论当代人物画的“写意性”及其背后的意义

发布时间：2018-09-18 16:08

【摘要】：自西方思想传入中国以来,各种思潮与流派之多着实令人迷惑不已,整个艺术圈也是乱上加乱,面临着极大的不确定性。中国画家中自有保守者选择躲避这个“洪水猛兽”,躲在角落里悄悄的研究着古人留下来的笔墨程式,延续着古人的审美意趣,画出来的画却毫无生机可言;也有激进的艺术家主张抛开笔墨,抛开写意画,主张用“水墨”代替“写意”,随之而来的是各种观念、形式的介入,中国画也被改造成为纯粹的“观念水墨”,彻底失去了其原有的面貌与精神内涵;当然也有一批艺术家选择了折衷主义,既不满足于只延续古人的传统,也不主张完全抛弃笔墨实质的精神,而是在东西方之间游离沉浸,立足于当下社会的大背景中,联系时代环境及其社会实际状况改良中国画,通过必要的构成形式,在整个思想的架构内去解决笔墨的问题,从而使中国画的笔墨更具有承担性。的确,存在就意味着有存在的问题,也意味着存在即合理,我们不能说哪一种办法是一种完美的解决方案,只有相对完美。本论文主要立足于中国人物画去讨论“写意性”的重要性,实际暗指“笔墨”这个核心而又敏感的话题,最终阐述其所具有的实际意义。
[Abstract]:Since the introduction of western thought into China, the variety of thoughts and schools is really puzzling, the whole art circle is also chaotic, facing great uncertainty. Among Chinese painters, the conservatives choose to avoid this "great beast", hiding in the corner to quietly study the ancient ink and pen left behind, continuing the aesthetic interest of the ancients, but the painting has no vitality to speak of; There are also radical artists who advocate putting aside brushwork, freehand brushwork, and replacing "freehand brushwork" with "wash ink". With the involvement of various ideas and forms, Chinese painting has also been transformed into pure "conceptual ink painting." It has completely lost its original appearance and spiritual connotation; of course, some artists have chosen eclecticism, which is neither satisfied with the continuation of the tradition of the ancients nor advocating the complete abandonment of the essence of the pen and ink, but rather drifts between the East and the West. Based on the background of the present society, we can improve the Chinese painting by connecting with the environment of the times and the actual social conditions, and solve the problem of brush and ink in the framework of the whole thought through the necessary form of composition, thus making the brush and ink of Chinese painting more bearing. Indeed, being means there is a problem, it means being is reasonable, we can't say which way is a perfect solution, only relatively perfect. This paper is mainly based on the Chinese figure painting to discuss the importance of "freehand brushwork", referring to the "pen and ink" as the core and sensitive topic, and finally expounds its practical significance.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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