王蒙山水画中牛毛皴、解索皴技法探究

发布时间：2018-11-12 12:34

【摘要】：中国画来自于中华民族凝聚的创造力，是人们重要的精神支柱，影响着人们的审美价值取向，而山水画作为其中特殊的一种分类，更是展示了中国人民的精神依托和创新性，促进了中国艺术美学的发展。皴法，特别是山水画中的皴法，是一种很特别的艺术语言形式，它作为一种绘画表现技法，能够长久的伫立在艺术的长河中永不凋零，，肯定有着其坚不可摧的重要性和可取性。其一是因为皴法是人们绘画语言的再现方式，表现了中国人寄情于自然的精神内涵，同时也是人们的精神象征。研究不同种类的皴法，能够开拓我们的视野，为创作出更好的艺术作品提供理论基础。然后是中国山水画的技法种类繁多，都是画家们在实践的基础上创造的，我们要想继承，不仅要有理论依据，更要有在大自然中的真实体悟。而牛毛皴、解索皴是中国山水画上重要的两种皴法表现手法，这两种皴法是元代著名画家王蒙通过自身的生活经历创造出来的，它不仅丰富了中国山水画的种类，也加快了山水画的艺术进程。现代山水画的创作也常常把王蒙的牛毛皴、解索皴作为重要的参考标准。所以，对牛毛皴、解索皴进行认真且深层次的探究是很重要的。本文对王蒙创造的牛毛皴、解索皴进行探究，使我们对中国画皴法有更深入的了解。本文大致分为四个部分：第一部分：首先从牛毛皴、解索皴的定义展开来研究，其中对皴法的涵义、皴法的演变过程这两方面进行概述。其次论述了前人对牛毛皴和解索皴的定义。第二部分：作为重点章节讲述了王蒙山水画中的牛毛皴、解索皴的来源，其一受前人技法的深刻影响，其二自然山水的体悟，其三独特材质的运用。技法特点分别为纤细飘动的牛毛皴，屈回密集的解索皴。最后探究了王蒙的牛毛皴、解索皴在其绘画作品中的具体运用及其产生的艺术效果。第三部分：从审美意蕴上对牛毛皴、解索皴进行研究，分为内在的形式美和外在的意象美。第四部分：主要论述了王蒙的绘画艺术成就和他的牛毛皴、解索皴的独创性，以及对后世画家所产生的影响。通过论述各朝代对牛毛皴、解索皴的影响，使我们认识到实践的重要性，在实践中对牛毛皴、解索皴加以应用，扩展我们新的精神领域。我个人觉得，对中国山水画技法进行研究是一件非常有意义的事，而王蒙作为中国山水画史上著名的画家，又是牛毛皴、解索皴的创始人，更应该受到更多的关注。虽然研究王蒙的人很多，但是对他独创的牛毛皴、解索皴进行单独详细解释的人没有，这两种重要的皴法并不是简简单单就能探究透彻的，但我会尽量全面的进行总结，为扩展我们的理论知识付出微薄之力。从古至今，中国山水画的创作都离不开传统的笔墨技法，因此对技法的探究就显得极为重要了，其中每个朝代都有重要的皴法产生，影响着后世的画家们，我们只有研究透彻这些皴法，吸收传统中的精华，再通过自己的感悟加以创造出性更优秀的作品。
[Abstract]:The Chinese painting comes from the creativity of the Chinese nation's cohesion, which is an important spiritual pillar, which influences the aesthetic value orientation of the people, and the landscape painting is one of the special categories, and also shows the spiritual support and the innovation of the Chinese people, and promoted the development of Chinese art aesthetics. It is a kind of special artistic language form, especially in the landscape painting, it is a kind of special artistic language form, it is a kind of painting performance technique, can be long-lasting in the long river of the art will never wither, certainly has its inimitable importance and desirability. The first is that the method of reproduction is the way of reproduction of people's painting language, which shows the spiritual connotation of Chinese people's love in nature, and is also a symbol of people's spirit. The study of different kinds of different methods can open up our field of view and provide a theoretical basis for the creation of a better art of art. Then it is a great variety of Chinese landscape painting techniques, all of which are created on the basis of practice, and we want to inherit, not only the theoretical foundation, but also the real understanding in nature. The two methods, which are the important two methods of expression in Chinese landscape painting, are created by the life experience of the famous painter Wang Meng in the Yuan Dynasty, which not only enriches the kinds of Chinese landscape painting, but also speeds up the artistic process of the landscape painting. The creation of modern landscape painting is also often used as an important reference standard. Therefore, it is very important to make a careful and deep-depth study on the cattle and hair. This paper makes an inquiry into the current situation of the cattle-hair and the solstiano, which is created by Wang Meng, which makes us more and more aware of the traditional Chinese painting method. This paper is divided into four parts: The first part is to study the definition and development of the method of the evolution of the origin and the evolution of the method. In the second part, we discuss the previous studies on the cornutation and the unsolvability of the cattle. The second part: The second part: As the key chapter, the author describes the source of the cattle hair and the desobering of the King's landscape painting, one of which is deeply influenced by the previous techniques, the other is the body of the natural landscape, and the third is unique. The application of the material is characterized by the fine and floating of the cow's hair, the bending and the back-back. The purpose of this paper is to find out the specific application and its production of Wang Meng's fur-and-white-hair and solasol in his paintings. The third part: from the aesthetic implication, the study of the cow's hair and the unsolstique is divided into the form of the inner. The image of the beauty of the beauty of the beauty of the beauty of the beauty of the beauty of the beauty of the beauty of the world. In this paper, the influence of the dynasties on the development of the cattle and the desoothes is discussed, so that the importance of the practice is recognized, and the application of the bovine wool and the solonso in practice is applied in practice. As a famous painter in the history of Chinese landscape painting, Wang Meng, a famous painter in the history of Chinese landscape painting, is a famous painter in the history of Chinese landscape painting. The founder, more likely to be more concerned. Although the study of Wang Meng is a lot, there are no separate and detailed explanations for his original fur-hair and solstiano, both of which are not simply simple and can be explored. Yes, but I'll try to sum up as much as possible, in order to expand. In ancient times, the creation of Chinese landscape painting can't be separated from the traditional pen-and-ink technique, so the exploration of the technique is very important, in which every dynasty has an important method to produce and influence the painters of the later ages, and we only study It's the best way to absorb the essence of the tradition and to pass through one's own
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】