对当代写实油画的精神诉求与形式语言探析
发布时间:2018-10-20 16:40
【摘要】:油画作为外来画种在中国的发展虽然只有百年上下,但油画在中国已经历了几个不同的发展阶段——唯苏联老大哥马首是瞻的苏联模式;“文革”期间的“红、光、亮”和“高、大、全”;改革开放以来受西方当代艺术思潮的冲击和多种原因所引发的艺术格局多元化。在这一发展过程当中,写实主义油画取得了辉煌的成就,显示了极强的艺术生命力。 在艺术创作中,写实主义即是艺术创作方法,也是艺术创作主体的人文精神所宗。艺术家作为人文财富的创造者,不仅要担负起传承发展绘画传统的责任,更要坚守精神的高地,追求具有永恒价值的作品。 本文试图从写实主义油画的相关概念及在中国的发展历程出发,结合中国当代写实油画作品,分析其形式语言,并通过其作品所呈现出的思想精神,剖析艺术家的思想,结合时代现状和文化特色来探讨写实油画中传达的画家的思想愿望与精神追求。指出只有画家在提高技术语言的同时积极培养自身的艺术修养、人文素质和历史责任感,才能创作出具有时代精神的现实主义的优秀作品。本文在国内现有的研究基础上,进一步分析中国写实油画的精神内质和形式语言,希望能更加深入具体的分析论述两者对于中国写实主义油画的重要性以及两者对于作品来说相辅相成的关系。通过对这些问题的探讨和研究,进而加深对中国写实油画的整体认识,促进中国写实油画的形式语言新的发展及精神内涵的进一步提高,繁荣绘画创作更好的服务于社会大众。
[Abstract]:Although oil painting has developed in China for only about a hundred years as a foreign painting species, oil painting has gone through several different stages of development in China-the Soviet model followed by the great brother of the Soviet Union; the "red, light" period during the "Cultural Revolution." Bright "and" high, big, complete "; since the reform and opening up to the outside world by the western contemporary art trend of thought and a variety of reasons caused by the diversity of the art pattern. In this development process, realistic oil painting has made brilliant achievements, showing a strong artistic vitality. Realism is not only the method of artistic creation, but also the humanistic spirit of the subject of art creation. As the creators of human wealth, artists should not only shoulder the responsibility of inheriting and developing painting traditions, but also stick to the spiritual heights and pursue works of eternal value. Based on the concept of realistic oil painting and its development in China, this paper attempts to analyze the formal language of realistic oil painting in China, and analyze the artist's thoughts through the spirit of his works. Combined with the current situation and cultural characteristics of the times to explore the realistic oil painting conveyed in the artist's ideological desire and spiritual pursuit. It is pointed out that only when artists improve their technical language and actively cultivate their own artistic accomplishment, humanistic quality and historical responsibility, can they create outstanding works of realism with the spirit of the times. Based on the existing domestic research, this paper further analyzes the spiritual endoplasm and formal language of Chinese realistic oil paintings. I hope to analyze the importance of the two to the Chinese realistic oil painting and the relationship between the two works. Through the discussion and research of these problems, we can deepen the whole understanding of Chinese realistic oil painting, promote the new development of the formal language and the further improvement of spiritual connotation of Chinese realistic oil painting, and prosper the painting creation to serve the public better.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
本文编号:2283741
[Abstract]:Although oil painting has developed in China for only about a hundred years as a foreign painting species, oil painting has gone through several different stages of development in China-the Soviet model followed by the great brother of the Soviet Union; the "red, light" period during the "Cultural Revolution." Bright "and" high, big, complete "; since the reform and opening up to the outside world by the western contemporary art trend of thought and a variety of reasons caused by the diversity of the art pattern. In this development process, realistic oil painting has made brilliant achievements, showing a strong artistic vitality. Realism is not only the method of artistic creation, but also the humanistic spirit of the subject of art creation. As the creators of human wealth, artists should not only shoulder the responsibility of inheriting and developing painting traditions, but also stick to the spiritual heights and pursue works of eternal value. Based on the concept of realistic oil painting and its development in China, this paper attempts to analyze the formal language of realistic oil painting in China, and analyze the artist's thoughts through the spirit of his works. Combined with the current situation and cultural characteristics of the times to explore the realistic oil painting conveyed in the artist's ideological desire and spiritual pursuit. It is pointed out that only when artists improve their technical language and actively cultivate their own artistic accomplishment, humanistic quality and historical responsibility, can they create outstanding works of realism with the spirit of the times. Based on the existing domestic research, this paper further analyzes the spiritual endoplasm and formal language of Chinese realistic oil paintings. I hope to analyze the importance of the two to the Chinese realistic oil painting and the relationship between the two works. Through the discussion and research of these problems, we can deepen the whole understanding of Chinese realistic oil painting, promote the new development of the formal language and the further improvement of spiritual connotation of Chinese realistic oil painting, and prosper the painting creation to serve the public better.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前10条
1 朱光潜;法国新古典主义的美学思想[J];北京大学学报(人文科学);1962年01期
2 钟涵;韦蔚;李静;王玉青;;写实油画的前景和未来[J];大美术;2007年02期
3 王钟;;模糊的“写实”[J];湖北师范学院学报(哲学社会科学版);2010年05期
4 张祖英;;中国油画发展现状及对写实油画当代属性的思考[J];美术学报;2010年01期
5 钟涵;;写实油画问题刍议[J];美术研究;2006年04期
6 靳尚谊;;西方油画之我见[J];美术大观;2011年02期
7 郭娓;;我的艺术观——对艺术作品内涵与形式的思考[J];美术研究;2011年03期
8 杨飞云;;大力弘扬以“真善美”为核心价值的主流艺术思想[J];中国产业;2011年11期
9 付念屏;;意由心生——我的创作思想谈[J];美术观察;2012年01期
10 詹建俊;;我和我的画[J];美术研究;2007年03期
,本文编号:2283741
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2283741.html