浅谈花鸟画工笔的“阵势”和写意的“气势”

发布时间：2018-10-15 17:15

【摘要】：本文研究目的在于就当前的工笔花鸟画的特征引入“阵势”概念,加以分析其特点,并和写意花鸟画的“气势”加以比较,旨在对比出工笔、写意花鸟画的各自艺术特点,彰显各自艺术魅力。工笔与写意是中国画的两大表现形式。几千年来不断蓬勃发展,各具神采。在汉、晋时期的书画家已提及了“势”、“阵”、“气”的概念,后来的的理论家对工笔、写意花鸟画也都有经典的评述。本文根据对当前优秀工笔花鸟画和写意花鸟画作品的分析,并结合自己的中国花鸟画实践作品加以分析。试图用“阵势”来形容工笔画的特点：宏大、饱满、密集的构图；规范、排列整齐、有秩序感的景物造型；单纯的线条和设色。用“气势”来形容写意画的特征：奇险、空灵、动感的构图；抽象、多变、随机的景物造型；丰富的线条和设色。并且对“阵势”和“气势”加以比较,突出各自艺术特色。并将该理论融入到自己的中国画创作中。
[Abstract]:The purpose of this study is to introduce the concept of "formation" into the characteristics of the current fine brushwork flower-and-bird painting, to analyze its characteristics, and to compare it with the "momentum" of freehand brushwork, in order to compare the respective artistic characteristics of the fine brushwork and the freehand brushwork of flower-and-bird painting. Show their respective artistic charm. Fine brushwork and freehand brushwork are the two main forms of Chinese painting. Thousands of years of continuous vigorous development, each with a look. In Han Dynasty, the calligraphy and painters of Jin Dynasty have already mentioned the concepts of "potential", "array" and "qi", and later theorists have classical comments on fine brushwork, freehand brushwork and bird painting. Based on the analysis of the fine brushwork and freehand brushwork, this paper analyzes the Chinese flower-and-bird painting practice works. This paper tries to describe the characteristics of fine brushwork with "formation": grand, full and dense composition; standard, neatly arranged, orderly scenery modeling; simple lines and colors. Use "momentum" to describe the characteristics of freehand brushwork: odd dangerous, empty, dynamic composition; abstract, changeable, random scenery modeling; rich lines and colors. And the comparison of "formation" and "momentum", highlight their artistic characteristics. And the theory into their own Chinese painting creation.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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