从连环画与日本漫画以图叙事技巧差异分析中国连环画式微现象
发布时间：2018-10-15 17:36
【摘要】：我国连环画与日本漫画都是用以图叙事手段展现故事的一种艺术门类,而今两者却走向完全相反的两种境地,前者卸下了80年代黄金时代的辉煌业绩,走向式微,市场由大众读物转向爱好收藏;而后者在本国蓬勃发展的基础上走出国门,影响面波及世界,相关产品带来的商业利润更是成为行业支柱,尤其在我国青少年娱乐中占据很大比重。遥想半个世纪以前连环画也曾有相似的地位,这不禁使人发问,究竟是何种原因导致两者截然不同的命运?本文将从以图叙事技巧上的差异来回答上述问题。首先,梳理了连环画的形成尤其是新中国成立后的重要发展状况,重点分析了两次繁荣期背后的政策、社会、民众生活条件等客观因素对其繁荣所起的影响。随着时代潮流的继续挺进,直至今日的连环画市场以收藏为主流,再版、电子版连环画为辅的发展新状态。随后,从以图叙事技巧上的不同对二者进行了详细阐述。从取景框、表达方式、文与图的关系得出两者不同的以图叙事思路。发现连环画中的文字叙事作用大于图片,而日本漫画则完全相反这一最重要的差别。再从发行的角度上来说,日本漫画优胜劣汰的市场机制和连环画依赖政策的扶持之间也存在着较大的区别。最后本文对连环画与日本漫画之间的异同做出总结,但是很难做出结论论述孰优孰劣,二者都在各自的土地上创造过惊人的成就。只不过中国连环画当下的处境比起日本漫画不停地创造产值以及消费大众来说已经渐渐沦为收藏家收藏的珍本而再难有所创新,受众面也没有后者的庞大,没有稳定的读者群。但这也不能抹杀中国连环画在历史上曾经取得的辉煌成就以及它可取的地方。而笔者认为造成两者最大的差异在于虽然两者皆是叙事读物并面向大众群体,但一方侧重较严肃的教育,一方在诙谐的气氛中融入教育,寓教于乐,而大众理所应当会选择更幽默的读物。同时创作者“人”的因素在两者的发展中也起到了不可忽视的作用。这也是两者一起一落的内部原因。本文着重通过两者以图叙事技巧上的差异挖掘其内部原因,为新时代连环画的再发展起到抱砖引玉之效。
[Abstract]:Both Chinese comic books and Japanese comics are an art category in which stories are presented by means of graphic narration, but now they are moving towards two completely opposite situations. The former unloads the brilliant achievements of the golden age of the 1980s and tends to decline. The market has shifted from popular reading to collecting; while the latter has gone abroad on the basis of the flourishing development of its own country, affecting the whole world, and the commercial profits brought about by related products have become the pillar of the industry. Especially in our youth entertainment occupies a large proportion. Looking back on the fact that comic books had a similar status half a century ago, one cannot help asking what causes the two different destinies. This paper will answer the above questions from the differences in narrative techniques. First of all, combing the formation of comic books, especially after the founding of New China important development situation, focusing on the two prosperity behind the policy, society, people's living conditions and other objective factors on its prosperity. As the trend of the times continues to advance, up to today's comic book market to collect as the mainstream, reprint, electronic comic books as a supplement to the development of a new state. Then, from the point of view of the different narrative skills, the two are described in detail. From the view frame, the way of expression, the relationship between text and picture, the two different narrative ideas. It is found that the narrative function of the comic book is greater than that of the picture, but the most important difference is that the Japanese cartoon is completely opposite. From the perspective of distribution, there is also a big difference between the market mechanism of survival of the fittest and the policy support of comic books. Finally, this paper summarizes the similarities and differences between comic books and Japanese comics, but it is difficult to conclude which is better or worse. Both of them have created amazing achievements on their respective land. It's just that Chinese comic books are now in a better position than Japanese comics to create value and consumers are becoming collectors' collections, and it's hard to innovate, without the latter's size and a stable readership. But this does not obliterate the historical achievements and the merits of Chinese comic books. The author thinks that the biggest difference between the two is that although they are both narrative books and open to the public, one side focuses on more serious education, the other side integrates education in a humorous atmosphere and educates in fun. The public, of course, would choose a more humorous reading. At the same time, the factor of creator "human" also plays an important role in the development of both. This is also the internal reason why the two fall together. This paper focuses on exploring the internal reasons through the differences in narrative skills between the two groups, so as to promote the development of comic books in the new era.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
，
本文编号：2273294
[Abstract]:Both Chinese comic books and Japanese comics are an art category in which stories are presented by means of graphic narration, but now they are moving towards two completely opposite situations. The former unloads the brilliant achievements of the golden age of the 1980s and tends to decline. The market has shifted from popular reading to collecting; while the latter has gone abroad on the basis of the flourishing development of its own country, affecting the whole world, and the commercial profits brought about by related products have become the pillar of the industry. Especially in our youth entertainment occupies a large proportion. Looking back on the fact that comic books had a similar status half a century ago, one cannot help asking what causes the two different destinies. This paper will answer the above questions from the differences in narrative techniques. First of all, combing the formation of comic books, especially after the founding of New China important development situation, focusing on the two prosperity behind the policy, society, people's living conditions and other objective factors on its prosperity. As the trend of the times continues to advance, up to today's comic book market to collect as the mainstream, reprint, electronic comic books as a supplement to the development of a new state. Then, from the point of view of the different narrative skills, the two are described in detail. From the view frame, the way of expression, the relationship between text and picture, the two different narrative ideas. It is found that the narrative function of the comic book is greater than that of the picture, but the most important difference is that the Japanese cartoon is completely opposite. From the perspective of distribution, there is also a big difference between the market mechanism of survival of the fittest and the policy support of comic books. Finally, this paper summarizes the similarities and differences between comic books and Japanese comics, but it is difficult to conclude which is better or worse. Both of them have created amazing achievements on their respective land. It's just that Chinese comic books are now in a better position than Japanese comics to create value and consumers are becoming collectors' collections, and it's hard to innovate, without the latter's size and a stable readership. But this does not obliterate the historical achievements and the merits of Chinese comic books. The author thinks that the biggest difference between the two is that although they are both narrative books and open to the public, one side focuses on more serious education, the other side integrates education in a humorous atmosphere and educates in fun. The public, of course, would choose a more humorous reading. At the same time, the factor of creator "human" also plays an important role in the development of both. This is also the internal reason why the two fall together. This paper focuses on exploring the internal reasons through the differences in narrative skills between the two groups, so as to promote the development of comic books in the new era.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
，
本文编号：2273294
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