bird painting on the contemporary meticulous brush flowers and birds, and to strive to contribute to the contemporary fine brushwork flower and bird creation.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:Song Dynasty anonymous name "hundred flowers picture volume", paper hand roll, ink pen, the full volume of 31.5 centimeters in length, 1679.5 centimeters across, originally belonging to the Qing Gong old collection, now hidden in the The Imperial Palace Museum, It is one of the representative flower-and-bird works of the Song Dynasty of China. The style of "hundred Flower Picture Volume" is elegant and exquisite, and the artistic conception is unique. It has both the general characteristics of the flower-and-bird paintings of the Song Dynasty and the tendency of the scholars to draw. It can be said that it is the expression of literati style, which plays an important role in the process of Chinese fine brushwork flower and bird painting moving towards scholar painting. In the Song Dynasty, the flowers and birds of fine brushwork are in their infancy. The "hundred Flower Picture Volume" represents the spiritual comprehension and practical exploration of the painters in that period, and at the same time has an influence on the painters of later generations. Even now there is an irreplaceable position. It can be said that the appearance of "hundred flowers" is closely related to the social environment, economic development and cultural thought. This paper begins with the analysis of the unique artistic characteristics of "hundred Flower Picture Volume", and analyzes it deeply from the aspects of composition, color setting, flower and bird form, and the application of line, etc. By analyzing the aesthetic thoughts and techniques presented in the works and combining the development of Chinese flower-and-bird painting, the theoretical basis and technical heritage of the formation of this ink style are analyzed. The emphasis is to analyze the cultural origin and development thread of the style from the artistic characteristics of "hundred Flower Picture Volume" itself, to examine the influence of the ancient fine brushwork flower and bird painting on the contemporary meticulous brush flowers and birds, and to strive to contribute to the contemporary fine brushwork flower and bird creation.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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