中国工笔人物画的装饰语言与技法研究
发布时间：2018-10-13 18:17
【摘要】：装饰语言是每个民族最有传统韵味的艺术表现。它将人类社会当中各个民族、各个国家在从古代到现代各个时期的艺术传统美学语言和思想真真切切的展现在世人面前,表达了不同时代广大人民群众对艺术的思索探求和追求美的证据,是现在我们最宝贵的不可复制的古代文化遗产。 中国工笔人物画在世界绘画史中是最讲究装饰语言的艺术之一,装饰语言构成了工笔人物画的特征,这些特征不仅广泛得到东亚各国的喜爱,在18世纪被带到法国后,“装饰艺术”的称号就和中国工笔人物画联系在了一起。当前,工笔人物画在发展上应该多对传统进行有益的继承,因为任何事物的新发展都离不开传统这个基础。要想使工笔人物画在当下有广阔的发展前景,离开了传统这个基础就会如同无源之水。当然,继承不是拘泥,不是沉迷在传统的襁褓里,那样只会使工笔人物画的发展停步不前。所以,发展现代工笔人物画,我们要多角度的去认识、继承与发扬它,吸收各画种的有益部分为我所用,这样才能使工笔人物画的装饰语言与技法在继承传统的基础上谱写新的篇章。 本文共分为六章,第一章是绪论：简单描述了写这篇论文研究的时代背景,并对论文研究的目的和意义进行了非常详细的分析,然后将论文研究的内容、框架和研究方法进行了叙述。第二章是引言,简要阐述了工笔人物画的概念和在历史当中的发展变化,以及新中国成立后工笔人物画的发展状况。第三章到第五章是对古今工笔人物画的造型、赋彩、构图上的装饰语言和技法作品进行分析,分析中加入了自己的作品来加强论述,其中第三章描述了工笔人物画的装饰语言与技法在造型中的四种形式：造型中的线、造型上的平面化、造型上的程式化、造型上的主观化；第四章描述了工笔人物画的装饰语言与技法在赋彩上的两种类型：赋彩的平面性、赋彩的意象性；第五章描述了工笔人物画的装饰语言与技法在构图上的两种方式：构图中的主观布置和构图中的留白。最后第六章通过与自己的绘画创作实践相结合,表达了自己在工笔人物画装饰语言与技法实践上的感悟：画面的装饰语言来源于生活、画面的装饰语言高于生活、画面中装饰语言的形式与意境、绘画中把握好装饰语言的度、继承与创新工笔人物画的装饰语言与技法。
[Abstract]:Decorative language is the most traditional artistic expression of every nation. It truly presents to the world the traditional aesthetic language and thoughts of art from ancient to modern times among all nations and countries in human society. It is the most precious cultural heritage of ancient times to express the people's thinking about art in different times and the evidence of pursuing beauty. Chinese meticulous figure painting is one of the most decorative language art in the history of world painting. Decorative language forms the characteristics of meticulous figure painting. These characteristics are not only popular in East Asian countries, but were brought to France in the 18th century. The title of "decorative Art" is associated with Chinese figure painting. At present, the development of meticulous figure painting should carry on the beneficial inheritance to the tradition, because the new development of anything can not be separated from the foundation of tradition. If you want to make meticulous figure painting in the present broad development prospects, away from the traditional foundation will be like no source of water. Of course, inheritance is not rigid, not indulged in the traditional swaddling clothes, that will only make the development of meticulous figure painting stalled. Therefore, to develop modern meticulous figure painting, we should understand it from many angles, inherit and develop it, and absorb the beneficial parts of each painting species for our own use. Only in this way can the decorative language and techniques of meticulous figure painting compose a new chapter on the basis of inheriting the tradition. This paper is divided into six chapters, the first chapter is the introduction: a brief description of the background of the writing of this paper, and a very detailed analysis of the purpose and significance of the paper, and then the content of the paper. The framework and research methods are described. The second chapter is the introduction, briefly describes the concept of fine brushwork figure painting and its development in history, as well as the development of meticulous figure painting after the founding of New China. The third to the fifth chapter is to the ancient and modern meticulous figure painting modeling, color, composition on the decorative language and technical works were analyzed, the analysis of their own works to strengthen the discussion, The third chapter describes the decorative language and techniques of meticulous figure painting in the modeling of the four forms: the line in the modeling, the flat modeling, the stylized modeling, the subjective modeling; The fourth chapter describes two types of decorative language and techniques of meticulous figure painting: the flatness of the painting and the image of the painting; The fifth chapter describes the decorative language and techniques of meticulous figure painting in the composition of the two ways: composition of the subjective arrangement and composition of white space. In the last chapter, by combining with his own painting practice, the author expresses his own feeling on the decorative language and technique of meticulous figure painting: the decorative language of the picture comes from life, and the decorative language of the picture is higher than that of life. The form and artistic conception of the decorative language in the picture, the degree of the decorative language in the painting, the inheritance and innovation of the decorative language and techniques of the meticulous figure painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2269508
[Abstract]:Decorative language is the most traditional artistic expression of every nation. It truly presents to the world the traditional aesthetic language and thoughts of art from ancient to modern times among all nations and countries in human society. It is the most precious cultural heritage of ancient times to express the people's thinking about art in different times and the evidence of pursuing beauty. Chinese meticulous figure painting is one of the most decorative language art in the history of world painting. Decorative language forms the characteristics of meticulous figure painting. These characteristics are not only popular in East Asian countries, but were brought to France in the 18th century. The title of "decorative Art" is associated with Chinese figure painting. At present, the development of meticulous figure painting should carry on the beneficial inheritance to the tradition, because the new development of anything can not be separated from the foundation of tradition. If you want to make meticulous figure painting in the present broad development prospects, away from the traditional foundation will be like no source of water. Of course, inheritance is not rigid, not indulged in the traditional swaddling clothes, that will only make the development of meticulous figure painting stalled. Therefore, to develop modern meticulous figure painting, we should understand it from many angles, inherit and develop it, and absorb the beneficial parts of each painting species for our own use. Only in this way can the decorative language and techniques of meticulous figure painting compose a new chapter on the basis of inheriting the tradition. This paper is divided into six chapters, the first chapter is the introduction: a brief description of the background of the writing of this paper, and a very detailed analysis of the purpose and significance of the paper, and then the content of the paper. The framework and research methods are described. The second chapter is the introduction, briefly describes the concept of fine brushwork figure painting and its development in history, as well as the development of meticulous figure painting after the founding of New China. The third to the fifth chapter is to the ancient and modern meticulous figure painting modeling, color, composition on the decorative language and technical works were analyzed, the analysis of their own works to strengthen the discussion, The third chapter describes the decorative language and techniques of meticulous figure painting in the modeling of the four forms: the line in the modeling, the flat modeling, the stylized modeling, the subjective modeling; The fourth chapter describes two types of decorative language and techniques of meticulous figure painting: the flatness of the painting and the image of the painting; The fifth chapter describes the decorative language and techniques of meticulous figure painting in the composition of the two ways: composition of the subjective arrangement and composition of white space. In the last chapter, by combining with his own painting practice, the author expresses his own feeling on the decorative language and technique of meticulous figure painting: the decorative language of the picture comes from life, and the decorative language of the picture is higher than that of life. The form and artistic conception of the decorative language in the picture, the degree of the decorative language in the painting, the inheritance and innovation of the decorative language and techniques of the meticulous figure painting.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 张光宇;;装饰诸问题(二)[J];装饰;2008年S1期
，本文编号：2269508
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