岩彩在当代重彩画中的运用研究
发布时间：2018-09-14 13:35
【摘要】：重彩画在我国具有悠久的历史,是中国民族传统艺术的一枝奇葩。它的美学观点、表现手法、审美取向等艺术体系,是中国发端最早并且最早成熟的画种。重彩画运用天然矿物色和金属色赋彩,同时以线条和造型手段为表现手段,彰显着自己独特的艺术面貌。 在当代,随着世界经济和文化的发展,人们对艺术的审美追求也日趋完美,传统的绘画材料和技法已不能满足现代社会人们的审美需求。岩彩作为古老又全新的绘画材料,又再一次登上历史的舞台。其实,今天的岩彩与中国传统的矿物色在材质上并没有本质的区别,但是今天的岩彩越来越丰富,研制出了新的矿物质品种,这大大的拓宽了岩彩矿物颜色的范围,技法的增加也令画面更加丰富。、岩彩与中国传统重彩画有着密不可分的关系,传统重彩画与现代岩彩画的共同点是它们的物质基础,都是使用矿物颜料为主要颜料。岩彩在当代重彩中的运用可谓是传统重彩画的延伸和继续,它既有传承的一面,也有自己的独特品质。当今的重彩画创作思想、造型、色彩、内容、肌理表现乃至技法运用上都与以往有着很大的变化。岩彩这一起源于中国古代的绘画材料,给艺术家提供了更大、更广阔的艺术表现空间,使艺术语言得到更充分地表达,构建了与当代审美艺术相适应的材质,色彩,肌理美感。 此外,岩彩画也在不断的探索创新,不只从传统中,也从外来文化中去汲取精华,更重要的它逐渐具有自己的个性和本民族的文化审美。现代的岩彩画更加注重表现当下的生活,充分表现岩彩的个性和独特的创造,这才是中国现代岩彩画。 论文的第三章是重点,主要讨论了岩彩在当代重彩中的艺术表现与拓展,本章分四个章节,前三个章节从材料的质感运用,色彩的设计运用,艺术表现与实践三个方面来论述,并列举艺术家个案进行深入分析和阐述,第四个章节讲述了笔者个人岩彩创作的实践运用。当今岩彩绘画材料与技法都有了创新,在传统技法的基础上,创造了更现代的表现手法。通过对岩彩在重彩中的运用进行梳理和分析,归纳其艺术表现特征,最后讲了岩彩在当代重彩中新的审美追求,主要从材质美,色彩美,肌理美、写意美四个方面分析。当今的岩彩画也已走出古典的审美定式,重新发现新的审美观。本文只是笔者针对这一领域的浅层认识,还远不够完善,其广度和深度还有待于进一步丰富,希望得到广大专家和老师的指正。
[Abstract]:Heavy color painting has a long history in China and is a wonderful flower of Chinese traditional art. Its artistic system, such as aesthetics, expression and aesthetic orientation, is the earliest and earliest mature painting in China. Heavy color paintings use natural mineral and metallic colors as well as lines and modeling means to show their unique artistic appearance. With the development of world economy and culture, the aesthetic pursuit of art is becoming more and more perfect. Traditional painting materials and techniques can not meet the aesthetic needs of modern society. Rock color as an ancient and new painting materials, once again on the stage of history. In fact, there is no essential difference between today's rock color and Chinese traditional mineral color in material quality, but today's rock color is becoming more and more abundant, and a new mineral variety has been developed, which greatly broadens the scope of the color of rock colored minerals. The increase of techniques also enriches the picture. The rock color is closely related to the traditional Chinese heavy color painting. The common point between the traditional heavy color painting and the modern rock color painting is their material basis and the use of mineral pigments as the main pigments. The application of rock color in contemporary heavy color is the extension and continuation of traditional heavy color painting. Nowadays, the creation thought, the shape, the color, the content, the texture performance and even the technique use of the heavy color painting all have the very big change with the past. Rock color, which originated from the ancient Chinese painting material, provides the artist with a larger and broader artistic expression space, makes the artistic language more fully expressed, and constructs the aesthetic sense of material, color and texture corresponding to the contemporary aesthetic art. In addition, rock color painting is also constantly exploring and innovating, not only from the tradition, but also from the foreign culture to absorb the essence, more importantly, it gradually has its own personality and its own cultural aesthetic. The modern rock color painting pays more attention to present life, fully expresses the rock color individuality and the unique creation, this is the Chinese modern rock color painting. The third chapter is the focal point, mainly discusses the rock color in the contemporary heavy color art performance and the expansion, this chapter is divided into four chapters, the first three chapters from the material texture use, the color design use, the artistic expression and the practice three aspects to discuss. And enumerates the artist case to carry on the thorough analysis and the elaboration, the fourth chapter has narrated the author individual rock color creation practice application. Nowadays, the materials and techniques of rock painting have been innovated. On the basis of traditional techniques, more modern expression techniques have been created. Through combing and analyzing the application of rock color in heavy color, this paper sums up its artistic expression characteristics, and finally discusses the new aesthetic pursuit of rock color in contemporary heavy color, mainly from four aspects: material beauty, color beauty, texture beauty and freehand brushwork beauty. Today's rock color painting has also gone out of the classical aesthetic formula and rediscovered a new aesthetic. This paper is only a shallow understanding of this field, is far from perfect, its breadth and depth need to be further enriched, hope to be corrected by the majority of experts and teachers.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
[Abstract]:Heavy color painting has a long history in China and is a wonderful flower of Chinese traditional art. Its artistic system, such as aesthetics, expression and aesthetic orientation, is the earliest and earliest mature painting in China. Heavy color paintings use natural mineral and metallic colors as well as lines and modeling means to show their unique artistic appearance. With the development of world economy and culture, the aesthetic pursuit of art is becoming more and more perfect. Traditional painting materials and techniques can not meet the aesthetic needs of modern society. Rock color as an ancient and new painting materials, once again on the stage of history. In fact, there is no essential difference between today's rock color and Chinese traditional mineral color in material quality, but today's rock color is becoming more and more abundant, and a new mineral variety has been developed, which greatly broadens the scope of the color of rock colored minerals. The increase of techniques also enriches the picture. The rock color is closely related to the traditional Chinese heavy color painting. The common point between the traditional heavy color painting and the modern rock color painting is their material basis and the use of mineral pigments as the main pigments. The application of rock color in contemporary heavy color is the extension and continuation of traditional heavy color painting. Nowadays, the creation thought, the shape, the color, the content, the texture performance and even the technique use of the heavy color painting all have the very big change with the past. Rock color, which originated from the ancient Chinese painting material, provides the artist with a larger and broader artistic expression space, makes the artistic language more fully expressed, and constructs the aesthetic sense of material, color and texture corresponding to the contemporary aesthetic art. In addition, rock color painting is also constantly exploring and innovating, not only from the tradition, but also from the foreign culture to absorb the essence, more importantly, it gradually has its own personality and its own cultural aesthetic. The modern rock color painting pays more attention to present life, fully expresses the rock color individuality and the unique creation, this is the Chinese modern rock color painting. The third chapter is the focal point, mainly discusses the rock color in the contemporary heavy color art performance and the expansion, this chapter is divided into four chapters, the first three chapters from the material texture use, the color design use, the artistic expression and the practice three aspects to discuss. And enumerates the artist case to carry on the thorough analysis and the elaboration, the fourth chapter has narrated the author individual rock color creation practice application. Nowadays, the materials and techniques of rock painting have been innovated. On the basis of traditional techniques, more modern expression techniques have been created. Through combing and analyzing the application of rock color in heavy color, this paper sums up its artistic expression characteristics, and finally discusses the new aesthetic pursuit of rock color in contemporary heavy color, mainly from four aspects: material beauty, color beauty, texture beauty and freehand brushwork beauty. Today's rock color painting has also gone out of the classical aesthetic formula and rediscovered a new aesthetic. This paper is only a shallow understanding of this field, is far from perfect, its breadth and depth need to be further enriched, hope to be corrected by the majority of experts and teachers.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前6条
1 牛克诚;;关于现代重彩画[J];国画家;1999年06期
2 张岱;跨出低谷 走向繁荣——工笔画家蒋采，
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