光影斑驳—水彩画中的光斑探析
发布时间：2018-09-18 12:59
【摘要】：随着艺术家们对光的知识了解得越来越透彻，以及光在画面中的运用越来越成熟，具有创作者主观性的光影现象开始出现。艺术家们不再单纯的在画纸上复制自然光线，而是将自己对于光的理解融入其中。而这种在画面中对光的运用便是本选题所要讨论的重点。本文将以光影斑驳——水彩画中的光斑肌理探析为论题，以画面中经过艺术家主观处理之后，，有别于自然光照的光斑效果作为重点，分四部分来展开其在水彩画中的应用论述。第一部分为绪论论述了当前我国绘画中光影发展的现状及可深入探讨的空间；第二部分则为光斑的概念进行了界定，并阐明了光斑与光影两者间的关系和光斑在运用不同媒材的作品中的表现；第三部分着重从构图、色彩及审美接受三个角度讨论了光斑在水彩画中的应用；第四部分则对光斑在创作中运用时所需注意的问题进行了论述。
[Abstract]:As the artists understand the knowledge of light more and more thoroughly, and the application of light in the picture becomes more and more mature, the phenomenon of light and shadow with the subjectivity of the creator begins to appear. Instead of simply copying natural light on paper, artists incorporate their understanding of light. This use of light in the screen is the focus of this topic. This article will take the light spot texture analysis in the light shadow mottled-watercolor painting as the topic, takes the picture after the artist subjective processing, is different from the natural illumination spot effect as the emphasis, divides into four parts to expand its application in the watercolor painting elaboration. The first part is an introduction to the current situation of the development of light and shadow in Chinese painting and the space for further discussion. The second part defines the concept of light spot. The third part mainly discusses the application of light spot in watercolor painting from the three angles of composition, color and aesthetic acceptance, as well as the relationship between light spot and light and shadow, and the expression of light spot in the works with different media, the third part focuses on discussing the application of light spot in watercolor painting from three angles: composition, color and aesthetic acceptance. The fourth part discusses the problems that should be paid attention to in the application of light spot in creation.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
本文编号：2247999
[Abstract]:As the artists understand the knowledge of light more and more thoroughly, and the application of light in the picture becomes more and more mature, the phenomenon of light and shadow with the subjectivity of the creator begins to appear. Instead of simply copying natural light on paper, artists incorporate their understanding of light. This use of light in the screen is the focus of this topic. This article will take the light spot texture analysis in the light shadow mottled-watercolor painting as the topic, takes the picture after the artist subjective processing, is different from the natural illumination spot effect as the emphasis, divides into four parts to expand its application in the watercolor painting elaboration. The first part is an introduction to the current situation of the development of light and shadow in Chinese painting and the space for further discussion. The second part defines the concept of light spot. The third part mainly discusses the application of light spot in watercolor painting from the three angles of composition, color and aesthetic acceptance, as well as the relationship between light spot and light and shadow, and the expression of light spot in the works with different media, the third part focuses on discussing the application of light spot in watercolor painting from three angles: composition, color and aesthetic acceptance. The fourth part discusses the problems that should be paid attention to in the application of light spot in creation.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
【参考文献】
相关期刊论文 前3条
1 于雷;;论苏珊·朗格美学观中的普遍情感[J];美与时代;2006年01期
2 建增录;;试析水彩画的艺术表现特征[J];河南农业;2011年10期
3 张志祥;;水彩画中运用光营造意境浅析[J];艺术教育;2011年08期
本文编号：2247999
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2247999.html
