油画写生中的情感表达
发布时间：2018-10-20 17:14
【摘要】：当我们在欣赏大师的经典之作时，当我们久久伫立在前辈们的名画之前，用心感悟的时候，我们不仅仅被画面的形象和色彩所折服，更重要的是我们被画面所表达出来的情感所打动。情感，作为塑造艺术形象的动力可以说是贯穿与每一部作品的创作过程，情感是人类艺术创作的源泉，更是油画写生过程中最重要的成分，试想一部作品，如果没有作者的情感渗透进画面中，这幅画就是技巧再高超，也不能是一部好的作品。 人类自从有了情感，便拥有了想象，有了想象便产生了艺术形式，艺术形式只有和个性情感的表达有机结合起来，才能变得丰富多彩。 本文以油画写生和情感表达作为切入点，认真研究了情感和油画的关系、油画历史的情感烙印以及在油画写生过程中构成情感的各种要素等等。 全文共分五章： 第一章是引言，主要论述本课题研究的学术背景及意义、研究的目的及研究的主要内容。 第二章主要研究油画的历史及情感在油画中的时代烙印，本章共分两部分内容，第一部分是西方油画中的情感体现，由原始社会最朴素的情感表达直至近现代油画情感表达的多样多姿，第二部分为中国油画的情感表达，主要列举了从民国时期油画的西学东渐以及人文主义情怀，红色中国革命理想的激情对油画的冲击和影响，改革开放后写实主义的情感体现。 第三章主要从构成画面情感的要素入手，比如油画技法与情感的关系、油画写生过程中构图的意义及情感，画家意识的确立以及画面中线条、色彩、肌理、笔触等等所表达出的情感关联，来诠释表达画面物象构成所必不可少的情感概念。 第四章列举一些当今在油画写生过程中的理解误区以及在油画写生过程中情感的缺失。 第五章主要论述传统写生与艺术创作相辅相成的关系，并最终一切的论述落到油画写生和创作的灵魂—“情感”表达上面。 最后是结论，总结全文，综述艺术家们丰富的情感对于作品的影响以及我们要怀着对生活、对艺术的热爱，坚持对艺术不懈的追求和梦想。 总之，对于油画丰富情感的表达是一个充满了各种因素的过程，是一个潜移默化渗透的过程，油画不论是写生还是创作，都是作者内心感受的一种体现。画家们只有相信自己的感受力和直觉力，大胆创新，突破拘囿，尽情施展才华，才能创造出饱含个人魅力的画界杰作。
[Abstract]:When we appreciate the master's classics, when we stand long before the famous paintings of our predecessors, we are not only overwhelmed by the image and color of the picture. What is more important is that we are moved by the emotions expressed in the picture. Emotion, as the motive force for shaping the artistic image, can be said to run through the creative process of each work. Emotion is the source of human art creation, and it is the most important component in the process of oil painting. Imagine a work. Without the emotional penetration of the artist, the painting is no better than a good one. Human beings have had imagination since they have emotion, and art form has emerged with imagination. Only when the artistic form is combined with the expression of individual emotion can it become rich and colorful. In this paper, oil painting and emotional expression as a starting point, a careful study of the relationship between emotion and oil painting, oil painting history of emotional imprint, as well as in the process of oil painting constitute a variety of emotional elements and so on. This paper is divided into five chapters: the first chapter is the introduction, mainly discusses the academic background and significance of this research, the purpose of the research and the main content of the research. The second chapter mainly studies the history of oil painting and the epoch imprint of emotion in oil painting. This chapter is divided into two parts, the first part is the emotional embodiment in western oil painting. The second part is the emotional expression of Chinese oil painting. The second part mainly enumerates the evolution of western oil painting and humanism in the period of the Republic of China. The impact and influence of red Chinese revolutionary ideal passion on oil painting, realism emotion embodiment after reform and opening up. The third chapter mainly starts with the elements that constitute the emotion of the picture, such as the relationship between oil painting techniques and emotion, the significance and emotion of composition in the painting process, the establishment of painter's consciousness, and the lines, colors, texture in the picture. Brush strokes and other expressions of emotional association, to explain the expression of the image of the essential emotional concept. The fourth chapter enumerates some misunderstandings in the painting process and the lack of emotion in the painting process. The fifth chapter mainly discusses the relationship between traditional sketch and artistic creation, and finally all the discussion falls to the soul of oil painting and creation-"emotion" expression. Finally, it is the conclusion, the summary full text, summarizes the artist rich emotion to the work influence as well as we must hold with the life, to the art love, persisted to the art unremitting pursue and the dream. In a word, the expression of rich emotion for oil painting is a process full of various factors, is a process of imperceptible infiltration, oil painting is a reflection of the author's inner feelings, whether it is sketch or creation. Painters can create masterpieces full of personal charm only if they believe in their own sensibility and intuition, make bold innovations, break through the confines, and exert their talents to the fullest extent.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2283837
[Abstract]:When we appreciate the master's classics, when we stand long before the famous paintings of our predecessors, we are not only overwhelmed by the image and color of the picture. What is more important is that we are moved by the emotions expressed in the picture. Emotion, as the motive force for shaping the artistic image, can be said to run through the creative process of each work. Emotion is the source of human art creation, and it is the most important component in the process of oil painting. Imagine a work. Without the emotional penetration of the artist, the painting is no better than a good one. Human beings have had imagination since they have emotion, and art form has emerged with imagination. Only when the artistic form is combined with the expression of individual emotion can it become rich and colorful. In this paper, oil painting and emotional expression as a starting point, a careful study of the relationship between emotion and oil painting, oil painting history of emotional imprint, as well as in the process of oil painting constitute a variety of emotional elements and so on. This paper is divided into five chapters: the first chapter is the introduction, mainly discusses the academic background and significance of this research, the purpose of the research and the main content of the research. The second chapter mainly studies the history of oil painting and the epoch imprint of emotion in oil painting. This chapter is divided into two parts, the first part is the emotional embodiment in western oil painting. The second part is the emotional expression of Chinese oil painting. The second part mainly enumerates the evolution of western oil painting and humanism in the period of the Republic of China. The impact and influence of red Chinese revolutionary ideal passion on oil painting, realism emotion embodiment after reform and opening up. The third chapter mainly starts with the elements that constitute the emotion of the picture, such as the relationship between oil painting techniques and emotion, the significance and emotion of composition in the painting process, the establishment of painter's consciousness, and the lines, colors, texture in the picture. Brush strokes and other expressions of emotional association, to explain the expression of the image of the essential emotional concept. The fourth chapter enumerates some misunderstandings in the painting process and the lack of emotion in the painting process. The fifth chapter mainly discusses the relationship between traditional sketch and artistic creation, and finally all the discussion falls to the soul of oil painting and creation-"emotion" expression. Finally, it is the conclusion, the summary full text, summarizes the artist rich emotion to the work influence as well as we must hold with the life, to the art love, persisted to the art unremitting pursue and the dream. In a word, the expression of rich emotion for oil painting is a process full of various factors, is a process of imperceptible infiltration, oil painting is a reflection of the author's inner feelings, whether it is sketch or creation. Painters can create masterpieces full of personal charm only if they believe in their own sensibility and intuition, make bold innovations, break through the confines, and exert their talents to the fullest extent.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
【参考文献】
相关期刊论文 前2条
1 王萌;;高校艺术实践教学体系写生构图的探索研究[J];美术教育研究;2012年12期
2 张利;;写实绘画中的艺术真实与生活真实[J];解放军艺术学院学报;2010年03期
，本文编号：2283837
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