论“形感”在写实油画人物创作中的表现
发布时间:2018-09-03 10:53
【摘要】:在造型艺术中,写实油画强调艺术家在一张完全平面的画布上创作出生动、感人和美的三维画面,因此,在写实油画人物创作过程中非常注重物象“形”与“体”的表达。在这里“形”既解为“形状”。由于在具体写实油画人物作品中,具体形象的“形”的表现,是极为重要的,这种对于具体形象的“形”控制与表达,可以说是人物油画作品中“形式感”或“节奏韵律感”等抽象语言强有力的物化寄托。所谓“体”即为“体积”。在写实造型艺术中,对“体积”的塑造同样也是十分重要的,“体积”的塑造关系到艺术作品中形象与现实生命的真实与否,与此同时,在写实油画人物创作中“形感”的表现则是写实油画人物作品艺术品质的优劣与成败的关键所在。在写实油画人物的艺术表现中,画家通过对所描绘对象的表情、神态、动作以及所处环境的高度提炼概括,从而进行源于生活而高于生活的艺术化创作,因此,在这个艺术化的过程中,“形感”的表达蕴含着艺术家丰富的主观情感表达和独特的艺术语言风格表现,这时,“体”的塑造,其实是一种以“体”显“形”的作用,通过对写实油画人物创作中“形感”构成的分析以及与创作实践相结合的探讨研究,可见,在写实油画人物创作中,对于“形感”的把握和表现是非常关键的,同时也是艺术创作中的难点。
[Abstract]:In plastic arts, realistic oil paintings emphasize that artists create vivid, moving and beautiful three-dimensional pictures on a completely flat canvas. Therefore, in the process of creating realistic oil painting characters, they pay great attention to the expression of "shape" and "body" of objects. Here "shape" is interpreted as "shape". Because in the concrete realistic oil painting figure work, the concrete image's "form" performance, is extremely important, this kind of "shape" control and the expression to the concrete image, It can be said that the abstract language, such as "sense of form" or "sense of rhythm and rhythm", is a strong materialized sustenance in characters' oil paintings. The so-called "body" is the "volume". In realistic plastic arts, it is also very important to shape "volume". The creation of "volume" relates to the reality of the image and real life in the art works, at the same time, The expression of "form feeling" in realistic oil painting is the key to the quality and success of realistic oil painting. In the artistic expression of realistic oil painting characters, the painter generalizes the expression, manner, movement and environment of the objects described, so as to create artistically higher than the life, so, In this artistic process, the expression of "form and feeling" contains the rich subjective emotion expression and the unique artistic language style expression of the artist. At this time, the shaping of "body" is actually a kind of function of "body" showing "shape". Through the analysis of the composition of "form and feeling" in the creation of realistic oil painting characters and the discussion and study of combining with the creative practice, it can be seen that, in the creation of realistic oil painting characters, it is very important to grasp and express the "form and feeling". At the same time, it is also a difficult point in artistic creation.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
本文编号:2219778
[Abstract]:In plastic arts, realistic oil paintings emphasize that artists create vivid, moving and beautiful three-dimensional pictures on a completely flat canvas. Therefore, in the process of creating realistic oil painting characters, they pay great attention to the expression of "shape" and "body" of objects. Here "shape" is interpreted as "shape". Because in the concrete realistic oil painting figure work, the concrete image's "form" performance, is extremely important, this kind of "shape" control and the expression to the concrete image, It can be said that the abstract language, such as "sense of form" or "sense of rhythm and rhythm", is a strong materialized sustenance in characters' oil paintings. The so-called "body" is the "volume". In realistic plastic arts, it is also very important to shape "volume". The creation of "volume" relates to the reality of the image and real life in the art works, at the same time, The expression of "form feeling" in realistic oil painting is the key to the quality and success of realistic oil painting. In the artistic expression of realistic oil painting characters, the painter generalizes the expression, manner, movement and environment of the objects described, so as to create artistically higher than the life, so, In this artistic process, the expression of "form and feeling" contains the rich subjective emotion expression and the unique artistic language style expression of the artist. At this time, the shaping of "body" is actually a kind of function of "body" showing "shape". Through the analysis of the composition of "form and feeling" in the creation of realistic oil painting characters and the discussion and study of combining with the creative practice, it can be seen that, in the creation of realistic oil painting characters, it is very important to grasp and express the "form and feeling". At the same time, it is also a difficult point in artistic creation.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前1条
1 哈孜·艾买提;张宏超;;我是怎样创作麻赫穆德·喀什噶里肖像画的[J];西部;2006年05期
,本文编号:2219778
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