20世纪早期中国油画民族化统与多样性

发布时间：2018-10-13 19:51

【摘要】：自打中国人拿起笔开始画油画的那一刻,中国油画的民族化就已经在进行了,以自觉或不自觉的方式。因为无论画出来的是什么形式或内容,都是出自中国人之手,都或多或少的被自身民族的文化所影响。“中国油画民族化从广义的角度说,其是泛指20世纪中国油画在本土化探索中的一种融合主义倾向。”①因此,中国油画的民族化应该说是一个将中国的传统文化与西方油画相结合的一个过程。而在中国油画的发展之中,“油画民族化”的问题也充当着极为重要的一个环。笔者通过试着对中国油画“民族化”早期实践的成果的梳理,分析各种西画团体形成与倡导的艺术态度,希望能尽可能的还原20世纪初中国油画纷繁多彩的艺术风貌。中国油画“民族化”的早期实践成果虽然多姿多彩,但是我们可以先简单的归类成四种阶段。一、早期海外留学生的实践。二、美术学校和艺术教育。三、“遍地开花“的西湖团体。四、写实主义与现代派。然后再针对20世纪初中国油画的民族化成功的个体代表进行分析即徐悲鸿,林风眠,刘海粟三位艺术家。从他们的作品,艺术经历,绘画态度,表现手法以及生活环境等方面,来论证他们成功实现“油画民族化”的原因是建立在成熟的“个人风格”之上的。只有找了一条合适自己的艺术之路,才有可能实现所谓的“油画民族化”。
[Abstract]:The nationalization of Chinese oil painting has been going on, consciously or unconsciously, since the moment when the Chinese started painting with pen. No matter what form or content is drawn, it comes from the hands of the Chinese, and is more or less influenced by the culture of its own nation. "the nationalization of Chinese oil painting, in a broad sense, refers to a tendency of integration in the exploration of localization of Chinese oil painting in the 20th century." The nationalization of Chinese oil painting should be said to be a process of combining Chinese traditional culture with western oil painting. In the development of Chinese oil painting, the issue of "nationalization of oil painting" also serves as an extremely important ring. By trying to sort out the early practice of "nationalization" of Chinese oil paintings, the author analyzes the artistic attitudes of various Western painting groups and hopes to restore as much as possible the colorful artistic features of Chinese oil paintings in the early 20th century. Although the early practical achievements of Chinese oil painting "nationalization" are colorful, we can categorize them into four stages. First, the early practice of overseas students. Second, art schools and art education. Third, the "blooming" West Lake group. Fourth, realism and modernism. Then it analyzes the successful individual representatives of the nationalization of Chinese oil paintings in the early 20th century, namely Xu Beihong, Lin Fengmian and Liu Haisu. From the aspects of their works, artistic experience, painting attitude, expression technique and living environment, it is proved that the reason for their successful realization of "oil painting nationalization" is based on the mature "personal style". Only by finding a suitable way of art, can we realize the nationalization of oil painting.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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