当代中国山水画在绘画瓷中的运用研究
发布时间：2018-10-15 10:08
【摘要】：中国是世界上最早的文明古国之一，中国画和中国的陶瓷艺术都是世界上独一无二的，极具民族特色的艺术。纵观中国绘画发展史或陶瓷的发展史，陶瓷艺术品以及当代绘画作品，，不难发现瓷上绘画和中国画自始至终一直紧密联系不可分割的代表着中国特色艺术文化。两者相互联系相互渗透从未脱离过影响，瓷上绘画被赋予了人文关怀和情感色彩，承载着艺术进程富有中式寓意和启发。也可以等化的说，中国画种中有多少流派和技法，那么瓷上绘画中就可以寻找到多少种相类似，相平衡的激发风格，从艺术理论上可以说两者完全源自于同一个文化源流。有着同样的地域特征和民族文化性，并且从某种程度上所显现的相同的历史价值、社会价值和审美价值。所以说，首先要从瓷上绘画发展为基本历程，从山水画和绘画瓷的交融写山水画和绘画瓷之间的异同，通过审美变化，雅俗的辩证阐释中国山水瓷画的多元化和民族性的影响。 瓷上绘画承载着几千年的文明历史，它在其本身的发展过程中蕴含着科学技术和审美内涵。也可以说，从陶瓷诞生之日起，陶瓷艺术就是与科技文化和艺术审美密切结合的极具民族性的产物。丰富多变的造型，色彩斑斓的釉色和装饰纹案，缤纷多姿的彩绘和不多进步不断发展的工艺技法。原始先民们利用水、火、土以及各种矿物质运用人类的智慧将其科学技术与审美艺术有机结合。
[Abstract]:China is one of the earliest ancient civilizations in the world. Chinese painting and Chinese ceramic art are unique and national art in the world. Throughout the history of the development of Chinese painting or ceramic development, ceramic art and contemporary paintings, it is not difficult to find that porcelain painting and Chinese painting has always been closely linked with the inseparable representative of the art and culture with Chinese characteristics. The relationship between the two has never been separated from the influence, the porcelain painting has been endowed with humanistic care and emotional color, carrying the artistic process rich with Chinese moral and inspiration. It can also be equalized that there are many schools and techniques in Chinese painting, so how many similar, balanced inspiring styles can be found in the porcelain painting, from the art theory can be said to be completely derived from the same cultural origin. It has the same regional characteristics and national culture, and to some extent the same historical value, social value and aesthetic value. Therefore, first of all, from the porcelain painting development for the basic process, from the landscape painting and painting porcelain blend between the landscape painting and painting porcelain similarities and differences, through aesthetic changes, refined dialectical interpretation of the Chinese landscape porcelain painting diversity and national influence. Porcelain painting bears thousands of years of civilization history, it contains science and technology and aesthetic connotation in its own development process. It can also be said that from the date of the birth of ceramics, ceramic art is closely combined with science, technology, culture and art aesthetics. Rich and changeable modeling, colorful glaze and decorative cases, colorful painting and less progress of the continuous development of technology. Primitive ancestors used water, fire, soil and minerals to combine science and technology with aesthetic art.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2272204
[Abstract]:China is one of the earliest ancient civilizations in the world. Chinese painting and Chinese ceramic art are unique and national art in the world. Throughout the history of the development of Chinese painting or ceramic development, ceramic art and contemporary paintings, it is not difficult to find that porcelain painting and Chinese painting has always been closely linked with the inseparable representative of the art and culture with Chinese characteristics. The relationship between the two has never been separated from the influence, the porcelain painting has been endowed with humanistic care and emotional color, carrying the artistic process rich with Chinese moral and inspiration. It can also be equalized that there are many schools and techniques in Chinese painting, so how many similar, balanced inspiring styles can be found in the porcelain painting, from the art theory can be said to be completely derived from the same cultural origin. It has the same regional characteristics and national culture, and to some extent the same historical value, social value and aesthetic value. Therefore, first of all, from the porcelain painting development for the basic process, from the landscape painting and painting porcelain blend between the landscape painting and painting porcelain similarities and differences, through aesthetic changes, refined dialectical interpretation of the Chinese landscape porcelain painting diversity and national influence. Porcelain painting bears thousands of years of civilization history, it contains science and technology and aesthetic connotation in its own development process. It can also be said that from the date of the birth of ceramics, ceramic art is closely combined with science, technology, culture and art aesthetics. Rich and changeable modeling, colorful glaze and decorative cases, colorful painting and less progress of the continuous development of technology. Primitive ancestors used water, fire, soil and minerals to combine science and technology with aesthetic art.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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相关期刊论文 前6条
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本文编号：2272204
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