当代工笔花鸟画写意性研究
发布时间：2018-09-05 15:14
【摘要】：艺术创作是主客观相统一的活动，被称为视觉艺术的中国画更加重视主观感受的表达，以绘画的形式来抒情达意，这就是我们所说的抒写心中之意——“写意性”。 作为中国传统绘画重要组成部分的工笔花鸟画在唐宋时期最为繁荣，宋元文人画出现后，其发展相对缓慢，，直至上个世纪又开始迅速发展起来。 工笔花鸟画是中华民族现存的最古老的绘画艺术，有着悠久的历史，容易被大众接受、关注和喜爱，很多非专业人士在业余时间开始学习工笔花鸟画创作，这推动了工笔花鸟画在当代的发展。但是由于对工笔花鸟画的理解不够透彻，或者是受写意画和工笔画这两个绘画门类的名称叫法影响，部分人认为只有写意画才具有写意性，而用笔相对工整的工笔画没有写意性，只单纯的看到其表象上的客观再现，忽视了其承载着的精神层面，造成了部分工笔花鸟画表现的东西太多，面面俱到，产生一种腻烦、俗气之感的这样一种现象，这是阻碍工笔花鸟画在当代顺利发展的不良因素。 因此，越来越多的工笔花鸟画家开始思考如何才能使工笔花鸟画在这个全球一体化的世界中取得更好的发展和成绩，同时能在受到各种形式绘画门类的冲击后仍然可以站稳脚跟。在各国文化交流这样一个时代大背景下，迫使我们必须重新审视工笔花鸟画这一延续千年的民族文化，做到承其精华、在演进中求变，创造出一个既是中华民族的，又是世界的艺术。 中国工笔画承载的是中国画的写意精神，研究工笔花鸟画的写意性因素，不仅有利于工笔花鸟画的发展，而且能更好的继承与发展工笔花鸟画的写意性这一特征，悠久的传统给我们留下了宝贵的财富，尤其在这个大力发展传统文化产业的时代，我们更要发扬这一具有中国独特风味的工笔花鸟画。写意性从起源、发展到后来文人画的高峰，我们可以体会到写意性在中国绘画里面的影响和价值。写意性因素在工笔花鸟画的发展中具有不可估量的作用，如何更好的运用写意性是每个时代都应思考的问题，我们应该重视写意性因素的运用。 本文将从概念上梳理什么是写意性，及写意性是否存在于工笔花鸟画当中，分析写意性因素在当代工笔花鸟画中是通过哪些方面如何表现的，最后对写意性有利于当代工笔花鸟画的发展这一问题进行思考。
[Abstract]:Art creation is a unified activity of subjectivity and objectivity. Chinese painting, known as visual art, pays more attention to the expression of subjective feelings and expresses feelings in the form of painting. This is what we call freehand brushwork.
As an important part of traditional Chinese painting, fine brush flower-and-bird painting was the most prosperous in Tang and Song Dynasties. After the emergence of literati painting in Song and Yuan Dynasties, its development was relatively slow, until the last century began to develop rapidly.
Meticulous flower-and-bird painting is the oldest existing painting art of the Chinese nation. It has a long history and is easy to be accepted, concerned and loved by the public. Many non-professionals begin to learn meticulous flower-and-bird painting in their spare time, which promotes the development of meticulous flower-and-bird painting in the contemporary era. Influenced by the name of the two categories of painting: freehand brushwork and meticulous brushwork, some people believe that only freehand brushwork can have freehand brushwork, while Meticulous Brushwork with relatively neat brushwork has no freehand brushwork. They simply see its objective representation on the surface, neglecting its spiritual level, resulting in some Meticulous Brushwork flower-and-bird paintings showing too much. Many, all-round, produce a sense of boredom, vulgarity of such a phenomenon, which is hindering the smooth development of meticulous flower and bird painting in contemporary undesirable factors.
Therefore, more and more meticulous flower-and-bird painters begin to think about how to make meticulous flower-and-bird paintings in this globalized world to achieve better development and achievements, while still able to stand firm after the impact of various forms of painting. Re-examine the fine brush flower and bird painting, a national culture that lasts for thousands of years, so as to inherit its essence, seek change in the process of evolution, and create an art that is both the Chinese nation and the world.
Chinese meticulous painting bears the freehand spirit of Chinese painting. Studying the freehand factors of meticulous flower-and-bird painting is not only conducive to the development of meticulous flower-and-bird painting, but also can better inherit and develop the freehand characteristics of meticulous flower-and-bird painting. The long tradition has left us valuable wealth, especially in this vigorous development of traditional cultural industry. In this era, we should carry forward this fine brush flower-and-bird painting with Chinese unique flavor. Freehand brushwork from the origin, development to the later peak of literati painting, we can experience the influence and value of freehand brushwork in Chinese painting. Freehand brushwork factors in the development of fine brush flower-and-bird painting has an inestimable role, how to better use of writing. Meaning is a problem that should be considered in every era. We should pay attention to the use of freehand elements.
This paper will sort out the concept of freehand brushwork, and whether freehand brushwork exists in fine brushwork flower-and-bird painting, analyze how freehand brushwork factors are expressed in contemporary fine brushwork flower-and-bird painting, and finally think about the problem that freehand brushwork is conducive to the development of contemporary fine brushwork flower-and-bird painting.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
[Abstract]:Art creation is a unified activity of subjectivity and objectivity. Chinese painting, known as visual art, pays more attention to the expression of subjective feelings and expresses feelings in the form of painting. This is what we call freehand brushwork.
As an important part of traditional Chinese painting, fine brush flower-and-bird painting was the most prosperous in Tang and Song Dynasties. After the emergence of literati painting in Song and Yuan Dynasties, its development was relatively slow, until the last century began to develop rapidly.
Meticulous flower-and-bird painting is the oldest existing painting art of the Chinese nation. It has a long history and is easy to be accepted, concerned and loved by the public. Many non-professionals begin to learn meticulous flower-and-bird painting in their spare time, which promotes the development of meticulous flower-and-bird painting in the contemporary era. Influenced by the name of the two categories of painting: freehand brushwork and meticulous brushwork, some people believe that only freehand brushwork can have freehand brushwork, while Meticulous Brushwork with relatively neat brushwork has no freehand brushwork. They simply see its objective representation on the surface, neglecting its spiritual level, resulting in some Meticulous Brushwork flower-and-bird paintings showing too much. Many, all-round, produce a sense of boredom, vulgarity of such a phenomenon, which is hindering the smooth development of meticulous flower and bird painting in contemporary undesirable factors.
Therefore, more and more meticulous flower-and-bird painters begin to think about how to make meticulous flower-and-bird paintings in this globalized world to achieve better development and achievements, while still able to stand firm after the impact of various forms of painting. Re-examine the fine brush flower and bird painting, a national culture that lasts for thousands of years, so as to inherit its essence, seek change in the process of evolution, and create an art that is both the Chinese nation and the world.
Chinese meticulous painting bears the freehand spirit of Chinese painting. Studying the freehand factors of meticulous flower-and-bird painting is not only conducive to the development of meticulous flower-and-bird painting, but also can better inherit and develop the freehand characteristics of meticulous flower-and-bird painting. The long tradition has left us valuable wealth, especially in this vigorous development of traditional cultural industry. In this era, we should carry forward this fine brush flower-and-bird painting with Chinese unique flavor. Freehand brushwork from the origin, development to the later peak of literati painting, we can experience the influence and value of freehand brushwork in Chinese painting. Freehand brushwork factors in the development of fine brush flower-and-bird painting has an inestimable role, how to better use of writing. Meaning is a problem that should be considered in every era. We should pay attention to the use of freehand elements.
This paper will sort out the concept of freehand brushwork, and whether freehand brushwork exists in fine brushwork flower-and-bird painting, analyze how freehand brushwork factors are expressed in contemporary fine brushwork flower-and-bird painting, and finally think about the problem that freehand brushwork is conducive to the development of contemporary fine brushwork flower-and-bird painting.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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9 徐s
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