论肌理在水彩创作中的运用

发布时间：2018-09-09 16:17

【摘要】：创新是画家在进行艺术创作的一种普遍的心理，它是不断推动艺术发展的动力。肌理的运用拓展了水彩创作的手法，它使得水彩创作从只注重水彩本体语言技法到综合材料的运用、从单一化的表现形式到多元化的表现形式，，使得画面呈现出传统手法难以达到的效果。特别是在一些特殊技法、新材料的探索中不断有新的突破，给人一种全新的感受。水彩画在我国发展的时间并不是很长，只有百年的历史。所以使得其无论是从表现方法还是整个理论体系上看都显得很薄弱。只是过多的考虑其本体语言技法方面，经历过多的放在了水和颜色的把握上。从而使得水彩创作中画面的形式显得很单一，这也是当前水彩创作所面临的一个重要问题。肌理的运用在水彩创作中恰巧打破了这种传统观念的束缚，创造出水彩画一种新的前所未有的表现方式。本文以水彩创作中肌理的运用为论题，从肌理的内涵、水彩创作中肌理的运用及从水彩创作创新的角度来看肌理的运用三个部分。第一部分从肌理的内涵入手，深刻地探讨了肌理的意义，肌理是一种重要的绘画语言及它的功能和分类。第二部分从当前水彩创作中肌理运用的角度讨论了水彩肌理的特点，表现形式和表现手法的多样性并分析了几位在肌理运用方面有所创新的画家。第三部分从水彩创作创新的角度出发，系统的分析了水彩创作方面目前所面临的问题，采用何种方法解决这种问题，如何把肌理的运用同水彩创作有机的结合起来，肌理的运用在水彩创作中的作用、意义以及肌理在实际运用中应注意的问题。结合相关学科的知识，以及自己在水彩肌理方面探索、研究的心得体会加以论述。
[Abstract]:Creativity is a universal psychology of artists in their artistic creation, which is the driving force for the development of art. The use of texture expands the means of watercolor creation. It makes watercolor creation focus only on the use of watercolor language techniques to the use of comprehensive materials, from a single form of expression to a diversified form of expression, making the picture appear. Especially in some special techniques, the exploration of new materials has constantly made new breakthroughs, giving people a new feeling. Watercolor painting in China is not a long time, only a hundred years of history. Therefore, whether from the performance method or the whole theoretical system seems very thin. Weak. Only too much consideration of its ontological language skills, experienced too much on the grasp of water and color, so that the form of the painting in watercolor creation appears very single, which is an important issue facing the current watercolor creation. The use of texture in watercolor creation just broke the traditional concept of the shackles, create. Creating watercolor is a new and unprecedented way of expression.
In this paper, the use of texture in watercolor creation as a topic, from the texture connotation, the use of texture in watercolor creation and from the perspective of creative watercolor texture application of three parts. The second part discusses the characteristics of watercolor texture, the diversity of forms and techniques of expression and analyzes several innovative painters in the application of texture from the point of view of texture application in watercolor creation. How to solve this problem, how to combine texture with watercolor creation, the function and significance of texture in watercolor creation, and the problems that should be paid attention to in the practical application of texture are discussed.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

【共引文献】