以茶入画——明代茶画的艺术境界分析

发布时间：2018-11-08 19:48

【摘要】：明代统治者对程朱理学非常推崇,但是在思想方面却采取高压态势对待当时的画家文人,这也导致后者虽然胸怀远大的理想和抱负,但却惮于抒发自己的思想和见解,不可能施展自己的才华。在这种情况下他们只能以琴棋书画表达自己的志向,寄情于山水之间。它在很大程度上吻合了茶事与茶文化的独特思想。笔者首先论述了明代画家所面临的时代背景,然后列举了若干以茶入画的代表作品,分析它们营造出来的艺术境界。希望能够为相关人员提供有益的参考和借鉴。
[Abstract]:The rulers of the Ming Dynasty highly respected the Neo-Confucianism of Cheng and Zhu, but they took a high-pressure attitude towards the painters of the time, which also led to the latter's lofty ideals and aspirations, but he was afraid to express his own thoughts and opinions. It is impossible to display one's talent. In this case, they can only use Qin Qi calligraphy and painting to express their aspirations, send feelings between mountains and rivers. To a great extent, it coincides with the unique idea of tea affair and tea culture. The author first discusses the background of the times faced by the Ming Dynasty painters, and then enumerates some representative works of painting with tea, and analyzes the artistic realm they create. Hope to be able to provide relevant personnel with useful reference and reference.
【作者单位】：河北民族师范学院美术与设计学院;
【分类号】：J212;TS971

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