论禅对中国水墨画意境的影响

发布时间：2018-10-21 09:58

【摘要】：唐代，禅宗与诗歌的兴起，奠定了中国传统水墨画的文化基础；宋代，禅学的进一步发展，使传统水墨画的画法画理以及审美标准逐渐构建；元代，遁世思想，促使传统水墨画在个人精神世界的觉醒；明清时期，禅僧和遗民画家让传统水墨画在个性精神和复古主义上觉醒；近现代，西方思想，促使了传统水墨画在观念和方法论上的觉醒。佛教的传入与禅宗思想在中国的形成对文人士大夫的觉醒作用导致了水墨画的萌生和发展。自唐代传统水墨画得到重视以来，，经宋、元、明、清各朝代发展和变革，禅宗在吸收了中国儒道本土思想后形成了自己独特的文化内涵，它不只是一种宗教，而是一种文化现象。从它在中国大地上形成的那一刻开始便影响着绘画领域，使传统水墨画的地位在唐代得到重视，自唐以后逐渐在笔墨运用、空间处理、物象特点、构图形式上影响着水墨画的发展。加之禅诗、禅茶与水墨画艺术的相互交融和相互渗透，从而深刻地影响水墨画的“意境”。纵观水墨画的发展脉络，水墨画中大多数变革和发展都是以“笔墨”为核心内容，笔者认为，水墨画中的“意境”应得到重视。要了解“意境”之内涵，又必须了解影响“意境”的因素，禅宗思想便是影响中国传统水墨画“意境”的重要因素。本文的写作，意在通过对史料书籍、论文期刊的梳理，对作品图式分析，将禅宗思想对传统水墨画意境的影响过程予以结构分化，再重组后呈现出来，目的是揭示中国传统水墨画在笔墨运用、空间处理、物象特点、构图形式、艺术精神等层面的特点，以理清禅宗思想与中国传统水墨画意境之渊源。
[Abstract]:Tang Dynasty, the rise of Zen and poetry, laid the cultural foundation of Chinese traditional ink painting; Song Dynasty, the further development of Zen study, so that the traditional ink painting principles and aesthetic standards gradually constructed; Yuan Dynasty, the idea of recluse, To promote the awakening of traditional ink painting in the world of individual spirit; during the Ming and Qing dynasties, Zen monks and painters let the traditional ink painting awaken in the spirit of individuality and retro antiquity; in modern times, in western thought, To promote the traditional ink painting in the concept and methodology of the awakening. The introduction of Buddhism and the formation of Zen thought in China caused the initiation and development of ink painting. Since the traditional ink painting of the Tang Dynasty has been attached importance to, through the development and reform of Song, Yuan, Ming and Qing dynasties, Zen Buddhism has formed its own unique cultural connotation after absorbing the local thought of Chinese Confucianism and Taoism, and it is not just a religion. It's a cultural phenomenon. From the moment it came into being on the earth of China, it influenced the field of painting, and made the position of traditional ink painting more important in the Tang Dynasty. Since the Tang Dynasty, it has been gradually applied in the use of ink and brush, space processing, and the characteristics of objects. The form of composition affects the development of ink painting. In addition, Zen poetry, Zen tea and ink painting art intermingle and permeate each other, thus profoundly affecting the "artistic conception" of ink and wash painting. Throughout the development of ink painting, most of the reform and development of ink painting is "ink" as the core content, the author believes that the ink painting "artistic conception" should be paid attention to. In order to understand the connotation of "artistic conception" and the factors that influence "artistic conception", Zen thought is the important factor that affects the "artistic conception" of traditional Chinese ink painting. The purpose of this paper is to analyze the schemata of the works by combing the historical materials and periodicals, to divide the influence process of Zen thought on the artistic conception of traditional Chinese ink painting, and to present it after recombination. The purpose of this paper is to reveal the characteristics of traditional Chinese ink painting in the aspects of application, spatial treatment, image characteristics, composition form, artistic spirit and so on, in order to clarify the origin of Zen thought and artistic conception of Chinese traditional ink painting.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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