绘画与时尚—法国19世纪的女性肖像画研究
发布时间：2018-09-18 12:02
【摘要】：肖像画除了是对人物形象的记录，也承载了不同时期的审美和文化。长期以来女性成为了“美”的最好诠释对象，服饰也是人物形象表达中非常重要的元素之一。本文以法国19世纪女性肖像画中通过服饰的描绘所表现的时尚和趣味为切入点，有针对性的筛选收集多位画家绘画中的女性形象和服饰资料，结合当时的时尚文化和社会审美以及画家对女性的观察、自身的审美趣味、技法表现等来探讨这些因素对画家艺术主张和画面的艺术性的影响，分析他们的作品的不同之处，同时也看到他们之间的传承和创新，以此加深对他们作品的认识，以及我们在艺术创作中得到的一些反思和启示。本文第一部分对两大风格迥异的绘画流派的时代背景、艺术特色和主要画家进行介绍，并引出他们之间的交集——女性肖像和时尚趣味。第二部分以安格尔的女性肖像重要作品为例，分析古典主义的古典时尚在上半叶的表现。第三部分，结合印象派绘画中的女性形象，梳理印象派画家对现代时尚的表现方式，，并与当时的主题类似的古典写实作品进行一些对比。最后一部分分析安格尔肖像画中古典时尚的内因和印象派画家在对女性形象的描绘中对古典传统的传承和创新及其成因，并揭示他们时尚趣味的异同，引出他们带来的影响与启示。
[Abstract]:Portrait painting is not only a record of the characters, but also carries the aesthetic and culture of different periods. For a long time, women have become the best interpretation of beauty, dress is also one of the most important elements in the expression of characters. Based on the fashion and interest in the depiction of dress in the 19th century female portraits in France, this paper selects and collects the images and dress materials of many painters. Combined with the fashion culture and social aesthetics at that time, the artists' observation of women, their own aesthetic taste, and the expression of techniques and so on, this paper discusses the influence of these factors on the artist's artistic proposition and the artistry of the picture, and analyzes the differences of their works. At the same time, we also see the inheritance and innovation between them, so as to deepen the understanding of their works, as well as our artistic creation in some reflection and inspiration. The first part of this paper introduces the background, artistic features and main painters of the two painting schools with different styles, and introduces the intersection between them-female portraits and fashion tastes. The second part takes Angel's important works of female portrait as an example to analyze the performance of classical fashion in the first half. The third part, combing the female image of Impressionist painting, combing the expression of modern fashion by Impressionist painters, and comparing it with classical realistic works with similar themes at that time. The last part analyzes the internal causes of classical fashion in Angel's portrait painting and the inheritance and innovation of classical tradition in the portrayal of female images by Impressionist painters, and reveals the similarities and differences of their fashion tastes. Draw their influence and enlightenment.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J211.25
本文编号：2247843
[Abstract]:Portrait painting is not only a record of the characters, but also carries the aesthetic and culture of different periods. For a long time, women have become the best interpretation of beauty, dress is also one of the most important elements in the expression of characters. Based on the fashion and interest in the depiction of dress in the 19th century female portraits in France, this paper selects and collects the images and dress materials of many painters. Combined with the fashion culture and social aesthetics at that time, the artists' observation of women, their own aesthetic taste, and the expression of techniques and so on, this paper discusses the influence of these factors on the artist's artistic proposition and the artistry of the picture, and analyzes the differences of their works. At the same time, we also see the inheritance and innovation between them, so as to deepen the understanding of their works, as well as our artistic creation in some reflection and inspiration. The first part of this paper introduces the background, artistic features and main painters of the two painting schools with different styles, and introduces the intersection between them-female portraits and fashion tastes. The second part takes Angel's important works of female portrait as an example to analyze the performance of classical fashion in the first half. The third part, combing the female image of Impressionist painting, combing the expression of modern fashion by Impressionist painters, and comparing it with classical realistic works with similar themes at that time. The last part analyzes the internal causes of classical fashion in Angel's portrait painting and the inheritance and innovation of classical tradition in the portrayal of female images by Impressionist painters, and reveals the similarities and differences of their fashion tastes. Draw their influence and enlightenment.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J211.25
【参考文献】
相关期刊论文 前1条
1 孙龙辉;;印象派绘画与巴黎现代生活[J];艺术百家;2012年03期
本文编号：2247843
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2247843.html
