浅谈水墨人物画的“适度原则”
发布时间：2018-09-15 19:25
【摘要】：当下是一个推崇个性和充满包容的时代，是艺术多种形态的并存。中国人物画作为中国画历史上最为古老的画种，是第一个得到完善的艺术形式，占据了中国绘画发展史上的重要地位。本文讨论了当代水墨人物创作的一些新形势，认识到水墨人物画具有鲜明的民族文化特征，用写实手法表现现代水墨人物画，在不失去人物造型的前提下，体现中国画的“似与不似”。任何一种绘画形式都是在接受新事物的过程中发展的，传统的写意人物画也不可避免的要融合现代的绘画方式。通过对前人的学习，加入了当代流行的艺术形式，，从自己毕业创作的过程出发，讨论传统与现代融合的同时，“适度原则”的重要性。
[Abstract]:The present is an era of advocating individuality and being full of tolerance, and it is the coexistence of various forms of art. As the oldest painting in the history of Chinese painting, Chinese figure painting is the first perfect art form and occupies an important position in the history of Chinese painting development. This paper discusses some new situations in the creation of contemporary ink and wash figures, and recognizes that the ink and wash figure painting has distinct national cultural characteristics, and uses realistic techniques to express modern ink figure painting without losing its shape. Reflect the "resemblance and not resemblance" of Chinese painting. Any kind of painting form is developed in the process of accepting new things, traditional freehand brushwork painting is also inevitable to merge the modern painting methods. Through the study of the forefathers, we have joined the contemporary popular art form and discussed the importance of "moderation principle" while combining tradition and modernity from the process of graduation and creation.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2244271
[Abstract]:The present is an era of advocating individuality and being full of tolerance, and it is the coexistence of various forms of art. As the oldest painting in the history of Chinese painting, Chinese figure painting is the first perfect art form and occupies an important position in the history of Chinese painting development. This paper discusses some new situations in the creation of contemporary ink and wash figures, and recognizes that the ink and wash figure painting has distinct national cultural characteristics, and uses realistic techniques to express modern ink figure painting without losing its shape. Reflect the "resemblance and not resemblance" of Chinese painting. Any kind of painting form is developed in the process of accepting new things, traditional freehand brushwork painting is also inevitable to merge the modern painting methods. Through the study of the forefathers, we have joined the contemporary popular art form and discussed the importance of "moderation principle" while combining tradition and modernity from the process of graduation and creation.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 傅长安;;浅谈水墨人物画的造型基础[J];大众文艺;2011年20期
本文编号：2244271
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