从传统中国画之“经营位置”谈我的毕业创作
发布时间：2018-10-29 16:27
【摘要】：南朝齐、梁年间,谢赫在“六法论”中提出了“经营位置”,这是中国画构图的一个重要标准,在现代社会里我们称之为“构图。”艺术创作是有很多个环节构成的,而构图是创作早期最重要的一步。构图不是简单的将物象成列在画面中,画家要根据题材和艺术思想及创作理念,把所要表现的物象的各个部分加以合理组织和分配,在一定的空间里经营和处理被描绘对象的关系,把个体与个体之间组成一个协调完整的画面,这就是构图。简而言之就是把合适的物象放在合适的地方,从而达到一种美的视觉享受。经过历朝历代的发展和完善,工笔画的构图日趋丰富多样,“经营位置”作为传统的绘画布局理论指导,贯穿着整个绘画过程,在完美的表达画家的思想意图和审美指向方面,起着至关重要的作用。然而,每个个体的不同也会导致结果不同,本文尝试着从布局理论“经营位置”作为我毕业创作的理论依据,结合现代社会的审美观,以及我个人的审美经验和理解,去阐述构图的形式美以及在我的作品中的体现。
[Abstract]:In the Southern Qi Dynasty and Liang Dynasty, Sheikh put forward the "management position" in the "six laws", which is an important standard of Chinese painting composition, which we call "composition in modern society." There are many links in artistic creation, and composition is the most important step in the early stage of creation. Composition is not a simple list of objects in the picture, the painter should according to the subject matter and artistic ideas and creative ideas, to display the various parts of the object to be rationally organized and distributed. In a certain space to manage and deal with the relationship between the described objects, the individual and the individual to form a coordinated and complete picture, this is the composition. In short, it is to put the right image in the right place, so as to achieve a beautiful visual enjoyment. After the development and perfection of successive dynasties, the composition of fine brushwork has become more and more diverse. As a traditional theory of painting layout, "management position" runs through the whole painting process and perfectly expresses the painter's ideological intention and aesthetic direction. Play a vital role. However, the differences of each individual also lead to different results. This paper tries to use the layout theory "management position" as the theoretical basis for my graduation creation, combining the aesthetic standards of modern society, as well as my personal aesthetic experience and understanding. To expound the formal beauty of composition and its embodiment in my works.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2298213
[Abstract]:In the Southern Qi Dynasty and Liang Dynasty, Sheikh put forward the "management position" in the "six laws", which is an important standard of Chinese painting composition, which we call "composition in modern society." There are many links in artistic creation, and composition is the most important step in the early stage of creation. Composition is not a simple list of objects in the picture, the painter should according to the subject matter and artistic ideas and creative ideas, to display the various parts of the object to be rationally organized and distributed. In a certain space to manage and deal with the relationship between the described objects, the individual and the individual to form a coordinated and complete picture, this is the composition. In short, it is to put the right image in the right place, so as to achieve a beautiful visual enjoyment. After the development and perfection of successive dynasties, the composition of fine brushwork has become more and more diverse. As a traditional theory of painting layout, "management position" runs through the whole painting process and perfectly expresses the painter's ideological intention and aesthetic direction. Play a vital role. However, the differences of each individual also lead to different results. This paper tries to use the layout theory "management position" as the theoretical basis for my graduation creation, combining the aesthetic standards of modern society, as well as my personal aesthetic experience and understanding. To expound the formal beauty of composition and its embodiment in my works.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
，
本文编号：2298213
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