王诜《渔村小雪图》研究
发布时间：2018-11-15 10:21
【摘要】：王诜是北宋时期的重要画家。作为宋神宗的驸马,他拥有一流的才学与绘画天赋。同时,他又是当时的文坛领袖、文人画理论的奠基人苏轼深交的好友。其绘画在当时得到了文人们的广泛赞赏。但在后世“南北宗论”的评价体系中,虽然他在绘画上多作文人景色,其在技法上所承袭的却是被视作是“北宗”末流的重彩绘画法。故而其在晚明文人画的评价体系中地位颇显尴尬,时而被归为“南宗”,时而又被归入“北宗”。于是,一个值得讨论的问题便被引申出来了:王诜的画是文人画吗?本文认为,要回答这个问题,最好的方法便是从王诜的作品中去寻找答案。而理解一件艺术品最好的方式,便是回到艺术作品制作法和观看当中去。所以,本文首先通过梳理北宋时期早期文人画的基本理论,还原早期文人画的原有面貌,用以了解王诜时代文人们的视觉旨趣。在此基础上,本文通过梳理王诜之前的中国山水画形式流变与工具材料,窥探王诜在创作时的形式选择与材料运用。最后,本文聚焦王诜流传至今最为可信的作品《渔村小雪图》,在制作法与观看两个层面进行分析,从而尝试复原王诜的创作构思。通过将其创作构思与苏轼等早期文人画奠基者的理论进行对照,我们或许可以更为清晰地认识到王诜在早期文人画发展过程中的独特地位。
[Abstract]:Wang Shen was an important painter in the Northern Song Dynasty. As the son-in-law of Song Shenzong, he has first-class talent and painting talent. At the same time, he was the literary leader and close friend of Su Shi, the founder of literati painting theory. His paintings were widely appreciated by the literati at that time. However, in the evaluation system of "North and South sect", although he wrote more people scenery in painting, his technique was regarded as the repainting method of "Beizong". Therefore, his position in the evaluation system of literati paintings in the late Ming Dynasty is rather awkward, sometimes classified as "South Zong" and sometimes classified as "North Zong". Thus, a question worthy of discussion was extended: is Wang Shen's painting a literati painting? The best way to answer this question is to find out from Wang Shen's works. The best way to understand a piece of art is to go back to art making and viewing. Therefore, this paper firstly combs the basic theory of the early literati painting in the Northern Song Dynasty, restores the original appearance of the early literati painting, in order to understand the visual purport of the literati in Wang Shen's time. On this basis, this paper explores Wang Shen's choice of form and application of materials in his creation by combing the changes of Chinese landscape painting forms and tools before Wang Shen. Finally, this article focuses on Wang Shen's most credible work, "the fishing Village Lesser Snow Picture", and analyzes it at the two levels of making method and watching, so as to try to restore Wang Shen's creative conception. By comparing his creative conception with the theories of the founders of the early literati paintings such as Su Shi, we may have a clearer understanding of the unique position of Wang Shen in the development of early literati paintings.
【学位授予单位】：广州美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2333022
[Abstract]:Wang Shen was an important painter in the Northern Song Dynasty. As the son-in-law of Song Shenzong, he has first-class talent and painting talent. At the same time, he was the literary leader and close friend of Su Shi, the founder of literati painting theory. His paintings were widely appreciated by the literati at that time. However, in the evaluation system of "North and South sect", although he wrote more people scenery in painting, his technique was regarded as the repainting method of "Beizong". Therefore, his position in the evaluation system of literati paintings in the late Ming Dynasty is rather awkward, sometimes classified as "South Zong" and sometimes classified as "North Zong". Thus, a question worthy of discussion was extended: is Wang Shen's painting a literati painting? The best way to answer this question is to find out from Wang Shen's works. The best way to understand a piece of art is to go back to art making and viewing. Therefore, this paper firstly combs the basic theory of the early literati painting in the Northern Song Dynasty, restores the original appearance of the early literati painting, in order to understand the visual purport of the literati in Wang Shen's time. On this basis, this paper explores Wang Shen's choice of form and application of materials in his creation by combing the changes of Chinese landscape painting forms and tools before Wang Shen. Finally, this article focuses on Wang Shen's most credible work, "the fishing Village Lesser Snow Picture", and analyzes it at the two levels of making method and watching, so as to try to restore Wang Shen's creative conception. By comparing his creative conception with the theories of the founders of the early literati paintings such as Su Shi, we may have a clearer understanding of the unique position of Wang Shen in the development of early literati paintings.
【学位授予单位】：广州美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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，本文编号：2333022
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