从仇英《汉宫春晓图》谈传统工笔人物画的空间表现

发布时间：2018-09-04 17:31

【摘要】：绘画空间是画家对自然界认识的一种能动的主观空间，通过艺术家们的自我加工从而传达出他们心中理想的“第二世界”，，这样的空间传达的不仅是自然界的客观形态，亦是画家的主题精神与审美意趣。中国传统工笔人物绘画有着悠久的历史，它以其特有的美学价值为世人所瞩目，在空间表达方面，工笔人物画通过散点透视的绘画方法呈现出二维的、平面性空间，这与西方采用焦点透视呈现出的三维立体空间有着本质的不同,这样的空间是画家对自然物象的全方位、宏观性把握，脱离了物象空间的被动再现，是以追求物我相容、人与自热统一为目的空间表达，这展现出了画家本体对宇宙万物生命的关照，及画家表达内心情感世界，追求物我一体的情愫。本文采取图例分析的方法，并结合仇英作品《汉宫春晓图》对传统工笔人物画空间表现方面的问题进行了探析与研究。论文第一部分阐释了绘画空间的定义及其表达方式。第二部分从《汉宫春晓图》着手，并结合传统工笔人物画代表作品，分别从画面流动性、重叠关系、虚实对比、空间组织的对立统一性、界画的构筑方面深入解析传统工笔人物画空间表现特点。第三部分阐述了传统工笔人物画空间表达的思想基础，此章主要从“天人合一”、“以大观小”、“传神论”“意象说”，及汉字书法艺术的影响几个方面着手，分析工笔人物画空间表现形式形成的必然性。最后，总结传统工笔人物画空间表现对当代工笔绘画创作产生的意义。传统工笔人物画其独特的空间展现手法传达出的是一种俯仰天地，有着深厚的哲学理论体系支撑的空间形态。传统工笔人物画的这种尊重宇宙生命意识、饱含生机、同时又富有流动性、节奏化、多视点的空间观念在当代工笔画创作中更应该得到重视和贯彻，同时可调和中西方绘画语言，这样能够更好的表达画家内心境遇、谓传承中国空间意识服务，使当代工笔画的空间表达语言更具有魅。
[Abstract]:Painting space is a kind of dynamic subjective space for artists to understand the nature. Through the self-processing of artists, it conveys the ideal "second world" in their hearts. Such space conveys not only the objective form of nature, It is also the theme spirit and aesthetic interest of the painter. Chinese traditional meticulous figure painting has a long history, it is the attention of the world with its unique aesthetic value. In the aspect of space expression, the fine brushwork figure painting presents two-dimensional, planar space through the painting method of scattered point perspective. This is essentially different from the three-dimensional space presented by the Western focus perspective. Such a space is the artist's all-around grasp of the natural object image, which is independent of the passive reproduction of the object image space, and is compatible with the pursuit of the object itself. The unity of man and self-heating is expressed in the purpose space, which shows the concern of the painter's ontology to the life of all things in the universe, and the emotion of the painter expressing the inner emotional world and pursuing the unity of the material and self This paper adopts the method of legend analysis and analyzes and studies the problems in the space expression of traditional meticulous figure painting with the combination of Qiu Ying's works Hangong Chun Xiao Picture. The first part of the paper explains the definition and expression of painting space. The second part starts from "Han Gong Chun Xiao Picture", and combines the traditional fine brushwork figure painting representative works, separately from the picture fluidity, the overlapping relation, the virtual reality contrast, the spatial organization opposites unification, The construction of the boundary painting in-depth analysis of the traditional meticulous figure painting space performance characteristics. The third part expounds the ideological basis of the space expression of the traditional meticulous figure painting. This chapter mainly starts from the following aspects: "the unity of nature and man", "seeing the small in a big way", "evoking spirit", "the image theory", and the influence of the calligraphy art of Chinese characters. This paper analyzes the inevitability of the formation of the space expression form of fine brushwork figure painting. Finally, summarize the significance of space expression of traditional meticulous figure painting to contemporary meticulous painting creation. Traditional meticulous figure painting has its unique space display technique which conveys a kind of pitching heaven and earth, and has the space form supported by deep philosophy theory system. The traditional meticulous figure painting of this respect universe life consciousness, full of vitality, at the same time full of liquidity, rhythm, multi-point of view of the space in the contemporary painting should be paid more attention to and carry out. At the same time, the Chinese and Western painting language can be reconciled, so as to better express the painter's inner circumstances, that is, to inherit the service of Chinese spatial consciousness, and to make the space expression language of contemporary meticulous painting more attractive.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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