黑衣壮服饰的形色元素在工笔人物画中的运用表现
发布时间：2018-11-11 19:19
【摘要】：当代工笔人物画的取材越来越热衷于少数民族题材,每个民族都有各自的民族风情,服饰也各具特色,少数民族元素被大量融入绘画的创作之中,在少数民族中,黑衣壮族的服饰是目前保留传统样式最为完好的民族服饰之一。黑衣壮族崇尚黑色,这与中国画的尚墨有异曲同工之妙,当然传统工笔人物画对墨的要求远远超越狭义的黑色,讲究墨的“五色”和“六彩”,这是对古人尚黑的升华。二者对黑色的崇尚是二者成功结合的内在联系,也是工笔人物画选择黑衣壮作为创作元素的重要原因,归纳黑衣壮服饰自身的特点,依据传统工笔人物画的原则,使黑衣壮在工笔人物画中得以更好地表现,满足画面的审美要求,实现画家的情感表达。 全文分为四部分,重点表达黑衣壮服饰的形与色这两个元素怎样在工笔人物画中的运用表现,通过对传统工笔人物画技法要求的研究,探求黑衣壮服饰的形色元素如何在工笔人物画中的运用表现,实现黑衣壮民族服饰与工笔人物画的结合。 文章第一部分的核心是黑衣壮族服饰的造型在工笔人物画中运用表现,该部分首先直奔主题,介绍了黑衣壮服饰的造型特点,包括头衣、上衣、下裳、鞋子和饰品等各自特征；其次,分别阐述传统工笔人物画中人物服饰造型运用表现发展概要和当代黑色服饰在工笔人物画中的运用表现；最后,根据前文所讲的黑衣壮服饰造型特点,参照古今相关工笔人物画中人物服饰造型表现特征,研究黑衣壮服饰造型元素在工笔人物画中的运用表现。 文章第二部分是黑衣壮族服饰的色彩在工笔人物画中的运用表现,第二部分呼应文章第一部分,从服饰色彩角度来研究说明。该部分首先介绍黑衣壮服饰色彩特征；其次,分别阐述了传统工笔人物画中人物服饰色彩的运用表现和当代工笔人物画中黑色服饰色彩的运用表现，这对下文研究黑衣壮服饰色彩的运用表现提供必要的实践支持：最后，在前文的支持下论述黑衣壮服饰色彩在工笔人物画中的运用表现。 文章第三部分是黑衣壮服饰元素与背景的结合,这是对黑衣壮服饰形色两元素在工笔人物画中运用表现的必要补充,一幅完整的作品不能离开背景而独立存在,黑衣壮服饰的形色元素在工笔人物画的运用表现不能缺少背景。该部分将造型和色彩两个元素分别与背景进行了结合来进行研究,从而既能使文章更加完整,也能符合绘画创作的完整性。 文章第四部分是文章写作和研究的意义。这部分从美学角度阐明了黑衣壮服饰形色元素在工笔人物画中的运用表现的意义,并且上升到了一定的史学层面,即：既认知和继承黑衣壮服饰文化特点,又填补和充实了工笔人物画中黑衣壮题材的创作,同时对重新找回尚墨理念有重要帮助。
[Abstract]:The collection of contemporary meticulous figure painting is more and more keen on the theme of ethnic minorities, each nation has its own national customs, costumes also have their own characteristics, minority elements have been a large number of into the creation of painting, in the minority, Black clothing Zhuang clothing is one of the most intact traditional style of national clothing. Black dress Zhuang advocates black, which is different from Chinese painting in still ink. Of course, the requirement of traditional meticulous figure painting to ink is far beyond the narrow sense of black, pay attention to ink "five colors" and "six colors", this is the sublimation of the ancients. Their respect for black is the internal link of their successful combination, and also the important reason why meticulous figure painting chooses black garment Zhuang as the creative element, and summarizes the characteristics of black dress itself, and according to the principles of traditional fine brushwork figure painting, So that the black clothes Zhuang in fine brushwork figure painting can be better performance, meet the aesthetic requirements of the picture, realize the artist's emotional expression. The full text is divided into four parts, which focus on how to express the form and color of the black clothes and Zhuang dress in the use of meticulous figure painting, through the study of the technical requirements of traditional meticulous figure painting. This paper explores how to use the form and color elements of the black dress Zhuang costume in the fine brushwork figure painting to realize the combination of the black dress Zhuang national dress and the fine brushwork figure painting. The core of the first part of the article is the use of black clothes Zhuang costumes in the use of fine brushwork figure painting, this part of the first straight to the theme, introduced the black Zhuang clothing modeling characteristics, including the head, top, lower clothes, shoes and ornaments and other characteristics; Secondly, elaborate the traditional figure painting in the use of figure clothing performance development outline and contemporary black costume in the use of fine figure painting performance; Finally, according to the characteristics of the black clothes Zhuang costume modeling, referring to the ancient and modern figure painting characters dress modeling characteristics, the application of the black clothing Zhuang clothing modeling elements in the fine brushwork figure painting performance. The second part of the article is the use of black clothes Zhuang costumes in the use of meticulous figure painting, the second part echoes the first part of the article, from the perspective of clothing color to study the explanation. This part first introduces the color features of black clothes; Secondly, the use of traditional figure painting in figure color and contemporary figure painting in the use of black dress color performance, This provides the necessary practical support for the following research on the use of black clothing Zhuang clothing color: finally, under the support of the previous article, it discusses the application performance of black clothing Zhuang dress color in fine brushwork figure painting. The third part of the article is the combination of the elements of the black dress and the background, which is a necessary supplement to the application of the two elements in the fine brushwork figure painting. A complete piece of work can not exist independently from the background. The application of the form and color elements of the black dress in the fine brushwork figure painting can not lack the background. This part combines the modeling and color elements with the background to carry on the research, thus can not only make the article more complete, but also accord with the integrity of painting creation. The fourth part is the significance of writing and research. This part clarifies the meaning of the application of the black dress and Zhuang dress form and color element in the fine brushwork figure painting from the angle of aesthetics, and rises to a certain historical level, that is, cognizing and inheriting the cultural characteristics of the black dress Zhuang dress. It also fills in and enriches the creation of black clothes and Zhuang theme in meticulous figure painting, and it is of great help to rediscover the idea of still ink.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS941.11;J212
本文编号：2325867
[Abstract]:The collection of contemporary meticulous figure painting is more and more keen on the theme of ethnic minorities, each nation has its own national customs, costumes also have their own characteristics, minority elements have been a large number of into the creation of painting, in the minority, Black clothing Zhuang clothing is one of the most intact traditional style of national clothing. Black dress Zhuang advocates black, which is different from Chinese painting in still ink. Of course, the requirement of traditional meticulous figure painting to ink is far beyond the narrow sense of black, pay attention to ink "five colors" and "six colors", this is the sublimation of the ancients. Their respect for black is the internal link of their successful combination, and also the important reason why meticulous figure painting chooses black garment Zhuang as the creative element, and summarizes the characteristics of black dress itself, and according to the principles of traditional fine brushwork figure painting, So that the black clothes Zhuang in fine brushwork figure painting can be better performance, meet the aesthetic requirements of the picture, realize the artist's emotional expression. The full text is divided into four parts, which focus on how to express the form and color of the black clothes and Zhuang dress in the use of meticulous figure painting, through the study of the technical requirements of traditional meticulous figure painting. This paper explores how to use the form and color elements of the black dress Zhuang costume in the fine brushwork figure painting to realize the combination of the black dress Zhuang national dress and the fine brushwork figure painting. The core of the first part of the article is the use of black clothes Zhuang costumes in the use of fine brushwork figure painting, this part of the first straight to the theme, introduced the black Zhuang clothing modeling characteristics, including the head, top, lower clothes, shoes and ornaments and other characteristics; Secondly, elaborate the traditional figure painting in the use of figure clothing performance development outline and contemporary black costume in the use of fine figure painting performance; Finally, according to the characteristics of the black clothes Zhuang costume modeling, referring to the ancient and modern figure painting characters dress modeling characteristics, the application of the black clothing Zhuang clothing modeling elements in the fine brushwork figure painting performance. The second part of the article is the use of black clothes Zhuang costumes in the use of meticulous figure painting, the second part echoes the first part of the article, from the perspective of clothing color to study the explanation. This part first introduces the color features of black clothes; Secondly, the use of traditional figure painting in figure color and contemporary figure painting in the use of black dress color performance, This provides the necessary practical support for the following research on the use of black clothing Zhuang clothing color: finally, under the support of the previous article, it discusses the application performance of black clothing Zhuang dress color in fine brushwork figure painting. The third part of the article is the combination of the elements of the black dress and the background, which is a necessary supplement to the application of the two elements in the fine brushwork figure painting. A complete piece of work can not exist independently from the background. The application of the form and color elements of the black dress in the fine brushwork figure painting can not lack the background. This part combines the modeling and color elements with the background to carry on the research, thus can not only make the article more complete, but also accord with the integrity of painting creation. The fourth part is the significance of writing and research. This part clarifies the meaning of the application of the black dress and Zhuang dress form and color element in the fine brushwork figure painting from the angle of aesthetics, and rises to a certain historical level, that is, cognizing and inheriting the cultural characteristics of the black dress Zhuang dress. It also fills in and enriches the creation of black clothes and Zhuang theme in meticulous figure painting, and it is of great help to rediscover the idea of still ink.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS941.11;J212
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