隋唐敦煌壁画语言在当代岩彩画创作中的运用研究
发布时间：2018-10-22 12:32
【摘要】：中国的石窟壁画艺术在整个中国美术史上耀眼夺目,岩彩的渊源也与它有着紧密的联系。丝绸之路将佛教引入中国,矿物色得到很好的发展,敦煌莫高窟的石窟壁画艺术更是将矿物色的使用达到了巅峰状态。然而隋唐时期的莫高窟壁画更是集中体现了其敦煌艺术的精华,以其形式上的气势宏伟,构图上的圆满浑厚,色彩上的华美艳丽,技法上的朴实细腻一起营造出浓浓装饰氛围的宗教绘画艺术,体现出隋唐个性自由、和谐有致和充满创造力的文化气息。中国岩彩画的发展就受到了其佛教壁画的影响,在绘画过程中借鉴并融合了蕴含在敦煌壁画中所体现出的民族文化精神,传统的继承并不是表面上的复制和挪用,而是上升到了其精神层面,走的是既保留民族文化传统,又彰显时代特征的艺术发展道路,以全新面貌展现出来,得到了很多艺术爱好者的追捧。本文主要针对现在国内岩彩画的发展情况以及存在的现象进行深入研究,虽然岩彩画在国内近几年受到越来越多艺术家的热爱,但是关于岩彩画的归属性问题以及仿日抄袭等问题层出不穷,因此对岩彩画展开深入研究迫在眉睫,本文以甘肃敦煌莫高窟壁画艺术作为主要研究对象,重点定位到隋唐时期的石窟壁画语言研究,以敦煌石窟艺术的发展及背景为视角,对敦煌石窟壁画的追根溯源、发展演变、历史价值、壁画语言等方面进行具体分析,深入挖掘隋唐敦煌壁画与当代岩彩画之间的关系,重点分析其壁画语言对当代岩彩画创作的运用价值,通过对壁画的临摹和研究,将许多独特的艺术语言融汇到自己的创作中来,并着重分析几位具有代表性的当代岩彩画家的作品,分析其绘画语言的魅力与出处,并总结归纳得出结论,最终以“请进来,走出去。”的创作理念指导我的毕业创作,营造一幅既富有敦煌意味的色彩画面,又体现出语言时代性的艺术作品,最后也想通过知识的梳理能够让自己的创作有所突破,找到自己的个性语言。
[Abstract]:Chinese grottoes mural art is dazzling in the history of Chinese art, and the origin of rock color is closely related to it. The Silk Road introduced Buddhism into China, and the mineral color developed very well, and the mural art of Dunhuang Mogao Grottoes reached the peak of the use of mineral colors. However, the murals of Mogao Grottoes in the Sui and Tang dynasties are concentrated on the essence of Dunhuang art, with their grandeur in form, completeness in composition, and splendor in color. The technique of simplicity and delicacy together create a strong decorative atmosphere of religious painting art, reflecting the Sui and Tang dynasties personality freedom, harmony and creative culture. The development of Chinese rock paintings is influenced by its Buddhist murals. In the process of painting, the national cultural spirit embodied in Dunhuang murals is used for reference and integrated. The traditional inheritance is not superficial reproduction and misappropriation. Instead, it ascends to its spiritual level, and takes the road of art development, which not only preserves the national cultural tradition but also highlights the characteristics of the times, and is displayed in a new face, which has been pursued by many art lovers. This paper mainly focuses on the development and existing phenomena of rock color painting in China, although rock color painting has been loved by more and more artists in China in recent years. However, there are many problems about the attribution of rock color painting and imitation of Japan, so it is urgent to carry out in-depth research on rock color painting. This paper takes the murals of Dunhuang Mogao Grottoes in Gansu as the main research object. From the perspective of the development and background of Dunhuang grottoes art, this paper analyzes the origin, evolution, historical value and murals language of Dunhuang grottoes in the Sui and Tang dynasties. Deeply excavating the relationship between Dunhuang murals of Sui and Tang dynasties and contemporary rock color paintings, focusing on the application value of their mural language to contemporary rock color painting creation, through copying and studying the murals, Integrating many unique artistic languages into his own creation, and focusing on analyzing the works of several representative contemporary rock color painters, analyzing the charm and provenance of their painting language, and summing up and concluding the conclusion, and finally saying, "Please come in," Go out. " My creative ideas guide my graduation creation, create a color picture that is full of Dunhuang meaning, and also reflect the language of the times. Finally, I also want to make a breakthrough in my own creation through the combing of knowledge. Find your own personal language.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204
本文编号：2287169
[Abstract]:Chinese grottoes mural art is dazzling in the history of Chinese art, and the origin of rock color is closely related to it. The Silk Road introduced Buddhism into China, and the mineral color developed very well, and the mural art of Dunhuang Mogao Grottoes reached the peak of the use of mineral colors. However, the murals of Mogao Grottoes in the Sui and Tang dynasties are concentrated on the essence of Dunhuang art, with their grandeur in form, completeness in composition, and splendor in color. The technique of simplicity and delicacy together create a strong decorative atmosphere of religious painting art, reflecting the Sui and Tang dynasties personality freedom, harmony and creative culture. The development of Chinese rock paintings is influenced by its Buddhist murals. In the process of painting, the national cultural spirit embodied in Dunhuang murals is used for reference and integrated. The traditional inheritance is not superficial reproduction and misappropriation. Instead, it ascends to its spiritual level, and takes the road of art development, which not only preserves the national cultural tradition but also highlights the characteristics of the times, and is displayed in a new face, which has been pursued by many art lovers. This paper mainly focuses on the development and existing phenomena of rock color painting in China, although rock color painting has been loved by more and more artists in China in recent years. However, there are many problems about the attribution of rock color painting and imitation of Japan, so it is urgent to carry out in-depth research on rock color painting. This paper takes the murals of Dunhuang Mogao Grottoes in Gansu as the main research object. From the perspective of the development and background of Dunhuang grottoes art, this paper analyzes the origin, evolution, historical value and murals language of Dunhuang grottoes in the Sui and Tang dynasties. Deeply excavating the relationship between Dunhuang murals of Sui and Tang dynasties and contemporary rock color paintings, focusing on the application value of their mural language to contemporary rock color painting creation, through copying and studying the murals, Integrating many unique artistic languages into his own creation, and focusing on analyzing the works of several representative contemporary rock color painters, analyzing the charm and provenance of their painting language, and summing up and concluding the conclusion, and finally saying, "Please come in," Go out. " My creative ideas guide my graduation creation, create a color picture that is full of Dunhuang meaning, and also reflect the language of the times. Finally, I also want to make a breakthrough in my own creation through the combing of knowledge. Find your own personal language.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J204
【参考文献】
相关期刊论文 前1条
1 胡明哲;心语1994——1997创作日记摘抄[J];美术观察;1997年09期
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