探究莫奈绘画中的“气韵美”
发布时间：2018-10-16 17:21
【摘要】：绘画艺术作为文化的一种,它不受种族、国家和信仰的约束,即使以完全不同的表现方式诞生和发展于完全不同的历史背景下,但是终会冲破一切阻碍为全世界人民知晓、领会其魅力。人们在驻足观赏这些前人创造的艺术作品时感受到作者在他那个时代对生活对自我的理解,能让观者眼前再现出那个创作时面对的真实场景以及创作者那一刻的心绪。艺术无国界。东西方绘画艺术发展中,历代艺术创作者和理论研究者对绘画艺术的理解存在着许多共通之处,时光可以让它们相融合。绘画最初出现都是以一些简单图案的形式,是为了记录生活中的一切,是人类进步中产生的对美的需求,是高于温饱、物质的精神层面的需求。各个时期的艺术创作者成长环境不一样,对生活的理解不一样,受教育背景的程度或者方式不一样,内省的深度不一样,艺术的表达方式自然不一样。但他们对艺术追求的最终目的却总是不禁相同:寻找美和自我。莫奈是西方油画创作历史发展中的重要代表艺术家之一,是他将印象派的精髓提炼并传播,终其一生使印象派在世界艺术史的长河里立于重要地位。他的一生都在诠释艺术的纯真,把印象派作为自己人生的信仰,自从找到自我“印象”,一生钟爱。谢赫是中国传统绘画艺术理论体系的总结者,也是引导者。二者在不同的国度和历史背景下都将一生献给了艺术,献给了人类文明,在对待绘画上的理解似乎都在找“感觉”。将莫奈的艺术创作和中国传统艺术相提并论最值得探讨的地方在于他们各自的艺术核心:印象——气韵。本文第一章节为序言部分,介绍了与本论文相关的国内外研究近况、选题的研究目的和意义、本论文研究的基本思路和方法;第二章简要叙述莫奈的大致生平以及“气韵说”出处来自于中国传统绘画艺术的理论研究成果,以此作为展开论题的铺垫,探究莫奈绘画艺术中的艺术特征以及带有东方韵味的艺术表现,由此证明中西方对绘画艺术的认识和发展规律存在相融、共通之处;第三章节例举莫奈作品,解读莫奈绘画艺术,分析其中独特的气韵,独特的艺术美;第四章为探究本论题所得启发。
[Abstract]:The art of painting as a kind of culture is not bound by race, country or faith, even though it is born and developed in a completely different historical background in a completely different way, it will eventually break through all obstacles and be known to the people of the world. Grasp its charm. When people stop to see these works of art created by their predecessors, they feel that the author's understanding of life in his time can make the viewer reappear the real scene in front of him and the mood of the creator at that moment. Art knows no borders. In the development of painting art in East and West, there are many common points in the understanding of painting art by the creators and theoretical researchers of the past dynasties, which can be combined by time. Painting appeared in the form of some simple patterns in order to record everything in life, is the human progress of the demand for beauty, is higher than food and clothing, material spiritual needs. Art creators in different periods have different growing environment, different understanding of life, different education background or different ways, different introspection, different artistic expression. But the ultimate aim of their pursuit of art is always the same: looking for beauty and self. Monet is one of the important representative artists in the development of western oil painting history. He refined and disseminated the essence of Impressionism and made Impressionism stand in an important position in the world art history all his life. His whole life was to explain the innocence of art, regard Impressionism as his belief in life, since he found his own "impression", he loved it all his life. Sheikha is a summary of the theoretical system of Chinese traditional painting art, and also a guide. In different countries and historical backgrounds, both devote their lives to art and human civilization, and their understanding of painting seems to be looking for "feeling". Comparing Monet's artistic creation with Chinese traditional art is worth discussing in their respective artistic core: impression-charm. The first chapter of this paper is the preface, which introduces the recent research situation at home and abroad, the purpose and significance of the topic, the basic ideas and methods of this paper. The second chapter gives a brief account of the life of Monet and the provenance of "Qiyun Theory" from the theoretical research results of Chinese traditional painting art. This paper probes into the artistic characteristics of Monet's painting art and its artistic expression with oriental charm, which proves that the understanding and development law of painting art in China and the West are in harmony and common; the third chapter gives an example of Monet's works. Unscramble Monet's painting art, analyze its unique charm and unique artistic beauty.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2275103
[Abstract]:The art of painting as a kind of culture is not bound by race, country or faith, even though it is born and developed in a completely different historical background in a completely different way, it will eventually break through all obstacles and be known to the people of the world. Grasp its charm. When people stop to see these works of art created by their predecessors, they feel that the author's understanding of life in his time can make the viewer reappear the real scene in front of him and the mood of the creator at that moment. Art knows no borders. In the development of painting art in East and West, there are many common points in the understanding of painting art by the creators and theoretical researchers of the past dynasties, which can be combined by time. Painting appeared in the form of some simple patterns in order to record everything in life, is the human progress of the demand for beauty, is higher than food and clothing, material spiritual needs. Art creators in different periods have different growing environment, different understanding of life, different education background or different ways, different introspection, different artistic expression. But the ultimate aim of their pursuit of art is always the same: looking for beauty and self. Monet is one of the important representative artists in the development of western oil painting history. He refined and disseminated the essence of Impressionism and made Impressionism stand in an important position in the world art history all his life. His whole life was to explain the innocence of art, regard Impressionism as his belief in life, since he found his own "impression", he loved it all his life. Sheikha is a summary of the theoretical system of Chinese traditional painting art, and also a guide. In different countries and historical backgrounds, both devote their lives to art and human civilization, and their understanding of painting seems to be looking for "feeling". Comparing Monet's artistic creation with Chinese traditional art is worth discussing in their respective artistic core: impression-charm. The first chapter of this paper is the preface, which introduces the recent research situation at home and abroad, the purpose and significance of the topic, the basic ideas and methods of this paper. The second chapter gives a brief account of the life of Monet and the provenance of "Qiyun Theory" from the theoretical research results of Chinese traditional painting art. This paper probes into the artistic characteristics of Monet's painting art and its artistic expression with oriental charm, which proves that the understanding and development law of painting art in China and the West are in harmony and common; the third chapter gives an example of Monet's works. Unscramble Monet's painting art, analyze its unique charm and unique artistic beauty.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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