浅析常玉绘画作品中的东方情韵
发布时间：2018-10-20 17:56
【摘要】：20世纪初，赴欧学习的中国学子们，或因“勤工俭学”政策公费留学，或自费前往，或通过其他渠道抵达巴黎，人数多达两千余人，而真正研习绘画的却不多，常玉就是其中之一，他一生坚持自我纯粹的艺术生活，不追随国内美术运动，客观对待西方现代艺术的影响，完全融入巴黎的生活，却又始终用他所受的中国传统文化教育，良好的艺术修养来完成自己独特的艺术之路，，故显得弥足珍贵。有关常玉的论述，从现有研究他的文献资料来看，大都侧重于常玉生平经历、其被历史遮蔽的原因、艺术创作的构成特征、东西方融合等方面，本论文在参考以往关于常玉艺术研究的基础上，欲借艺术心理学和图像学，文献参考法，分析综合法，历史比较法，个案分析法和经验总结法等研究方法力图从常玉油画作品中蕴含的东方情韵此角度深入分析。 文章分别就常玉艺术作品中东方情韵的形成、表达、影响三个层面展开讨论。首先分析常玉的艺术历程，从而得以发现常玉独特的艺术之路对其作品潜在的影响之深，其次从早年文化教育的影响、中国传统文人画的取鉴和民间元素的广泛吸取三个方面，探索其油画作品中东方情韵的主要来源，得出其油画作品中的东方情韵是其无法割舍的母体文化的影响与表现，然后再从常玉的不同题材的画作入手分析常玉油画作品中东方情韵的表达，人体、花卉、动物是常玉画作永恒不变的主题，从这三类题材中可以清晰地看出其作品中蕴含着深厚的东方情韵，同时可以看出其艺术态度和人生哲学所造就的独特的艺术思想;最后探讨常玉的艺术思想给予我们的反思，常玉纯粹的艺术追求，真实的生活态度，是其独特的艺术魅力。作为20世纪初身处法国巴黎的一名中国艺术家，常玉的人生哲学和艺术实践背后传递出的是一个艺术家对自我信念的坚持，是对西方现代艺术的客观看待以及对中国传统文化的尊重。通过分析常玉绘画作品发现其作品中蕴藏着浓浓的东方情韵，认识到他对中西方艺术的融合与转换是建立在对艺术真实的追求，保持思想的独立，艺术理想的坚持和坚守之上的。
[Abstract]:At the beginning of the 20th century, the number of Chinese students studying in Europe, either at public expense or at their own expense, or through other channels, reached more than 2,000 people, but not many of them really studied painting. Chang Yu was one of them. He insisted on his own pure art life all his life, did not follow the domestic art movement, objectively treated the influence of western modern art, fully integrated into the life of Paris, but always used his traditional Chinese culture education. Good artistic accomplishment to complete their own unique art road, so it is precious. According to the literature on Changyu, most of them focus on Changyu's life experience, the reasons why it has been obscured by history, the composing characteristics of artistic creation, the integration of East and West, and so on. Based on the previous studies on Changyu art, this paper is looking for artistic psychology and graphics, literature reference, analytical synthesis, historical comparison, etc. Case analysis method and experience summary method try to analyze the oriental rhyme in Changyu oil painting. This paper discusses the formation, expression and influence of oriental rhyme in Changyu art works. First of all, by analyzing the artistic course of Changyu, we can find out the potential influence of Changyu's unique artistic road on his works, secondly, from three aspects: the influence of early culture and education, the drawing of Chinese traditional literati painting and the extensive absorption of folk elements. After exploring the main source of oriental love rhyme in his oil paintings, it is concluded that the oriental rhyme in his oil painting works is the influence and expression of his mother culture which can not be abandoned. Then starting with Changyu's paintings of different subjects, we analyze the expression of oriental sentiment in Changyu's oil paintings. The human body, flowers, and animals are the eternal themes of Changyu's paintings. From these three themes, we can clearly see that his works contain profound oriental charm, and at the same time, we can see the unique artistic thought created by his artistic attitude and philosophy of life. Finally, we discuss the reflection given to us by Changyu's artistic thought. Changyu's pure artistic pursuit and real life attitude are its unique artistic charm. As a Chinese artist in Paris, France at the beginning of the 20th century, Changyu's philosophy of life and artistic practice convey an artist's insistence on self-belief. It is an objective view of western modern art and respect for Chinese traditional culture. Through the analysis of Changyu's painting works, it is found that there is a strong Oriental charm in his works, and he realizes that his fusion and transformation of Chinese and western art is based on the pursuit of artistic truth and the independence of his thoughts. Adhering to and adhering to artistic ideals.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2283952
[Abstract]:At the beginning of the 20th century, the number of Chinese students studying in Europe, either at public expense or at their own expense, or through other channels, reached more than 2,000 people, but not many of them really studied painting. Chang Yu was one of them. He insisted on his own pure art life all his life, did not follow the domestic art movement, objectively treated the influence of western modern art, fully integrated into the life of Paris, but always used his traditional Chinese culture education. Good artistic accomplishment to complete their own unique art road, so it is precious. According to the literature on Changyu, most of them focus on Changyu's life experience, the reasons why it has been obscured by history, the composing characteristics of artistic creation, the integration of East and West, and so on. Based on the previous studies on Changyu art, this paper is looking for artistic psychology and graphics, literature reference, analytical synthesis, historical comparison, etc. Case analysis method and experience summary method try to analyze the oriental rhyme in Changyu oil painting. This paper discusses the formation, expression and influence of oriental rhyme in Changyu art works. First of all, by analyzing the artistic course of Changyu, we can find out the potential influence of Changyu's unique artistic road on his works, secondly, from three aspects: the influence of early culture and education, the drawing of Chinese traditional literati painting and the extensive absorption of folk elements. After exploring the main source of oriental love rhyme in his oil paintings, it is concluded that the oriental rhyme in his oil painting works is the influence and expression of his mother culture which can not be abandoned. Then starting with Changyu's paintings of different subjects, we analyze the expression of oriental sentiment in Changyu's oil paintings. The human body, flowers, and animals are the eternal themes of Changyu's paintings. From these three themes, we can clearly see that his works contain profound oriental charm, and at the same time, we can see the unique artistic thought created by his artistic attitude and philosophy of life. Finally, we discuss the reflection given to us by Changyu's artistic thought. Changyu's pure artistic pursuit and real life attitude are its unique artistic charm. As a Chinese artist in Paris, France at the beginning of the 20th century, Changyu's philosophy of life and artistic practice convey an artist's insistence on self-belief. It is an objective view of western modern art and respect for Chinese traditional culture. Through the analysis of Changyu's painting works, it is found that there is a strong Oriental charm in his works, and he realizes that his fusion and transformation of Chinese and western art is based on the pursuit of artistic truth and the independence of his thoughts. Adhering to and adhering to artistic ideals.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
【参考文献】
相关期刊论文 前5条
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3 水天中;话说常玉[J];荣宝斋;2004年02期
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本文编号：2283952
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