方君璧中西融合的绘画
发布时间：2018-10-21 12:17
【摘要】：翻开任何一部中国现代美术史，你都会发现长篇累牍的徐悲鸿、林风眠等男性大师的叙述，而像方君璧这样的女性大师却鲜有提及，即使有也是聊聊几笔。方君璧虽没有发表如徐悲鸿关于中国画改良的宏论，也没有表达过如林风眠关于中西调和的理论，但方君璧的一生通过坚持不懈的艺术创作给我们展示了另一种独特的艺术探索与追寻。她不是对中西艺术简单的反叛，也不是对任何一方的逃离皈依，她是在民族魂的艺术格调的基础上去融合，去创造。她用带着生命光辉的艺术作品告诉了大家什么才是艺术的真谛。方君璧是第一位入读法国巴黎高等美术院校的中国留学生，也是第一位参加法国春季艺术沙龙的中国艺术家。她从一开始学习艺术接受的便是西方传统绘画教育，亲身经历了西方各艺术流派的激变，她的绘画深受学院写实主义、印象派、抽象派等影响，，但没有拘束于某一种流派，而是尝试将西方绘画中的写生与透视原理融入中国传统绘画艺术形式，形成了独特的中西融合的绘画方法，成为后世艺术的参照的对象。在经历过人生际遇的大起大落后，依然坚持自己的艺术信仰。艺术来源于生活而又高于生活，方君璧将对人生与生活的感受悟转成一种艺术上的高雅心境，呈现在画面上。
[Abstract]:If you open up any modern Chinese art history, you will find the narratives of Xu Beihong, Lin Fengmian and other male masters, but female masters like Fang Junbi rarely mention it, even if they do. Although Fang Junbi has not published a macro theory such as Xu Beihong's on the improvement of Chinese painting, nor has he expressed a theory such as Lin Fengmian's theory on the harmony between China and the West. But Fang Junbi's life shows us another unique artistic exploration and pursuit through unremitting artistic creation. She is not a simple revolt against Chinese and Western art, nor an escape conversion to any party. She is based on the artistic style of the national soul to merge and create. She told us what art was all about with her brilliant works of art. Fang Junbi is the first Chinese student to study in Paris and the first Chinese artist to attend the French spring art salon. From the beginning, she learned art and received Western traditional painting education. She experienced the upheaval of various art schools in the West. Her painting was deeply influenced by realism, impressionism, abstraction and so on, but she was not confined to a certain school. Instead, it tries to integrate the principle of sketch and perspective into the traditional Chinese painting art form, forming a unique painting method of Chinese and Western integration, and becoming the reference object of later art. After experiencing the ups and downs of life, he still insists on his art belief. Art originates from life and is higher than life. Fang Junbi transforms the feeling of life and life into an artistic state of elegance and presents it on the screen.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2285070
[Abstract]:If you open up any modern Chinese art history, you will find the narratives of Xu Beihong, Lin Fengmian and other male masters, but female masters like Fang Junbi rarely mention it, even if they do. Although Fang Junbi has not published a macro theory such as Xu Beihong's on the improvement of Chinese painting, nor has he expressed a theory such as Lin Fengmian's theory on the harmony between China and the West. But Fang Junbi's life shows us another unique artistic exploration and pursuit through unremitting artistic creation. She is not a simple revolt against Chinese and Western art, nor an escape conversion to any party. She is based on the artistic style of the national soul to merge and create. She told us what art was all about with her brilliant works of art. Fang Junbi is the first Chinese student to study in Paris and the first Chinese artist to attend the French spring art salon. From the beginning, she learned art and received Western traditional painting education. She experienced the upheaval of various art schools in the West. Her painting was deeply influenced by realism, impressionism, abstraction and so on, but she was not confined to a certain school. Instead, it tries to integrate the principle of sketch and perspective into the traditional Chinese painting art form, forming a unique painting method of Chinese and Western integration, and becoming the reference object of later art. After experiencing the ups and downs of life, he still insists on his art belief. Art originates from life and is higher than life. Fang Junbi transforms the feeling of life and life into an artistic state of elegance and presents it on the screen.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【参考文献】
相关期刊论文 前2条
1 金镝;;20世纪中国早期油画的收藏现状[J];东方艺术;2011年23期
2 王欣;;方君璧中西融合的艺术观研究[J];现代装饰(理论);2013年07期
本文编号：2285070
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