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浅析当代工笔人物画的传承与创新

发布时间:2018-10-10 19:46
【摘要】:中国上下五千年,文化底蕴相当的雄厚。所以,无论是从文化上来讲,还是从艺术上来论,中国的传统工笔人物画都有着不同程度的进步,这一进步主要是画家对于工笔人物画的传承与创新。进入新时代,新的社会制度与模式下,工笔人物画自然也在发生着变化。国际化进程的加快,对于各行各业都有着较为深远的影响。西方油画等绘画思想不断的涌入中国,各种绘画思想不断的碰撞,在碰撞之中不断借鉴,包括对于新的创作理念、新的创作需求、绘画语言的运用方面等,在其中取其精华,去其糟粕,继续学习与创新,传承工笔人物画的精髓所在。此外,中国文化鼓励传承,在创新方面的需求近年来也愈演愈烈。对于中国工笔人物画的传承,首先是对优良方面的继承,在继承的基础上,进行不断选择与淘汰,并且要尽量的保证工笔人物画文化的完整性。继承不单单是对原有绘画语言、理念与面貌的继承,更是对中国的传统工笔人物画的一种更为深刻的认识与解读,认清历史,解读中国工笔人物画文化的发展路径,收获的成果,通过此种认识,使现阶段的工笔人物画能够从根本上进行创新、丰富,体现当代工笔人物画的人文性、时代性,从而保证中国传统工笔人物画的活力。在现有的研究基础之上,论文由绪论、正文、结论三部分组成。绪论这一部分主要是对论文课题研究的背景与意义进行介绍。通过梳理相关文献,掌握学界关于对当代工笔人物画传承与创新的研究现状。在此基础上,阐述自己的新见解与创新之处。正文分为两个部分。第一部分对工笔人物画的概况进行分析,从工笔人物画的萌芽发展,到概述魏晋南北朝、隋唐以及从宋代到明清工笔人物画的发展。作为文章的主要部分,分析工笔人物画的传承与发展,对现状进行研究,从绘画语言、理念以及面貌三个方面对工笔人物画的传承脉络进行详解,对当代工笔人物画的发展趋势做出预期,并且与西方绘画的构图、造型、色彩进行比较,从而分类中国当代工笔人物画,其中包括现实主义绘画、农村题材绘画、现代都市与工业题材、少数民族题材绘画、历史与神话题材绘画、新理想派工笔人物画六个方面;第二部分是对工笔人物画创新的分析,分为题材内容的创新、绘画语言的创新两个方面,对当代工笔人物画的创新进行了研究。论文的最后为结论。实现中华民族伟大复兴需要中华文化繁荣兴盛,当代工笔人物画正是中华文化的组成部分之一。这类文化遗产大多记录的是时代的历史故事,内容积极向上,不但提高人们的审美,同时推动着人们的思想文化进步。而创作是要走进生活深处的,在人民中体悟生活本质、吃透生活底蕴。这样创作内容才有深刻的情节和动人的形象,作品才能激荡人心。
[Abstract]:Five thousand years up and down in China, the cultural heritage is quite strong. Therefore, whether from the cultural point of view or from the artistic point of view, China's traditional meticulous figure painting has different degrees of progress, this progress is mainly the artist's inheritance and innovation of meticulous figure painting. Enter the new era, the new social system and mode, fine figure painting is naturally changing. The acceleration of the internationalization process, has a more profound impact on various industries. Western oil painting and other painting ideas continue to pour into China, and various painting ideas continue to collide, and continue to learn from them, including new creative ideas, new creative needs, the use of painting language, and so on, in which the essence is taken. Go away from dregs, continue to learn and innovate, and inherit the essence of meticulous figure painting. In addition, Chinese culture encourages inheritance, and the demand for innovation has intensified in recent years. For the inheritance of Chinese meticulous figure painting, the first is to inherit the fine aspects, on the basis of inheritance, continue to choose and eliminate, and try to ensure the integrity of meticulous figure painting culture. Inheritance is not only an inheritance of the original painting language, ideas and features, but also a more profound understanding and interpretation of Chinese traditional meticulous figure painting, a clear understanding of history, and an interpretation of the development path of Chinese meticulous figure painting culture. Through this kind of cognition, we can basically innovate and enrich the meticulous figure painting in the present stage, and embody the humanism and epochal character of the contemporary meticulous figure painting, thus ensuring the vitality of the traditional Chinese figure painting of fine brushwork. On the basis of existing research, the thesis consists of three parts: introduction, text and conclusion. The introduction mainly introduces the background and significance of the thesis. Through combing the relevant literature, grasp the academic research on the inheritance and innovation of contemporary meticulous figure painting. On this basis, expound own new opinion and innovation place. The text is divided into two parts. The first part analyzes the general situation of meticulous figure painting, from the embryonic development of meticulous figure painting to the overview of Wei, Jin, Southern and Northern dynasties, Sui and Tang dynasties, and from Song Dynasty to Ming and Qing dynasties. As the main part of the article, this paper analyzes the inheritance and development of meticulous figure painting, studies the present situation, and explains the inheritance context of meticulous figure painting from three aspects: painting language, concept and appearance. The development trend of contemporary fine brushwork figure painting is expected, and compared with the composition, modeling and color of western painting, so as to classify Chinese contemporary fine brushwork figure painting, including realistic painting, rural theme painting, Modern city and industry theme, minority theme painting, history and myth theme painting, new ideal school fine brushwork figure painting six aspects; the second part is the analysis of meticulous figure painting innovation, divided into the theme content innovation, This paper studies the innovation of contemporary meticulous figure painting in two aspects: the innovation of painting language. The last part of the paper is the conclusion. To realize the great rejuvenation of the Chinese nation requires the prosperity and prosperity of Chinese culture, and contemporary meticulous figure painting is one of the components of Chinese culture. This kind of cultural heritage mostly records the historical stories of the times, and the contents are positive, not only to improve people's aesthetic, but also to promote people's ideological and cultural progress. And creation is to go into the depths of life, in the people understand the nature of life, eat through life. Only in this way can the content of creation have profound plot and moving image, and the work can stir people's hearts.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212

【参考文献】

相关期刊论文 前4条

1 梁晓如;;论当代工笔人物画艺术表现的传承与革新[J];泰安教育学院学报岱宗学刊;2011年04期

2 高雄山;;浅谈赵国经王美芳工笔人物画中线条的艺术美[J];大众文艺;2011年15期

3 宋肖霏;;论新图像时代写实工笔人物画创作的平面化[J];艺术百家;2010年S1期

4 刘丹丹;;当代工笔人物画多元发展的再探索[J];安徽文学(下半月);2009年11期



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