论艺术家在绘画语言中的自“恋”与他“恋”

发布时间：2018-09-03 09:12

【摘要】：作为一种舶来品,油画拥有着造型丰富的表现力,作品中不仅体现了创作者细腻的情感、丰富的创造力、新异的艺术表现形式。更在无形中续写了西方绘画的发展历史,同时随着时代的发展,许多新事物、新思想、新观念、新批评、新的审美追求犹如雨后春笋一样,不断冒出,它丰富了人们的精神世界。那到底是什么使我们今天的生活如此多彩?我想究其根源,当之无愧应该属艺术家对自“恋”情节坚定的追求。俗话说,每个人都是独立的、特别的。无论是从表现题材、还是绘画技法。有的在色彩上做文章,有的专注于夸张的情感表达,有的则探究优化语言的色彩美与肌理美等等。无论是哪一种,我们都可以看到艺术家始终坚持自己的方向、理念与绘画语言的探究。并没有因当时被排挤、批评甚至唾弃而放弃对自“恋”情节的探究。正因为这样,油画艺术才会不断突破创新,向前发展。但是由于艺术家受市场经济“大泡沫”的影响和自己认识上的狭隘,以及现在越来越严重的追逐功利心态的干扰,导致了艺术家对“恋”情节的扭曲。由原来的“恋”自我、“恋”创新、“恋”艺术价值的高雅精神文化,转向了“恋”金钱、“恋”功利、“恋”“当代艺术家”头衔……于是,在部分艺术家们出现了一种他“恋”情节。油画表现形式缺乏自我观念的传达,看到前辈们可观的竞拍价格,似乎突然“悟到”了什么是当代艺术。于是展品泛滥,跟风现象严重。为了自己的作品摘掉庸俗、肤浅的帽子,于是盲目崇外现象逐渐出现、复制抄袭现象也越来越严重。因此,艺术品市场是把双刃剑。本论文就是针对上述这一严重问题,分析当前状况,提出存在的问题,阐述造成艺术家他“恋”的原因,以及在自我创作中也曾出现的从自“恋”情节的迷失到回归与创新。论证了,虽然当今艺术品市场、画廊这样一些绘画的副产品的出现,动摇了艺术家的自“恋”情节,但通过艺术家的自律和对纯粹艺术价值的追求,还是能够找回自我,并超越自我。
[Abstract]:As an exotic, oil painting has a rich expressive force, which not only embodies the creators' delicate emotion, rich creativity, and new artistic expression. Moreover, the development history of Western painting has been unseen. At the same time, with the development of the times, many new things, new ideas, new criticisms, and new aesthetic pursuits have sprung up. It enriches the spiritual world of people. What makes our life so colorful today? I want to investigate its roots, should be worthy of the artist's pursuit of the "love" plot. As the saying goes, everyone is independent and special. Whether from the performance of the subject matter, or painting techniques. Some focus on color, some focus on exaggerated emotional expression, others explore the beauty of color and texture of optimized language. Either way, we can see that artists always adhere to their own direction, ideas and painting language exploration. It did not give up the exploration of the love plot because it was excluded, criticized and even spurned. Just because of this, oil painting art can continuously break through innovation and develop forward. However, due to the influence of the "big bubble" of the market economy and the narrowness of their own understanding, and the increasingly serious interference of the pursuit of utilitarian mentality, artists have distorted the plot of "love". From the original "love" self, "love" innovation, "love" artistic value of elegant spiritual culture, to "love" money, "love" utilitarian, "love" contemporary artist "title. As a result, some artists appeared a kind of "love" plot. The form of oil painting lacks the transmission of self-concept, and it seems to realize what contemporary art is all of a sudden when they see the considerable bidding price of their predecessors. As a result, there is a flood of exhibits and a serious phenomenon of following the wind. In order to remove their own works vulgar, shallow hat, so blind worship of foreign phenomenon gradually appeared, copying phenomenon is becoming more and more serious. Therefore, the art market is a double-edged sword. This paper is aimed at the above serious problem, analyzes the current situation, puts forward the existing problems, expounds the causes of the artist's "love", and also appears in the self-creation from the "love" plot from the lost to return and innovation. It has been demonstrated that although the emergence of by-products of some paintings such as galleries in the art market today has shaken the artist's "love" plot, he can still find himself through his self-discipline and his pursuit of pure artistic value. And transcend the self.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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