芜湖铁画生产性保护研究
发布时间：2018-10-12 12:32
【摘要】：从清康熙年间至今,芜湖铁画已历经三百多年的风风雨雨,经历过各种波折甚至几近濒危,但因其自身顽强生命力渡过了各种劫难,成为徽州文化的杰出代表之一,而其也因独特的历史成长环境、复杂而精致的锻造技艺与多元化的象征表达意境而成为了中国传统手工工艺美术领域里的一颗璀璨的艺术奇葩。 本文从芜湖概况谈起,通过对芜湖自然环境、人文因素、经济与社会发展进行解读,力图说明铁画在芜湖兴起与发展的原因,接着对芜湖铁画的起源与发展历程进行了梳理,并对芜湖铁画的现状进行了分析,在总结介绍芜湖铁画的内容题材、工艺流程基础上,对其特征与价值进行了阐述。结合作为非物质文化遗产保护重要方式之一的生产性保护理论对芜湖铁画保护与延续所做的工作进行了交代,同时对芜湖铁画在生产性保护过程中所出现的问题进行了探讨,并针对出现的这些问题,提出具体的建议。最后本文总结了本研究所获得的内容,并提出了可延续探讨的相关研究主题。 全文共分为以下几个部分： 第一部分为绪论部分,介绍选题的缘由、研究的目的与意义、相关研究的文献综述、研究方法。 第二部分为芜湖铁画概说。探讨了芜湖地区的自然与人文环境,追溯芜湖铁画的起源与发展演变的相关情况,力图梳理出芜湖铁画产生与发展的历史背景和演变过程。接着介绍了芜湖铁画现状发展的情况,并介绍了芜湖铁画锻造技艺的流程及其特征价值。 第三部分着力围绕芜湖铁画探讨其生产性保护方式。梳理了目前芜湖铁画在生产性保护方式的运用现状,同时对芜湖铁画在生产性保护过程中出现的问题进行了阐述,提出了一些可行性建议。 第四部分,介绍本研究所获得的内容与启发,同时阐述了本研究可延伸研究的相关主题。
[Abstract]:From the Kangxi period of Qing Dynasty to now, Wuhu iron painting has gone through more than 300 years of ups and downs, experienced various twists and turns or even nearly endangered, but because of its tenacious vitality, it has survived all kinds of disasters, and has become one of the outstanding representatives of Huizhou culture. And because of its unique historical growth environment, complex and exquisite forging techniques and diverse symbols to express artistic conception, it has become a brilliant art in the field of Chinese traditional handicraft arts and crafts. Starting from the general situation of Wuhu, this paper tries to explain the reasons for the rise and development of iron painting in Wuhu by interpreting the natural environment, humanistic factors, economic and social development of Wuhu, and then combs the origin and development course of iron painting in Wuhu. The present situation of Wuhu iron painting is analyzed, and the characteristics and value of Wuhu iron painting are expounded on the basis of summarizing and introducing the content theme and technological process of Wuhu iron painting. Based on the theory of productive protection, which is one of the important ways to protect intangible cultural heritage, the paper gives an account of the work done in the protection and continuation of Wuhu iron painting, and probes into the problems of Wuhu iron painting in the process of productive protection. And in the light of these problems, put forward specific suggestions. Finally, this paper summarizes the contents of this study, and puts forward the relevant research topics. The full text is divided into the following parts: the first part is the introduction part, introduces the reason of the topic, the purpose and significance of the research, the literature review of related research, research methods. The second part is an overview of Wuhu iron painting. This paper probes into the natural and human environment of Wuhu area, traces the origin and development of Wuhu iron painting, and tries to sort out the historical background and evolution process of the emergence and development of Wuhu iron painting. Then it introduces the present situation of Wuhu iron painting, and introduces the process and characteristic value of Wuhu iron painting forging technique. The third part focuses on Wuhu Iron painting to explore its productive protection. The application of Wuhu iron painting in productive protection is reviewed, and the problems in the process of production protection are expounded, and some feasible suggestions are put forward. The fourth part introduces the content and inspiration of the research, and expounds the relevant topics of the extensible research.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
[Abstract]:From the Kangxi period of Qing Dynasty to now, Wuhu iron painting has gone through more than 300 years of ups and downs, experienced various twists and turns or even nearly endangered, but because of its tenacious vitality, it has survived all kinds of disasters, and has become one of the outstanding representatives of Huizhou culture. And because of its unique historical growth environment, complex and exquisite forging techniques and diverse symbols to express artistic conception, it has become a brilliant art in the field of Chinese traditional handicraft arts and crafts. Starting from the general situation of Wuhu, this paper tries to explain the reasons for the rise and development of iron painting in Wuhu by interpreting the natural environment, humanistic factors, economic and social development of Wuhu, and then combs the origin and development course of iron painting in Wuhu. The present situation of Wuhu iron painting is analyzed, and the characteristics and value of Wuhu iron painting are expounded on the basis of summarizing and introducing the content theme and technological process of Wuhu iron painting. Based on the theory of productive protection, which is one of the important ways to protect intangible cultural heritage, the paper gives an account of the work done in the protection and continuation of Wuhu iron painting, and probes into the problems of Wuhu iron painting in the process of productive protection. And in the light of these problems, put forward specific suggestions. Finally, this paper summarizes the contents of this study, and puts forward the relevant research topics. The full text is divided into the following parts: the first part is the introduction part, introduces the reason of the topic, the purpose and significance of the research, the literature review of related research, research methods. The second part is an overview of Wuhu iron painting. This paper probes into the natural and human environment of Wuhu area, traces the origin and development of Wuhu iron painting, and tries to sort out the historical background and evolution process of the emergence and development of Wuhu iron painting. Then it introduces the present situation of Wuhu iron painting, and introduces the process and characteristic value of Wuhu iron painting forging technique. The third part focuses on Wuhu Iron painting to explore its productive protection. The application of Wuhu iron painting in productive protection is reviewed, and the problems in the process of production protection are expounded, and some feasible suggestions are put forward. The fourth part introduces the content and inspiration of the research, and expounds the relevant topics of the extensible research.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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1 易忠;徐超;;芜湖铁画的设计开发策略[J];浙江工艺美术;2008年02期
2 赵昌进;;芜湖铁画艺术[J];上海工艺美术;2009年03期
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